In addition to narrative and scenery, poetry is also full of sustenance. From the poetry to the Tang poems and song poems, all of them attach importance to the posting. Poetic works are not deep, the tree is not thick, it is not enough to be happy, and it is impossible to spread for a long time. For example, Wen Tingjun's chicken sound Maodian Moon, the human footprint Banqiao Frost, and the strange birds crying in the wilderness of Jia Island, and the fear of pedestrians in the sunset, all express the hardships of the road ahead and the sadness of the journey.
And Han Yu's desire to eliminate the evils of Shengming, ken to decay and regret the years, and Lu You's zero fall into mud and dust, only incense as before, but also lyrical uninhibited personality and noble personality. The following is a rare masterpiece of Gao Shi, with vivid metaphors, far-reaching sustenance, and a more philosophical neck connection.
Jincheng North Building
Tang Dynasty: Gao Shi
The west of the north building looks at the clear sky, and the water and mountains are victorious in the painting.
The rapids on the turbulence are like arrows, and the remnants of the moon at the head of the city are like bows.
The hanging rod has been envied by the old brook, and the body is stuffed with the ong.
In order to ask bianting what is more, Qiangdi has complained endlessly so far.
Gao Shi (高適), courtesy name Dafu, was a Poet of the Tang Dynasty who served as a waiter in the Punishment Department and a waiter on a scattered horse, and was known as Gao ChangShi (高常侍). He is a famous poet of the Border Plug, whose poetry is powerful and vigorous, full of vigor and vitality, and is full of vigorous and upward spirit of the Tang Dynasty.
On the occasion of the autumn and winter of tianbao's eleventh year, Gao Shi was introduced by people to enter the Long Right Festival and serve as the secretary of the palm. Although he had long hoped to enter the shogunate, due to the uncertain future, he still had a bit of a wait-and-see mood in his heart. When the poet left Chang'an and went to Longyou and passed through Jincheng, he created this poem, expressing the mixed feelings in his heart.
In the late autumn evening, when the sky is clear and the rainbow is full of colors, the poet climbs the north gate tower of Jincheng County (present-day Lanzhou, Gansu), and he looks west, and in the distance, the mountains and rivers are beautiful, like a vast autumn scene.
A "full" character shows that the scene in front of you is like a vast and tranquil sea, which expresses the poet's comfortable state of mind; a "victory" word also highlights the difficult scenery of Danqing, full of comfort and leisure.
Then the gaze retracted, "The rapids on the turbulence are like arrows, and the remnants of the moon at the head of the city are like bows." The jaws continue to be depicted from an auditory and visual point of view, and the water flowing rapidly not far away is like a flying arrow penetrating the air; and the bright moon at the head of the building is also like a bow string full of stretches.
The poet uses the analogy of "arrow and bow" to integrate the war life of the border city into the depiction of natural scenery. Although Gao Shi had not yet reached the frontier, his heart had already flown away first.
The neck joint thought of opening the curtain by the resignation official, "The hanging rod has been envied by the old man of the creek, and the body is full of Yusi stuffed with Weng." When he was idle at home, he fished by the stream, but he envied Jiang Taigong's chances; and when he was about to serve in the shogunate, he understood the law of personnel changes and remembered the old man who was familiar with the world.
Elder Lingxi, also known as Jiang Taigong, had fished with a straight hook in the hope of attracting xianjun's attention, and later met King Wen of Zhou. Sai Shang Weng, using the allusion of "Sai Weng lost his horse and an zhi fei fu" in "Huainan Zi". The author hopes to understand, like Sai Shangweng, the profound truth of Lao Tzu's saying that misfortunes and blessings depend on each other.
When the poet thinks of this, his mood is even more difficult to calm down, and the tail link expresses the author's infinite expectations, "In order to ask what is more important in the side court, Qiang Di has complained endlessly so far." The poet said that when he asked how the side court was doing, he only heard the sound of the Qiang flute, and there are still endless grievances. The implication is that the border is not yet closed, and the recruiters are still worried.
These two sentences echo the depiction of the jaw link, and pin the poet's vision of turning misfortune into happiness. Gao Shi longed to share the happiness and hardships with the soldiers and make meritorious achievements together, but he did not care at all about the hardships of the living conditions of the border areas, and he was not afraid of suffering and suffering.
This poem by Gao Shi is plain and easy to understand, far-reaching, and full of philosophy. The first four sentences combine distance and proximity to describe what they saw when they ascended the stairs, and the poet expressed his yearning for military life through his own audiovisual feelings. The neck link looks back on the past and looks forward to the future, expressing the understanding of the changes in the world and the impermanence of life. In the end, the poet also anticipated the hardships of life on the side of the road, but still embarked on the journey without complaint.
After a closer taste of the last two couplets, the reader must have also gained a lot of enlightenment. There are peaks and valleys in life, hope for success, but also can not be afraid of failure, not only have a fearless spirit of struggle, but also be prepared for setbacks at any time, in order to win without arrogance and defeat, more able to spoil not be shocked, to leave unintentional.