"Portrait of a Burning Woman" This is a wash that has experienced a storm of feelings. It is the foundation of the building that has shaken life, the tiles of the roof that have been overturned by the tornado, sweeping away everything in an instant, sweeping away the order previously maintained by reason and individuality.
The brushstrokes of the film are also as delicate as portraits, and the sense of love in the memories is too good, and the ending is especially good. The lens is also too beautiful, and just looking at the picture is also a kind of enjoyment. From the perspective of the film, the film uses memories to open the whole film with a slightly cheesy approach, but the first appearance of the young lady from the picture and the real appearance are in the form of a back shadow, which is more appropriate.
The whole work is very beautiful, the music taste is good, the rhythm grasp is appropriate, although I personally feel that the middle part is slightly slower, and the metaphorical restraint of emotion does not have to be reflected by the slow rhythm, but the overall impact is not large. There are three scenes in the whole film that impressed me:
First, the skirt that was burned by fire at night was amazing. Second, the bridge section of painting a self-portrait in front of the mirror, not only stunning, I was stunned, it turned out that it could still be performed like this, the director was too good! Third: in the painting on the wall, the 28th page held by the lady, at that moment, not only the heroine, I believe the audience will also be moved.
That is, only each other understands, only their secrets. From an emotional point of view, this emotion, precisely because it is short, is extremely beautiful and unforgettable. Of course, there is no future, and the future is unknown.
The main body of the film is a vacuum space that belongs to women alone, the social background has been stripped away, and there are almost no men here. Only here will there be women who know each other, and the form of the film also implements this logic, and the Rembrandt-style lighting blur background highlights the characters. However, in fact, this space is still in the shadow of male society, including the story of the occurrence of the man's absence (the female protagonist inherits the father's business, the maid is pregnant, and the marriage contract is near).
As soon as the door is closed, the passage between the underworld and reality disappears, the yin and yang are separated, and the patriarchal society with a strict hierarchy in reality is returned to reality, and the women's surroundings instantly become tight, and there is no one to communicate, so everything that was previous suddenly becomes precious, "the choice of the poet". That's all, more like a beautifully bound text than a movie, with a prologue and notes about romance.
The collision of highly saturated colors and the blue waves lingered in front of my eyes for a long time, crashing into my heart with a heavy impact. "We wasted too much time." "Don't be sorry. Please remember. "When you ask me when I feel loved, I want to say now." Because of deep love, so look back, so do not want to miss every eye that can see you, so want to remember every moment with you. Ne regrettez pas. May be empathetic, choking with the heroine at the end, even if you can't hug each other again, but the look in my eyes to you has expressed everything.
A little weak cp is probably the only hard wound, and my collateral reaction is that it is more feminist in interpretation. The resistance that is strangled to death in the bud under the patriarchal system, the pessimism that is doomed to fruitlessness also leads to the inability to act, and love seems to have been a flower that has been stolen from the corner of the wall for a season. The humble maid seemed to be the best of them, and felt more sober from the interpretation of the myth.
The texture of the oil painting created by the lighting art, the large number of close-up scenes selected by the photography, and the close-up camera position make people reluctant to lose their minds for a moment. The whole music source music also shows the director's skill. The longing, the grief, the desire to break free, the helpless sadness of the last scene, once burned, could not expect another second to burn.
Compared with gay men, lesbian movies often fail to get my emotions to the other side, and there is always a sense of strangeness. Why do two women feel good about each other and what light can they see in each other? I also haven't seen the glow of love in women, so I'm lost and only see motherhood.
The film itself has a super high texture, every pause is a beautiful picture, the actors perform delicately, and the characters' emotions are advanced and precise. If you're just trying to enjoy a good movie, you've come across it. If you can't understand the female classmates like me, I suggest you don't look at it, it's very painful, like waiting for a fully loaded bus.
No wonder Dai Jinhua's evaluation of this film is "equal construction beyond the same-sex theme": the transformation from male gaze to female gaze, the camera has been recording the changes of characters in a comfortable perspective, and using metaphorical pictures and lines to exaggerate emotions. Some shots are designed so cleverly that they don't need to be nudity or glamorous scenes, and the implications are already something that the viewer can already taste.
In particular, the eye drama of the two heroines is also in place, which can be seen in the strong and unobtrusive love. This is a real women's film, if not sensitive to the subject matter, it is very suitable for research.
Thank you for watching, paying attention to me, and taking you to learn more entertainment stories!