There are no men's movies that make a cry that belongs to women.
It is a love story under an arranged marriage, where the young female painter Marianne and the rich lady Eloise go from falling in love to saying goodbye.
In Brittany, France in 1760, the talented young female painter Marianne received a commission to complete the portrait of the rich lady Eloise before she married without the knowledge of the other party.
At first, Marianne observes Eloise's gesture from a male perspective, but as a result, her paintings do not satisfy Eloise, and in fact, she herself is not satisfied, which is believed to be one of the reasons why she destroyed the first painting.
Another reason is that Marianne fell in love with Eloise while secretly observing Eloise, so she wanted to borrow time to re-paint for Eloise and stay with Eloise for a few more days.
The emotions of the two burst out in the interlacing of sights when painting, breaking through the confinement of the feudal etiquette system. Since when did Marianne fall in love with Eloise?
She would be happy when she heard Eloise say she missed her, so before that, she actually liked Eloise, but she didn't know it, or deliberately avoided her feelings.
"When I was alone, I felt the freedom you said, but I also felt that I missed you."
The constant appearance of Eloise in a long white dress in the film makes the love between them even stronger.
The painter's red clothes and the painted person's green clothes set off each other, and the collision and fusion of colors add a lot of color to this film, who knows that red and green are one.
Speaking of the performances of Nomi and Adella, they are very restrained and moving, in fact, not only them, but also the performances of other actors are remarkable. If there's one shortcut to acting, it's to feel life. Human emotions have something in common.
Finally accepting an arranged marriage is not a compromise, but a face-to-face. Amid the excitement of the music, Eloise cried and laughed for a moment, and the emotions were like waves, and Marianne saw all this in her eyes.
The beauty of "Portrait of a Burning Woman" is that it transcends sexual orientation and fully shows the physiological, social, and ethical dilemmas of women.
Then, the most praised is to photograph the resilience of women in the face of difficulties, and to praise the burning female vitality.
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