The "History of Song" says: Guangsheng was seven years old, awe-inspiring as an adult, heard about "Zuo Shi Spring and Autumn", loved it, retired to his family, that is, his big finger. I can't read the book in my hand, until I don't know hunger, thirst, cold and heat. The children played in the court, and one of them climbed the urn, and the foot fell into the water, and all the people abandoned, and the light held the stone to break the urn, and the water burst, and the child had to live. Later, Kyo and Luojian were painted as pictures.
When sima Guang, a historian of the Northern Song Dynasty, was playing in the courtyard with a group of friends, a child climbed onto a large cylinder to play, but he lost his foot and fell into it, frightening the children next to him to run, only Sima Guang was in a hurry, picked up a large stone from the ground, smashed the cylinder and rescued the child.
The story of "Sima Guang smashing the cylinder" is well known, but Ma Weidu jumped out and said, "Sima Guang can't smash the cylinder, because the Song people can't burn the big vat!" "A stone stirred up thousands of waves, netizens have expressed their views, is it that Ma Modu did not know the Song Dynasty thoroughly, or is there really such a thing?
Ma Weidu was born in Beijing in 1955, his ancestral home is Rongcheng City, Shandong Province, his mother's ancestors belonged to the Lijin salt merchants, although Ma Weidu's great-grandfather grew up eating a hundred meals, but with diligence to break out of his fame, and later saved six boats.
Ma Modu's father read during the Republic of China, later became a teacher, and wore a military uniform and fought. However, his parents rarely talked to Ma Modu about the past, but Ma Modu was born in an open-minded family, and the character of his parents also had a great influence on Ma Modu.
Ma Modu is not a person who sticks to tradition, he seems to be accustomed to breaking the convention, in the early years he also went to the countryside, joined the team, returned to the city for a few years as a machine tool miller, in the 80s of the last century, the 25-year-old Ma Modu began to create literature, after the publication of the novel "Tonight the Moon is Round", Ma Modu was transferred to the editor of "Youth Literature".
In addition, Ma Modu also began to collect Ancient Artifacts in China from 1980, and by the 1990s, Ma Weidu's collection had become a scale, with more than a thousand pieces of ceramics, ancient furniture, jade play and other collections, and from the 1990s to the present, Ma Weidu also published many works on collecting.
In 1996, Ma Weidu founded China's first private museum, Guanfu Museum, which collected many ancient works of art in China.
Nowadays, the lecture-style column "Hundred Pulpits" launched by CCTV Channel is quite popular with the audience, and the theme of the column involves Chinese history and culture, which has the role of popular science historical knowledge and in-depth commentary, which makes many viewers remember it vividly.
Ma Modu has been a guest at the "Hundred Tribunes" since 2008, which also impressed everyone, and it is not difficult to see that he is a knowledgeable person.
However, Ma Modu said that "the Song people can't burn a large vat", which is still quite controversial, as we all know, the Song Dynasty's economy developed rapidly, and the Song Dynasty was the heyday of China's porcelain, and it may not be impossible to burn a large vat.
Secondly, the "History of Song" records: "The group of children played in the court, one child ascended the urn, fell into the water, all the people abandoned, the light holding the stone to break the urn, the water burst, the child had to live." "The jar is a kind of utensils that hold things, such as pottery, porcelain, enamel, glass, etc. Weng is a kind of pottery that holds things, and Weng is a type of cylinder.
Finally, one expert used an idiom to refute it, namely, "Please enter the urn."
。 Emperor Gaozong of Tang recorded in the Imperial Household chronicle of Emperor Gaozong and Zhang Que (張鷟) in the Chaoye Youzai Zhou Xing::
Tang Qiuguan Waiter Lang and Lai Junchen pushed things together. Junchen don't go into the stop of The Rising, the excitement is not known. And the same food, it is said: "Prisoners refuse to admit it, if it is a practice?" Xingyue: "Even easy also." Take a large urn and burn it on all sides with charcoal, so that the prisoners will be in it, why not vomit? That is, the great urn of Suo, surrounded by fire, is called Xingyue: "There is an inner survey brother, please enter this urn." "Prostrate your head in fear, and be salty is the bow."
During wu Zetian's years, Zhou Xing was quite popular with Wu Zetian, who studied the law in his youth and was praised by Emperor Gaozong of Tang when he was a county commander in Heyang, but was not promoted because he did not pass the imperial examination.
Later, wu Zetian gained power, and Zhou Xing was promoted to qiuguan shilang because of his active participation in whistleblowing operations, but it is said that thousands of people died because of Zhou Xing's whistleblowing, and zhou Xingcheng became a cool official used by Wu Zetian, and invented various appalling tortures such as "fixing hundred pulses" and "breathlessness".
Zhou Xing framed the courtiers very smoothly, and he especially looked at Wu Zetian's eyes, as long as it was a courtier that Wu Zetian did not like, Zhou Xing would arbitrarily pull out a crime and arrest the courtiers and imprison them, but anyone who entered Zhou Xing's prison, even if he was not guilty, would become guilty, and it was difficult for anyone to survive.
However, the cool official did too much evil, and if he continued, it would inevitably affect Wu Zetian, and in 691, the cool official Qiu Shenxun was accused of rebellion and was therefore executed, and Zhou Xing was also accused of conspiring with Qiu Shenxun, and Wu Zetian asked the cool official to come to Junchen for interrogation.
Zhou Xing and Lai Junchen were in a relationship, and Zhou Xing did not know his intentions, when Lai Junchen asked: "If the prisoner insists on not confessing, what should he do?" Zhou Xing smiled and said, "Put the prisoner in the urn and light a charcoal fire around it." ”
Lai Junchen followed Zhou Xing's wishes and let Zhou Xing confess.
It can be seen that the urn that can hold people has appeared as early as the Tang Dynasty, and it is still biased for Ma Mo to say that "the Song people can't burn a large vat".
However, when the ancients told a story, there was indeed a phenomenon of exaggeration, and the historical records recorded that "Guangsheng was seven years old, awe-inspiring as an adult, heard about "Zuo's Spring and Autumn", loved it, retired to his family, that is, his big finger." I can't read the book in my hand, until I don't know hunger, thirst, cold and heat. ”
Sima Guang was already as steady as an adult when he was seven years old, and after listening to the "Spring and Autumn of the Zuo Family" explained by his teacher and his family, he already understood the meaning of the book, and later read books to the realm of forgetting hunger and thirst, cold and warm.
These are exaggerated rhetoric, intended to highlight Sima Guang's talent, much calmer than his peers, and like to read, but Sima Guang is a child after all, different from adults, and hunger and thirst, cold and warm feelings are normal human senses, if you really can't feel hunger and thirst, cold and warm, this person will need to see a doctor.
Of course, some people say that Sima Guang may not be able to smash the big vat when he is seven years old, this big vat may have been some years old, so it was abandoned and stacked in the yard, and he didn't want to have children to play, and there was water inside, and Sima Guang lifted the stone and smashed it hard, and the cylinder was smashed out of a large mouth.
Sima Guang's "prodigy" is also famous for this matter, Sima Guang successively served as the four dynasties of Renzong, Yingzong, Shenzong, and Zhezong, and died in 1086, but after his death, he suffered from being robbed by Song Zhezong, smashing the monument, and even almost being whipped, but during the song Gaozong years, Sima Guang was worthy of the Zhezong temple.