The Spring Festival is a very festive festival, because in all the traditional festivals of the Chinese nation, the Spring Festival occupies the first place and is the most solemn, indicating auspiciousness and happiness, including harvest and hope.
However, reality is always so cruel that it will create some trouble in our lives at every turn, and even disaster, thus extinguishing the fire of hope in the hearts of many people and bringing them endless helplessness and sorrow.
Just like in the past two years, how many people have stayed in other places because of the epidemic, who ever thought that "reuniting with their families" during the Spring Festival would become a luxury or a fantasy.
In fact, every era has the "unsatisfactory" of each era, and we and the ancients are really "half a pound and eight two" to some extent. In this issue, what Shi Xiang wants to share with you is a "helpless" poem related to the Spring Festival, the whole poem is popular among the population, and the author is worthy of being a famous poet of the Tang Dynasty.
Except for night work
Don Gao shi
The hotel is cold and sleepless, and the guest's heart turns miserable.
Hometown tonight thinking of thousands of miles, frost sideburns Ming Dynasty another year.
The famous gao adaptation should be known to everyone, everyone knows it, he is a famous border poet on the mainland, and he is also a relatively smooth official among all poets.
The above poem is written by the author in Chinese New Year's Eve night, in a sad mood, and each sentence is full of homesickness.
On the night of Chinese New Year's Eve, the house is brightly lit, the sound of firecrackers outside resounds through the night sky, in the face of such a scene, the author is particularly lonely: the hotel cold lights are sleepless; this is the first sentence of the poem, the author directly portrayed his own lonely image in this sentence, and used the three words of "sleepless alone" to reflect the sense of picture vividly and delicately.
The outside is a very lively world, but what about the indoors? Then it is another extreme scene: four walls, a lamp, a person, the lamp "cold" people "sleepless". The contrast between the two very different pictures indoors and outdoors strongly highlights the author's image and emotional loneliness.
Although the author does not describe the outdoor scene, we can imagine it from the title alone. Therefore, the author not only saves pen and ink, but also uses the first sentence to receive the effect of cutting the topic, which can be described as killing two birds with one stone.
"What turns poignant in the heart" is an extension of the first sentence, why is the author's mood negative and low? That's exactly what the reader wants to ask. The author Howe does not hide it, and succinctly and clearly raises this issue.
The emotional color laid in the first sentence is also well unified in the sentence, and the "miserable" of the sentence is also in line with the context, echoing with the previous "cold" and "independence", and the rigorous content of the composition is connected.
Shi Xiang said when he was talking about the writing of gelu poems that the third sentence of the absolute sentence is crucial, and it needs to take on the responsibility of "jumping", and the third sentence of this poem is a good example: the hometown thinks about thousands of miles tonight; Chinese New Year's Eve night, the family gathers together, but the author is "alone in the other country as a stranger". So in this case, the author's family is of course thinking of him thousands of miles away, and he has become the object of the family's most attention.
When we read this, we will find that compared with the previous two sentences, the emotional color of this sentence is already very strong. The author's brushstrokes fall on the "hometown" and fall on the "thoughts", and the touch on the reader is direct and real.
When we stand in the author's point of view to feel the scene and experience the emotion, we can instantly feel sad from it. Home is the heart of each of us, is the eternal softness of our hearts, can not return on the night of the reunion, how helpless, in exchange for anyone will be sad and lonely. This is a real, grounded lyrical sentence, and the reason why it can move us is because the author enters the poem with the most simple and real emotions and scenes, which resonates with us.
I believe that many people have the same experience, although we are in a different era from the author, but how similar this situation is.
The passage of time and the helplessness of life, the new year seems to have become a threshold in people's hearts, so the author in the last sentence closely followed the sentence, made an expression: frost sideburns Ming Dynasty another year; Chinese New Year's Eve night, the next day heralds the beginning of the new year, representing the cycle of new time, and the white-haired author has to face such a cruel reality; the three thousand sorrows that have not been dissipated in his heart are enough to become frost and snow in the new year to add his two sideburns.
The simple narrative is full of emotional expression, and the combination of the last sentence and the turning sentence will blindly worry and cold hair at the end of the pen, extending to the outside of the article, and the more you taste, the more you feel moving.
The last two sentences of this poem also adopt the method of confrontation, with the melody of the ups and downs to drive the rich ups and downs of emotions, a proper classic sentence.
Even if the frost has been full of sideburns over the years, it has not been reduced but it is nostalgic; dear officials, if you also like this Chinese New Year's Eve night lyrical work of Gao Shi, you may wish to leave your footprints, have your little fingers praise and support for it, and welcome to talk about your views and feelings, see you in the comment area.