Chen Sanli
(Maohe Pavilion / Photo)
Friends are one of the five luns, the world is heavy, clutch signs, but also more attention. In the historical materials of the past hundred years, there are many bad things between friends, only according to what they have seen, several kinds of collections are collected for the discussion of cooling down.
Zhou Yi and Zheng Wenzhuo
The first talk about the situation among the four major poets of the Qing Dynasty is Hui Feng and Zheng Dahe. Compared with these two, the author of "Hui Feng Words and Sayings" is more famous than Zhou Yi, but Zheng Wenzhuo is also quite refined, and the two once had a good friendship, but in the thirty years of Guangxu (1904), Zhou Yi traveled to Suzhou, quite wind and moon, and prepared to compile those beautiful articles into "Yumei Houzi" for publication. Zheng Wenzhuo was "big and his words are inaudible", and Zhou Yi was furious, calling Zheng a "father" (that is, the meaning of the so-called "old hat" in the north), and from then on broke off friendship with him. He never saw each other again in his life, and after Zheng Wenzhuo's death, he was still grumpy about this matter and gritted his teeth.
This incident Yang Chuanqing has an article entitled "The Difference Between zheng Wenzhuo and Zhou Yi and the four major lexical ideas of the late Qing Dynasty" in detail, and the person who can be added is the "former horse" who also implicated the "four major poets" and Wang Pengyun, who was divided into half-teachers in several others. Zhou Yi's "YumeiHou Word Order" Yun: "It was april of the year (1904), from Yangzhou in Changzhou, to meet Bantang at the Yidong School on Dongguan Street, and Bantang said Yu: 'It is an obscene word, and it cannot be carved.'" After relaying this sentence, he immediately fought back indignantly: "Fu Yan, why blame?" Obscene, ancient meaning also. Three hundred articles of chastity, Confucius Xi Yan? This statement is almost completely consistent with Yuan Ming's tone of voice - you say that "Yan" is not good, but Confucius deleted the poem, not Zheng Wei's style, why can't posterity write Yan poetry? The next words were even more vicious: "Although the words of the half pond love me very much, but they are not like the words of the half pond, ning wu half a pond and take care of this?" "The words of the half pond are not the constant words of my half pond."
We often say that literate people can't be bothered, swear at people viciously and viciously, and don't have dirty words. What is "the word of the half pond, not the constant of my half pond"? Because of the common saying: "If a person changes his normalcy, if he does not get sick, he will die", Zhou Yi particularly emphasized that this was said by Wang Pengyun in April, and in another month or so, Wang Pengyun died, so he said that this was a precursor to illness and death! This is quite a venomous and unkind thing, why is this so? What needs to be seen is that there is not only a dispute between intentions and temperaments, but more importantly, a conflict of lexical concepts.
In fact, Zhou Yi inherited from Wang Pengyun the purpose of "heavy clumsiness" of the Southern Song Dynasty and the Chongmeng Window, but Mr. Peng Yuping analyzed that what he really loved was the "Songxiu" and "Qingshu" of the Northern Song Dynasty, and I thought that the "sexual spirit" loaded with "Yan" should also be added. He must have been greatly puzzled and angry: Wang Pengyun once praised Ouyang Jiong's "Huanxi Sha", "Lan Musk smells and breathes, Qi Luo sees the skin, and at this time he still hates Thin Love" These few sentences "Xi Wing Yan is just big and heavy", why did he write so explicitly is "important", I am "obscene"? How could that be! From this point of view, it is not incomprehensible that Guan Shi's grumpiness and loss of friends are incomprehensible, because this kind of "sexual spirit" is not only his favorite, but even the basis of his destiny, how can he allow others to be so contemptuous?
