After 18 years! The fourth sequel to the classic Matrix trilogy, The Matrix Reboot, is finally here!
Compared with the Douban score of the first three parts with an average score of 9 points, 5.7 points is really a bit high and low.
Die-hard fans who love "The Matrix" will mostly scold the perfunctory fools of the fourth part, but "The Matrix Restart" is undoubtedly on the shoulders of the giants that the Wachowskis sisters have previously built, and it is difficult to fly up another step.
Not to mention that the film's director and screenwriter is only Lana Wachowski.
How bad Matrix Reboot is, maybe not as simple as 5.7 with a cold number. It may be difficult for you to distinguish whether the director is humorously self-deprecating, deconstructing the classic and interacting with fans, or selling emotional fried rice.
Then we don't have to judge it with the vision and height of 20 years ago. Here, we can see it as the crowning work of the metaverse, as a deep dialogue that gives back to fans. The so-called salute and the progress of the concept of revolution are worthy of our concept.
Many commentators scolded the "Matrix Reboot" for the fooling of "The Matrix Restart" - the first 15 minutes were spitting on Warner, and the whole film was mixed with the lines of the first three parts and nonsensical rewrites.
From another point of view, the film uses nothing more than a black humor to tell the audience how the creators hope to use this "Matrix: Matrix Restart" to hammer the mythical closed loop created by the previous trilogy, so that "Matrix Restart" can accept the matrix port of nearly 18 years ago.
Can it be done, obviously the creators are also satirizing themselves that they may not have enough luck and talent, just like the film created the Matrix trilogy game, it is difficult to enter the storyline of the fourth version of the game.
So the film simply lifts itself from the shackles of the story, opens the multiple walls, and plays a crazy meme dialogue and carnival with the fans. Even to the so-called movie universe of the entire film and television industry today, as well as the popular IP sequels, to respond fiercely.
The first half uses concentric circles to penetrate the plot of the previous trilogy in a game carrier. Neo is a designer who develops matrix games and has psycho-illusion anxiety disorder. As for the ending of the third part, Neo seems to be not dead again.
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The second half shifts to a different perspective. Humans and machines have entered a kind of unnecessary sword-rattling intelligence, and the two have formed a closer interdependence, and the film splits and reorganizes the issues of the former human-machine concept, presenting a new matrix worldview.
Of course. Many of the details and Easter eggs in the film are really difficult to capture if they are not deep fans.
The director also seems to be adhering to the idea of "whether you can understand it or not", and carries out the deconstruction and reconstruction of the author's self-transformation, just like the upgraded version of the matrix. Divergent interpretation is the presence of the creators and the audience's text.
The middle of the film returns to the trilogy of worldview story trajectories, and we can finally see the machine world after decades of updated evolution, and Zion's iterative IO world.
Behind matrix 7.0 "fighting and fighting" and "guns and guns", the meta-cosmic space of human-machine integration, the philosophy is also immortal, and the reality simulation coexists ——
Most people don't have too much sentimentality, more people want to live in their comfort zone, red and blue pills, and will not be like the protagonists in the film, only choose strawberry flavor.
Today's fragmented and compulsive network outputism allows you to read all kinds of discourses with a single finger, or there are endless melons.
The symbiosis of the Matrix and humanity is destined to last forever.
2021 is the first year of the meta-universe. The greatest contribution of Hacker 4 also lies in this - the reasonable imagination of the metaverse and the mirror image presentation beyond imagination.
Here meta is a starting point for creation ("meta", known in China as the "metacosm"), where reality and mimic no longer have boundaries, and nesting or coexisting in plurals is the future picture.
The future is coming, how to face it? Love and unity are the keys.
Standing in the torrent of "meta-narrative", through the appearance of technology, building a community of human destiny with diversified politics, perhaps this is our reasonable interpretation of "Hacker 4" and the beautiful imagination of meta.