Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
author：Literary secrets
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in The Defence of Moscow
"The Defense of Moscow" is a film that our Chinese audience is very familiar with, because this movie is often broadcast on television.
I've wanted to see the movie in its entirety every time before, but not once.
Often look at the upper part, the lower part is missed.
It seems that what remains in the impression is that the short, dull, and mechanical Stalin in the film, holding a pipe, in the halls of the Kremlin, paced over, giving commanders, and surveying the war situation.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
The image of Stalin's "zero degree of emotion" in the film is elusive.
When you say that this movie is trying to praise Stalin, or is it to scandalize Stalin?
Now it seems that the film, on the whole, is still affirmative of Stalin.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Because in the 1980s, when Brezhnev was in power, although stalin's evaluation was not explicitly affirmed, secretly, Boucher still gave an attitude of "secretly praising the clear and not asking".
Such a little thought of Bo Shi will directly affect the creative mentality of the creator and immediately reflect it in the movie.
Ozelov, the director of "The Defense of Moscow", had previously made Liberation, which was filmed from 1968 to 1972.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in Liberation
Since Brezhnev came to power in 1964, Stalin's evaluation wind has changed slightly, and Stalin in "Liberation" is the first time he appeared on the screen after Khrushchev came to power and plunged into the abyss, and under the influence of the climate at that time, Stalin in the film has already appeared in a very positive image.
Of course, the film also uses "zero degree emotion", which does not involve any emotional hints of Stalin, and Stalin in the lens is just an unfathomable and mysterious figure.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in Liberation is played by Buchhudi Zachariaze. Born in Azerbaijan in 1913, he died in 1988 at the age of 74.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Buchhudi Zakariazze life photo
Looking up the information, Zakariazze only played Stalin in the Liberation series.
By the time of the filming of The Defence of Moscow in 1985, Stalin had been replaced by Yakov Tripolsky, the expressionless, lifeless, glowing version of Stalin that we now often see on television.
But compared to Stalin in Ozelov's three-hour "The Great Bloody Battle of Stalingrad" directed by Ozelov in 1990, the image of Stalin in "The Defense of Moscow" is still a mercy.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in The Bloody Battle of Stalingrad
The era when "Stalingrad Blood War" was filmed was already the time when Gorbachev was in power, and the film was launched in the era of Chellenko's administration. Stalin is played by Achille Gomiashvili, who was born in Georgia in 1926 and died in 2005 at the age of 79.
Previously, Gomiashvili had played Stalin in the fifth episode of Borders in 1986.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in the fifth episode of Borders
The play shows how fighters on the Soviet-Polish border responded to the attack of Hitler's army in 1941.
Later, he also starred in Stalin in 1990's War.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in War
Stalin in "The Great Blood Battle of Stalingrad" is clearly influenced by Gorbachev's tendency to belittle Stalin after coming to power, and the Stalin in this film is not as gentle as the "Defense of Moscow", but highlights the violent element of the characters.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "Stalingrad Blood War", the eyes have always been cold, the actor's gaze, through a kind of gloomy, cold, suspicious cold, giving people a strong pressure.
In "The Great Blood Battle of Stalingrad", compared with the model of Stalin and Zhukov in "The Defense of Moscow" that is generally sharp, tacitly cooperative, and sympathetic, this version of Stalin has obviously become suspicious of Zhukov.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
In the last part of the Great Bloody Battle of Stalingrad, a political worker cadre reports to Stalin that Zhukov has no one in sight and is spreading out outside, and that the defense of Moscow was commanded by Zhukov. Stalin in the camera has a gloomy but silent look, and he asks the informant to keep the information, and the subtext is "settle the account after the autumn."
In this way, the middle part of Ozelov's trilogy, that is, "The Defense of Moscow", thanks to Boech's attitude toward Stalin's overall heating up, generally affirmed Stalin positively, but did not dare to truly restore Stalin's influence in World War II, so the character image in the film was hidden, and Wang Gu left and right, it seems, artistically, failed, and the image of Stalin created is now the most mediocre one.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Because one of the main characters in the film only bears the responsibility of mechanically stating historical facts in the film, how can such a film involve the inner world of the characters, and inevitably give up the portrayal of the characters' hearts.
