|| about practicing What are the criteria for practicing a piano piece?

It is often heard that there are many children and parents who learn to play the piano, saying that they can play so-and-so tracks, but saying that playing down and playing well are two completely different concepts, so what standards are used to measure a good track, generally speaking, there are the following points:

First, the basic requirements:

1. The notes should be correct.

It is not allowed to have a wrong tone, this is the first basic requirement of playing the piano, many children are careless when practicing the piano, the high and low score numbers do not look, the lifting number does not look, and even the wrong position, which is the most basic requirement for learning the piano.

2, the rhythm should be correct.

Rhythm is the pulse of music, just imagine what it would be like for a person to have no pulse.

3, the legato, non-legato, skipping and so on should be played correctly.

Many children are very careless when they look at the score, the disconnection of the link, the disconnection of the connection, and even each time will be different, which must be avoided absolutely.

4, the division of musical sentences should be correct.

Music is also a language, like we talk, there are ups and downs, and you also need to breathe, but if you don't look at the sentences, feel free to play, just like a person speaking without logic, gibberish, so that people can't understand what they are saying.

5. The fingering should be correct.

This is a very important question, many children and even teachers will ignore the importance of fingering, think that I play the right sound, you care which finger I use to play it. In fact, it is very wrong, in piano performance, especially in the primary teaching, very particular about the rigor of fingering, the fingering methods in the textbooks we commonly use are strictly examined, the most suitable for beginners' fingering, the wrong fingering will not play smoothly, play the wrong tone. Therefore, I hope that everyone should pay special attention to and pay attention to this point.

6, the pedal should be used reasonably.

Many works use pedals, and incorrect pedaling will seriously affect the performance of music, such as the pause of music and the turbidity of sound.

7. Achieve overall integrity and proficiency.

That is what we often call smooth playing, bumpy playing that no one likes to hear.

Second, the musical requirements:

1. The performance of the work should be contrasted and not bland.

This includes dynamic contrast, timbre contrast, rhythm changes, hierarchical performance, etc. We say that the greatest charm of music lies in contrast, and without contrast, there is no music. Many children play the piano, from beginning to end is a key, without a little change, very tasteless, boring, rigid. Then we can say that he played not the music, but the notes.

2. The basic style of the work should be correct.

The style of each composer, each period of work is different, playing Beethoven as Liszt, it feels very cool, but it does not meet the requirements of music.

Then when we master the above standards, we must also take into account the following points:

1. If the teacher believes that some aspect of the problem is the main problem that the student wants to solve at that stage, then when the main problem is solved, it can also be regarded as meeting the standard, not necessarily 100% accurate. It is not a question of reducing the requirements of piano performance, but of the primary and secondary contradictions.

2. Students should be able to meet the requirements when returning to class, the first or second time, and at most the third time, in order to be qualified. If you can't do it the third time, but play it in class for an unknown number of times before you do it once, you must go back and consolidate the results of the "third time". Piano technique and skill are improved in the process of constantly repeating the right things, and practice makes perfect is this truth.

3, but also understand that the so-called correct, is only relative. There are minimum standards for playing a good work, but there is no single highest standard. True perfection is endless, and there is always room for improvement.

Source: Network, copyright belongs to the original author, if there is infringement, please contact us to delete.

Stay tuned

Click "Watching"

【Special Statement】:The purpose of this public account reprint is to transmit and share more information, the copyright belongs to the original author, if the selected content should not be used free of charge, in order to avoid unnecessary losses to both parties, please contact us in time to delete.