Chinese painting mainly uses the changes of lines and ink colors, with hooks, wrinkles, dots, dyes, thick, light, dry, wet, yin, yang, direction, back, virtual, real, sparse, dense and blank and other expression techniques to depict objects and business positions; framing layout, wide field of view, not limited to focus perspective. Figure painting gradually matured from the late Zhou Dynasty to the Han and Wei dynasties and the Six Dynasties.
Chinese painting emphasizes "the creation of foreign teachers, the source of the heart", requiring "the intention to save the pen first, the painting is the best intention", emphasizing the melting of the material and self, creating the artistic conception, so as to achieve the shape of the god, the form of the god, the shape of the god, the vivid rhyme. From ancient times to the present, recourse to the lost, excavate the rich aesthetic resources of traditional Chinese painting art and develop new forms have become the historical mission of the younger generation of artists in the new era. Zhang Huaiyue is one of the hard-working and silent painters.
Yuan Longping (1930-2021)
Biography
Zhang Huaiyue, real name Zhang Xiujuan. He is a member of the China Artists Association. He is currently the tutor of the advanced research class of the Art College of Chinese Min University, the painter of the Shiqi Art Research Association, the academic member and special painter of the Central Party School's Transcendence Road Research Group, the High-level Theoretical Seminar on the Road to Chinese Rejuvenation and the Spirit of Calligraphy and Painting Art Exhibition. He studied at the famous tutors of the Academy of Fine Arts of Tsinghua University, Jiang Caiping, Shi Qi and Zhang Daoxing.
Major exhibitors and awards
In 2007, his work "Red Leaves" won the bronze medal of the first Chinese painting exhibition in Heilongjiang Province;
In 2008, his work "Si" won the Silver Medal of the New Generation of the Kanto School in the Four Northeastern Cities;
In 2009, his work "Tibetan Girl" was selected for the 2nd National Heavy Color Small-scale Pen Exhibition of "Micro and Exquisite";
In 2009, his work "Magpie's Nest" won the silver medal of the 11th National Fine Arts Exhibition Heilongjiang Branch;
In 2010, his work "Playing with Ice One" won the Excellence Award (the highest award) of the 16th Asian Games National Exhibition of Contemporary Art; the work "Playing with Ice" was selected for the "Passion Event, Han Mo Liufang" National Chinese Painting Exhibition;
In 2011, his work "Children's Music" won the 2011 National Chinese Painting Exhibition Excellence Award (the highest award);
In 2012, his work "Brilliant Ice City" won the Excellence Award (the highest award) of the "Eight Wilds and TheOsophical Theosophical" National Chinese Painting Exhibition;
In August 2013, a large-scale solo exhibition was held at the Cultural Palace of Pingdingshan Pingmei Group in Pingdingshan City, Henan Province;
At the beginning of June 2018, the Shandong Weihai Exhibition was held at will to a national tour exhibition of Huaiyue Chinese paintings;
In August 2018, the Gansu Exhibition of the National Tour exhibition of The National Tour exhibition of Huaiyue Chinese paintings was held.
In September 2018, Danqing wrote a piece of Huaiyue Chinese painting in Dunhuang, a national tour exhibition of Dunhuang exhibition.
In 2019, his work "Crane Gu" won the silver medal of the 13th National Art Exhibition in Hainan Province.
On the one hand, Teacher Zhang Huaiyue inherits the classical techniques of fine painting, and on the other hand, in the shape of objects, structural pictures and painting environment management, they all combine the consciousness and emotions of modern people, so as to achieve the transcendence of their spiritual themes in the mellowing of the formal language of painting.
The barrier of "gong" in his pen "Gong Pen Painting" has been broken, so that gong pen painting is constantly transcending the boundaries of expression, but also realizing the transcendence of itself; Teacher Zhang has realized the transcendence of traditional gong brush painting through the reform of techniques and materials, drawing on oil painting, mural painting and Japanese painting expression techniques, and expanding the territory of Gong pen painting unprecedentedly. His characters are full of emotion, elegant and idyllic, and the scenery is long. Fully expressed the personality of the characters, vivid images, vivid in the painting, there is a refreshing sense of beauty, after reading for a long time can not forget.
Today, we have the honor to invite the painter Zhang Huaiyue to create a freehand character "Dong Shi XiaoYi" around the scene of the "Dong" character.
Since the teacher of this painting has to draw two figures, the teacher arranges the two figures in the front and back positions for easy appreciation. The teacher first drew Dong Shi, when painting a woman, it should be noted that the facial features need to be exquisite. When drawing the hair of the ancients, the pen should be dried and the orientation of the pen should be changed.
After painting Dong Shi's fingers and clothing patterns, the tail can be slightly blurred when painting the sleeves, paying close attention to the direction of the woman's streamer and the movement of the characters. Generally, beautiful women paint seven and a half heads, and the teacher's drawing here is not too big, as long as it is in line with the proportions of the human body.
After the sketching is complete, when the ink color is not completely dry, first add a little color. When dyeing the sleeves, you can leave a little flying white underneath, and the color is not too rigid. On the skirt of the character, the teacher painted some flowers to embellish it, so that it appeared richer. When dyeing the streamers, the teacher added a little stone green and garcinia yellow, the color is not very pure, cool tones, and contrast with the whole character. The middle collar is made of stone green and flower blue, and a little heavier color is repaid again.
When drawing another figure, because the whole figure is from right to left, when painting Xi Shi, the teacher draws a different direction. Xi Shi this character, to her specific identity is a little bit of a little sad, since it is a role, so the difference in head shape is not very big, do not have too many postures, otherwise it is easy to seize the picture.
It should be noted that the difference between the two streamers of Xi Shi, the large streamers are more moist with a pen, the small thin streamers are more solid with a pen, and the ink color is heavier. The color of Xi Shi is relatively plain, and when the characters' clothes are colored, the teacher uses warm colors, which are colored with vermilion and garcinia and then put aside some stone green.
The skin color of the character is made of vermilion, garcinia and stone green, and some white and pink tones are added, and the structure is dyed with ochre, and the rouge is brighter than the ochre. Usually the side of the face is a little deeper on the left side of the nose than the other, and then the hair is shined with flower blue, and finally the lips are dotted with a little rouge.
Because the characters in the picture are the main objects, the teacher will put the inscription and the characters next to each other, so that the main characters are more prominent. In this painting, the teacher draws two figures one larger and one slightly smaller to form a contrast. In terms of color, one is cold and the other is warm, which makes the picture very rich.
Today, the freehand character "Dong Shi XiaoYi", which was created around the "East" character, was completed, hoping to get everyone's like.
Appreciation of works
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