The image of Stalin in "The Defense of Moscow" can be roughly seen in the following characterizations:
<h1 class="pgc-h-arrow-right" data-track="56" > first, it did not defame Stalin's panic, but it also did not show that he had a fearless spiritual essence. </h1>
In Liberation, which began filming in 1968, director Ozelov was told not to shoot from the beginning of the war, apparently because of the initial defeat and embarrassing to bring to the screen.
But "The Defense of Moscow" explains the causes of the war.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
The film does not show Stalin's strange behavior of panic, hiding behind closed doors, and refusing to see people in the usual records, but from the outbreak of war, Stalin quietly convenes a meeting and organizes countermeasures.
Stalin's contribution to World War II is rarely praised in the preface to Stalin's War (Oracle Series, 2018 edition) by the British scholar Jeffrey Roberts. In the preface, it is written: "Without his leadership, the war against Nazi Germany would probably have been lost." Churchill, Hitler, Mussolini, and Roosevelt, all of whom were replaceable as military leaders, but Stalin could not. ”
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
If you make a film about the history of World War II, but portray an irreplaceable leader as a coward who is timid and afraid of things, and has no master, he will not be able to support the core strength of the film in any way.
Therefore, "The Defence of Moscow" must show the most basic qualities of Stalin's pampered and awe-inspiring leader.
It is worth noting that in our TV series "Eastern Battlefield", stalin also appeared in the passage where Stalin heard about Hitler's attack, and Stalin in the camera was stunned at that time, sitting in his office in a daze, and appealing to the camera for Stalin's usual rumored gaffe.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Compared with the two, "The Defense of Moscow" has a good screen reproduction of Stalin's calm and self-assured performance in the early stages of the war.
<h1 class="pgc-h-arrow-right" data-track="216" > second, it did not strengthen Stalin's material like a god, but never forgot to show that he relied on Zhukov to command the war. </h1>
Nor does The Defence of Moscow show Stalin's heroism in shouldering heavy burdens.
Let's compare Stalin's performance of strategizing and pointing out the country in "Stalingrad's Blood Battle" filmed in 1948, and now in "The Defense of Moscow", he asks people everywhere and sometimes shows a sense of lack of self-confidence, and Stalin's image has plummeted.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
The Bloody Battle of Stalingrad, filmed in 1948
Therefore, Stalin in "The Defense of Moscow" is an awkward existence, just passively confessing the war, and it is impossible to speak the same language as the 1948 version of controlling everything and expecting things like gods.
Stalin, as shown in The Defense of Moscow, faced with a strong enemy, recklessly demanded that his subordinates carry out orders to counterattack, counterattack, and counterattack.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Zhukov's function in the film is also to implement Stalin's instructions to the front.
The next narrative of the film is that the frontier soldiers use their lives to resist the attack, which constitutes the simplest plot structure in the whole movie.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin's resourceful disposition was highlighted in stalin's 1948 film "The Bloody Battle of Stalingrad", and a plot was arranged in the film, in which Stalin explained in detail to a comrade-in-arms who had worked together in the past when he had worked in the defense of Tsaritsin, showing Stalin's clever and calculating demeanor, which was lost in "The Defense of Moscow" and could not be found.
<h1 class="pgc-h-arrow-right" data-track="217" > third is to highlight Stalin's concern for life, but Zoya's clues mention Stalin's appeal. </h1>
Stalin has basically no emotional and psychological depiction in "The Defense of Moscow", and the film hastily inserts the emotional line of Zoya, and this emotional line must be attached to Stalin's main line, which makes this chain in the film have a little "head and no end" feeling.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
In The Defense of Moscow, not a single soldier shouts in his mouth that he is going to fight for Stalin, and only in Zoya's passages, Zoya shouts slogans before his death, including deep friendship with Stalin.