Wu Mei and Huang Kan
For modern academic history, Wu Mei, Huang Kanbi and Zheng are more important. Wu Mei is a master of songwriting, and the giants such as Ren Zhongmin, Lu Qian, Tang Guizhang, Wang Jisi, Cai Zhen, Wu Baizao, Qian Nanyang, Zhao Wanli, Zheng Qian, Wu Hufan, Chen Jiaqing, Wan Yunjun and other giants and masters are invincible, and can be called the first gate court in the field of modern song and music. Huang Kan was also the eldest disciple of Zhang Taiyan, and together with Naishi, he was called the leader of the "Zhanghuang School", and at the same time, he also worked on the words, and his "Measure Shou Lu Zi Banknote" was mournful and compassionate, and his feelings and hatred were intertwined, and he almost wanted to break through Nalan. The two belonged to the Nanshe Society together, and worked together at Peking University for two years, and their friendship was very strong, but as a result, after going south to the Central University, there was no small conflict.
Regarding this matter of "two sages and two sages", Jin Wei's "Remembering the Several Events of Mr. Wu Qu'an" Yun: "In the summer of the twenty-third year of the Republic of China, the graduating students of the Department of Chinese gave a public banquet to the teachers, and Master Wu said to himself after drinking that he was alone in writing that at that time, Huang Jigang was also drunk when he was a teacher, and he did not allow him to say it, and even dispersed without joy. The next day, Master Wu woke up drunk and personally invited Master Wang Peijiang to apologize to Master Huang, laughing as before, and walking the ancient path of friendship, which was beyond the reach of anyone. Cheng Qianfan's "Sang Yu Reminiscences" Yun: "In 1934 and 1935, I was studying at Jinling University, and I also accompanied the teachers to give poetry and drink, I remember only once, the two teachers had a little quarrel, but it was just a drunken gaffe, never involving academic issues, at that time neither force was used, nor was there any mustard afterwards." According to Zheng Zhiliang's research, "these statements are not accurate, Wu and Huang have had two conflicts, which have misunderstandings, but they are not completely unrelated to academic issues." The so-called "academic problem" mainly refers to Wu Mei's famous songwriting in the world, and she is unwilling to be confined to herself as a songwriter, so after drinking, there is a big saying that "Xiaowen walks alone". Huang Kan's rule is a simple school of the highest taste, although he does not despise the lyrics, he naturally cannot hear Wu Mei's drunken words, so that he not only almost uses force, but also buries a lot of mustard. Therefore, the second time the two lost harmony, Huang Kan was attacked after drinking, and there was a decisive word of "there is Wu Mei in the world". After this conflict, the two did not have any contact. A year later, on the ninth day of the heavy weight, Huang Kan vomited blood and died violently with alcohol, and he was only fifty years old. First of all, his master Mr. Taiyan sent a letter of life: "Wei Bian San zhi now knows the fate, Huang Silk first cut the book", the three words of "Huang" and "Absolute" and "Fate" in the middle, Huang Kan is not sorry for a long time, so that the idiom proverb, and the two masters have forever lost the opportunity to regain the old good.
It is certainly a matter of stranglehold that old friends have been discordant for many years because of "fine reasons". After Huang Kan's death, Wu Mei remembered the old people and paid a lot of tributes and respects. For example, for Huang Kan to make Lianyun: "Xuannan Lianyuan, every time I hear about Xuan Xuan, the poor manuscript is crippled, and who salutes Ding; Wu Xia Tanfang, Yu Ji paints the ship with wine, and the frost and wind are miserable, sad and bearable, and Liu Qiqing." The following year, there was another Zhou Ji elegy: "Kai Shu is like talking to the deceased, and Chongjiu Deng is happy or not." The wine marks on the placket are as promised, and the yellow mounds with tears. "It can be said that both love and text are complete, and it can also be regarded as the end of this public case."
Mao Guangsheng and Yuan Siliang
Mao Guangsheng (1873-1959, Zi Heting) was called the leader of the poetry circle after Zhu Zumou, an old man in the village. He was one of the "four princes of the late Ming Dynasty", and his maternal uncle Zhou Xingyu and maternal grandfather Zhou Xingyu were all famous scholars and lyricists, and he traveled from Ye Yanlan, Yu Fan, Sun Yirang, Wu Rulun, Xiao Mu, etc. His own works are also rich and prosperous, covering the study of the history of the various sons, and he is best known for his literary works such as "Xiao Sanwuting Poems", "Xiao Sanwu pavilion words", "Houshan Poetry Notes", and "Guilt Zai Words". Yuan Siliang (1879-1940) was the son of Yuan Shuxun, the governor of Liangguang, who returned to Hermitage after Hongxian's restoration, and was known as rare treasures in the Collection of Ancient Books of the Song and Yuan Dynasties, such as the Zhengdemu Movable Character Book "Taiping Imperial Collection", the Song Ben Shi Gu Zhu Su Poem, and the Song Ben "Han Chang Li Collection".
