In 2019, the Cannes Film Festival awarded the first queer Palme d'Or in the history of a female director, and the competition was also followed by the semi-autobiographical work "Pain and Glory" by the famous Spanish director Almodóvar.
Almost no one will deny that "Pain and Glory" that sincerely combs through his own life is Almodóvar's heart-stirring masterpiece, but I believe that audiences who have seen "Portrait of the Burning Woman" will also agree that in the closed small world, the emotional storm outlined for us with beautiful and exquisite images is so fascinating that the whole viewing process is like an immersive emotional experience.
Movie posters
Director Seren sianmar, herself has multiple identities, director, screenwriter and lesbian and so on.
Nomi Melant and Adella Harnell, two goddesses co-starring.
Nomi Melanter, just a few days ago, posted an image about her "Treasures", a film that excludes pornographic appearances and reflects the awakening of women in the 19th century.
It should be noted separately that in 2018, when the film was made, Adella Harnell and director Serene Sienma had peacefully broken up.
Adèle Harnell was also nominated for Best Actress at the 32nd European Film Awards, Best Actress at the 15th Golden Globe Awards for French Cinema, and Best Actress at the 45th César Awards for French Cinema.
< h1 class="pgc-h-arrow-right" > synopsis</h1>
In 1760 in France, the talented young female painter Marianne (Nomi Meyrante) received a commission to complete a portrait of the rich lady Eloise (Adella Harnell) before she married without the other party's knowledge.
Painter Marianne (Nomi Melant)
Rich Lady Eloise (Adella Harnell)
The two depend on each other on an isolated island, and during the day the female painter quietly observes the young lady's every move, and only indulges in writing at night. Under the close contact between painting and being painted, even in the era full of etiquette, they gradually developed a forbidden ambiguous feeling.
One creation, painted from a male perspective, was strongly resisted by the young lady, who thought it was not herself. With only 5 days left, the lady asked the painter to recreate it, and this time, the painter abandoned the male gaze and the subject-object of the gaze changed. Painting for Marianne has changed from a task to an uncontrollable act, a pleasant aesthetic activity.
Creation returns to its essence, that is, to record truthfully, to express freely. So she painted eloise's sweet sleeping face, and painted the scene of the maid's abortion, with a fully feminine gaze without any scrutiny.
Outstanding creators whose works will eventually return to the origin of self-gaze and self-analysis.
Creation can finally conquer taboos, distance and time.
<h1 class="pgc-h-arrow-right" > beauty under the lens</h1>
The photography of natural light + candle/fire is breathtakingly beautiful, the composition is comfortable, the oil painting texture is extremely classical, the script pattern is small but full of high-concentration dramatic elements, and the performance is meticulous to the point of breath-taking concentration.
<h1 class= "pgc-h-arrow-right" > classic line</h1>
The young lady said to the painter after returning from a solo trip:
"When I'm alone, I feel the kind of freedom you said, but at the same time I miss you."
Here "missing you" is translated into Russian.
其实更偏向英译："In solitude, I felt the the liberty you spoke of. But I also felt your absence."
I remembered what you said again, but they reminded you of your absence.
<h1 class="pgc-h-arrow-right" > written at the end</h1>
This emotional feast from a female perspective, like "Treasures", is a kind of emotional awakening of women. The picture is beautiful and moving, the emotional details of the actors can be pinched, and the blessing of various international awards is a good movie worth watching.
Also, I really like Nomi Melant too much, a first-class French beauty, and friends who like French style don't miss her movie
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