In the film, Zoya shouts: "Stalin is coming, Stalin is with us," and walked onto the gallows, which was touching.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
And this can not but be said to be a psychological driving force for soldiers during the Great Patriotic War. The film ignores such a spiritual force that existed at that time, but in the Zoya paragraph, it has to take a step back, so that the tender passage represented by Zoya expresses the respect for Stalin.
The film then narrates in a voiceover, where Stalin orders the execution of the German unit that strangled Zoya. In fact, in disguise, it outlines Stalin and responds to Zoya's dedication to life, reflecting Stalin's approval of Zoya's spirit in his heart.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
But this passage, which can reflect Stalin's inner world, is explained in a voice-over, and there is no camera aimed at Stalin's inner world.
This is also the embarrassment that historical films in which Stalin participated in such as "The Defense of Moscow" are bound to encounter.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in Unforgettable 1919
Recall that in films such as "The Man with the Gun" and "Unforgettable 1919" filmed in the Stalin era, there are scenes showing Stalin going deep into the grassroots and interacting with the people, conveying a humane image of Stalin. In "The Man with the Gun", it is also shown that Stalin came to the soldier's house and tasted the soldier's home-cooked potatoes, which was a home-cooked dish, and the character's considerate and loving personality was fully demonstrated.
In Ozelov's films, Stalin's image deletes any normal worldly life and emotional mysteries as a person, and in the film, he completely becomes a puppeteer who confesses to the war.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
This is also the reason why "The Defense of Moscow" is so unsatisfactory. Movies do not portray characters, but only confess events, such films lack basic artistic appeal.
The artistic shaping in "The Defense of Moscow" had to give way to Zoya, and the reverence for Stalin promoted by Zoya's clues was extinguished in the zero-degree emotional shaping of Stalin's image.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
The Stalin played by Yakov Tripolsky in The Defence of Moscow feels very different from us, especially because the eyes of Yakov Tripolsky's version of Stalin lack similarity to the eyes of the real Stalin.
Yakov Tripoliski's eyes are triangular and unfocused, and in the film, it is difficult to give people a kind of support that can hold the stage. How could such a mediocre person serve the masses? In fact, Stalin's instructions issued during World War II were admired by the generals on the front line, with a kind of permeability and guidance from a lofty height.
However, through face-to-face comparison, we compare The Stalin played by Yakov Tripolsky with the archetype of the character, and the result is unexpected.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Face comparison shows that the two are very similar.
It should be said that Yakov Tripolski's face shape and the archetype of the character are still relatively similar, but the character has no temperament and the eyes are unfocused, resulting in the image in "The Defense of Moscow" is a failure and is doomed to be mediocre.
According to the data, Yakov Tripolski first played Stalin in 1975's "Choice of Goals".
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
"The Choice of Goals"
The film depicts the life of Kurchatov, the "father of the atomic bomb" in the Soviet Union. In the film, Stalin explains his decision to study the atomic bomb.
In 1976, Yakov Tripolski played Stalin in the war biopic "The Song of Cobhappk", "The Tempest".
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stills from "The Tempest"
The film is the second in the "Major General Coff Parker Trilogy" of the Great Patriotic War. "Cobhpat" was the organizer of guerrilla warfare in Ukraine during the Great Patriotic War. The first part of the trilogy is "Alarm Bells" in 1973, and the third part is "Carpathians, Carpathians" in 1979.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
In 1977, Yakov Tripolsky played Stalin in Ozelov's Freedom Fighter.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stills from Freedom Fighter
The film consists of 4 episodes and lasts for 6 and a half hours, showing the historical facts of the resistance of Eastern European countries to Nazi Germany.
In 1983, he again played Stalin in If the Enemy Did Not Surrender.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Poster of "If the Enemy Doesn't Surrender"
The film depicts the Battle of Bagration in 1944.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stills from "If the Enemy Doesn't Surrender"
In 1985, Yakov Tripolski participated in the famous "Defense of Moscow".