Mao and Yuan were "thirty years of different surname Kundi", Si Liang was also the teacher of Guangshengzi Lu, the friendship was naturally thick, but in the summer of 1938, Yuan Siliang wanted to paint lotuses on WuHufan, and refused to pay for it, that is, to heting for it. Crane Pavilion refused, Yuan Sui wrote "Flowers in the Rain Slowly, Suohu Sail Painting Lotus, Crane Pavilion said that it is not money Mo Zhiye, endowed with this tune" The word is shown, there is "natural painting draft, why buy silk, do not talk about money", risking "rebuking its words and not looking at it", Yuan "is roaring", the next day he wrote a book and broke off friendship, and his text was slightly cloudy: "Yesterday, I showed the words of the lake sail in my sitting, and the conversation was a joke. When the lake sail sees it, it will not be thought of as a curse. I don't care what the brother doesn't judge what the cloud is, and the words that are rebuked are not observed... Thirty years of moral friendship between the characters of the different surnames of Kundi, once they are insulted for no reason, they cannot but be chilled. The two men and asked each other for old things, which was a gimmick.
Mao Jiaqi has a different view on this "fierce end of the gap" matter, Mao Jiaqi's "Supplement to the Uncle's Poetry Exploration": "After all, Mao and Yuan are 'thirty years of different surname Kundi' and have 'family friendship', so a few months later, Mao and Yuan will get back together, and the two families will begin to communicate with each other again... In January 1940, Yuan Siliang was critically ill, and Mao Heting asked Tan Bottle Zhai (Ze Min) to look at him, and Yuan had died blindly. He pretended to be a poet: "I would rather be weak and sad than a family friend." The ghosts of the people are said goodbye, and the heart is late. Filial piety is known to the world. There is no more day to climb the stairs, when you mourn and descend the stairs'. "It is gratifying that the momentary spirit has finally calmed down.
Shao Zuping, Chen Sanli and Qian Zhonglian
Shao Zuping (1898-1969), the owner of Peifeng Building, was a native of Nanchang, Jiangxi. When he was young, he was poor and self-taught, he once learned primary school from Zhang Taiyan, and sang with Chen Sanli, Huang Kan and others, which was valued by people. During the War of Resistance Against Japanese Aggression, Zu Ping entered Shu as a professor at Central University and Sichuan University, and his "PeifengLou Poem" won the first prize of literature awarded by the Ministry of Education, and his reputation was prosperous. At the same time, he wrote the "Commentary on the Heart of Words", selecting two hundred and sixty poems of the Tang and Song Dynasties, and marking the "heart of words" that "smoke willows are driven by them, the slanting sun goes to its sorrows, embraces the bun and complains about its misery, and returns to the waist and its expectations". Xia Chengtao prefaced it, saying that it "can see its greatness". In 1957, Shao Zuping was assigned to Qinghai Nationalities College, and in 1965 he retired to Hangzhou to live according to his son. After being robbed by the Red Sheep, Zu Ping's collection of books that he regarded as life was all confiscated, so he suddenly suffered from a brain disease and died of incurable disease.