In 1986, he played Stalin again in the Czech TV series Gottwald.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stills from Gottvald
It is a drama that depicts the fighting life of Czech President Gottwald.
In 1995, he appeared as Stalin in "Zhukov" directed by Ozelov.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
However, the film was edited from "The Defense of Moscow" and films directed by Ozelov.
In this way, The year in which Yakov Tripolsky played Stalin was between 1975 and 1986.
Yakov Tripolski was born in 1919 and died in 1988 at the age of 69.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Yakov Tripolski was also between the ages of 56 and 67 during this period. At the outbreak of the Great Patriotic War, when Stalin was about 61 years old, Yakov Tripolsky played Stalin in age, which was still more appropriate.
Before playing Stalin, Yakov Tripolski also played unknown roles in several films.
If you have interested friends, you can take a look at the author's list below.
The first film in which Yakov Tripoliski was featured was the 1948 film Kato and Kot.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Poster of Cato and Cotter
It is a musical comedy based on classical Georgian drama.
Interestingly, another actor in the film, Andro Kobaraks, also played Stalin.
It can be seen that georgian actors are the feng shui treasure of the most suitable actor for Stalin.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in The Front Line Behind the Front
Andro Kobaraks later played Stalin in films that we are very familiar with, such as Seventeen Moments of Spring and The Front Line Behind the Front. In the future, we will focus on the role of Stalin.
In 1954, Tripoliski played an unknown role in Dragonfly Girl.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stills and posters of Dragonfly Girl
The film was translated by Long Film in the 1950s and released in China.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Chinese poster of "Dragonfly Girl"
In 1955, he played the eighth-ranked character in Magic Beet.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Magic Beet poster
The film shows the story of a brave and resourceful peasant boy who fights the dark forces that killed his father.
In 1957, he played the second-ranked role in The Fate of a Woman.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
The film shows how a woman chose her position during the revolutionary years.
In 1958, he played the father of the little girl Mana in "Manana".
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Manana poster
The film shows the story of how a dishonest 9-year-old girl repositions her life creed.
In 1964, he played a role in The Law of the Mountains.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Poster of The Law of the Mountains
The film shows a story of love and hatred between young men and women in the seventeenth century.
In 1966, he played a role in "Encounter with the Past".
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Poster for Encounters with the Past
The film shows a female doctor in Georgia who discovers that a homeless man is her ex-husband, and she has to face an inner turmoil.
In 1967, he played a role in "City Early Rise".
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Poster of "City Rise Up Early"
The story of the film shows the intersection of factory production contradictions and family conflicts, which belongs to industrial theme films.
In 1970, he starred in Semiramid Gardens.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Semiramid Garden poster
The film reflects the story of a group of women who moved to the rear during the Great Patriotic War to build their homes.
In 1970, he played a role in The Old Mill.
The film shows the conflict between a miller who selflessly helps others and his wife's different ideas.
In 1971, she played a role in the film Zoya.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Stills from "Zoya"
In 1973, he participated in "The Painful Lesson".
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
Poster of "The Bitter Lesson"
Then, in 1975, Yakov Tripolski embarked on the road to playing Stalin.
In general, the role of Stalin, who has no essence in his eyes, such as Yakov Tripolsky, is quite in line with the stereotype of Stalin in the 1980s, that is, he has Stalin's appearance, but he does not want to show his inner world, from this point of view, Yakov Tripolsky is a suitable image shaper, such a film, decided that only such a role can be chosen. But we have to say that he was one of the most mediocre character builders in Stalin's image.
Stalin in "The Defense of Moscow", the actor created a most mediocre character image, one is not to vilify Stalin's panic, but also not to show that he has a fearless spiritual essence. Second, it did not strengthen Stalin's expectations like a god, but he never forgot to show that he relied on Zhukov to command the war. The third is that Stalin's concern for life is not highlighted, but Zoya's clues mention Stalin's appeal.
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