Zu Ping's uncomplicated resume involves a public case of "insulting the villagers", see the "Huangshan Qiao Zi Talks about Art at Night, Zang Den Renren, Pushing Down Yuan Bai, Turning the Tongue at the Bottom of the Tongue, Overwhelming, Going to the Back Drama for Three Absolutes", its third cloud: "The predecessor Park Is now a smile, and the face insults the township sage Shao Zuping." It is as if the old people are as if they are the ones who are crazy. The sentence notes itself: "Scattered original taste for the Nian family's fellow villager Shao Mou to make a preface, complimenting not to feed his desires, Shao Yu scattered the original noodles to tear the preface to humiliate it, and Scattered Weng looked good and humble." Liu Mengfu may accordingly position herself as "Heavenly Storm Star Mourning God Bao Xu" in the "Records of the Word Altar Since May Fourth". This incident caused dissatisfaction among Zu Pingzi Jingyu, who recalled the original commission because of his letter to Feng Yongjun, author of the book "Contemporary Poetry Point General". It is said that during the War of Resistance Against Japanese Aggression, Zu Ping defected to Qian Zhonglian in Guilin, and "at the beginning the relationship was very harmonious, and the two of them got along day and night, often making long small talks, and asking each other to revise and give advice for their own poetry manuscripts." Regarding the reason why the PeifengLou Poems do not use the order of the scattered old man, Shao Jingyuyun: "The father explained to Mr. Qian... Because Mr. Sanyuan overemphasized his poetry as a successor to the Jiangxi poetry school, his father felt that his poetry style was not limited to the Jiangxi poetry school. Mr. Qian also agreed with his father. The two great poets, who had once been close friends, later lost harmony over minor matters such as disciplining their children, and since then they have formed a grudge, "Both the father and Mr. Qian deleted the poems they gave each other from their own poetry collections, as if they had never interacted with each other before." Shao Jingyu was therefore suspicious that Qian Zhonglian had a close relationship with Uncle Mao, so he made a slanderous remark. It seems that Qian Zhonglian has not talked about this matter, and it is not appropriate to determine the truth according to Zu Ping's son, but it is not necessary to say how, the anti-eye of the two sages is very regrettable, and we can also use it to understand the ecological network of the Republic of China's literati, "the details present history", and the study of the past is of great significance.
Hu Shi and Fang Dongmei
Fang Dongmei is a generation of philosophers, born in Tongcheng, Anhui Province, "Guilin Fang", studied in the United States in 1921, studied under Dewey, and obtained a doctorate in philosophy. Shortly after returning to China in 1924, he met with his brother Hu Shi in Shanghai. Hu Shi called his recent work "World Philosophy in the Past Fifty Years" the most vigorously written article in recent years, and Fang Dongmei thought that "I am afraid that even half of philosophy is not enough", and the two people dispersed at the beginning of the meeting. After the outbreak of the War of Resistance Against Japanese Aggression, Hu Shi served as ambassador to the United States and delivered more than 100 speeches, fulfilling his duties. Fang Dongmei appreciated this and declared that he would not scold Hu for ten years. At the end of the decade, he resumed scolding Hu until 1975, when he severely criticized the long-dead Hu Shi in class.
These criticisms are not lacking in the controversy of will and lack of purpose, and fundamentally express the difference in the academic positions of the two. As Jiang Guobao put it: "One stands for liberalism, one for cultural conservatism ... Fang Dongmei's criticism of Hu Shi does not talk about methods or doctrines, but focuses on ... The question of the value of Chinese culture... Question of the Nature of Chinese Philosophy", "Fang Dongmei... He believes that Chinese culture is spiritually superior to Western culture, and he criticizes Hu Shi for not understanding Chinese philosophy because he has difficulty inlerating Hu Shi's 'pragmatic' approach of thought based on his own philosophical approach... He felt that the philosophy of pragmatism was too superficial... Turned to Bergson's 'philosophy of life' and Whitehead's 'philosophy of history'". It is worth mentioning that Fang Dongmei's words are also quite good, such as "Huanxi Sha Chai and Dongpo":
For meat for the fish life unsu, in the dynasty in the city of Incense car. There is nothing in the world.
Fistula with poetry and intestines, chest support to drink hate tears. The wind blows on the beard.
The smell is approaching Su Huang, and the tears are dotted, and the sorrow is victorious, which is the realistic reproduction of Goethe's "the function of poetry is to dream of life" that he often quotes in the chaotic world.
Ma Dayong