Miaopin | Zhuangyuan calligraphy: his calligraphy is strange and energetic, and it has the penmanship of Yan Chu Ou Huang and other families

Calligraphy Course

See pen and ink | Reach the heart

You can't go a long way without this king

The cultural core | Chinese calligraphy | The highest art

Wonderful product | Zhuangyuan calligraphy: His calligraphy is strange and energetic, and he also has the penmanship of Yan Chu Ou Huang and other families

Zhuangyuan Zhang Jianxing book "Thousand Character Text".

Zhang Jian (1853-1926), Zi Ji Zhi, Xi Weng, a native of Nantong, Jiangsu, late Qing Dynasty. Zhang Xiao's characters have a yan body pen meaning. It also shows the afterglow of Chu Suiliang, Ouyang Inquiry, Ouyang Tong and so on. Zhang Xiaoxingcao, learned more about Wen Zhengming and Bao Shichen.

Zhang Jian worked hard in calligraphy and did not fade away from old age. In his early years, because of his dedication to fame, he entered the calligraphy door through the courtyard body and the cabinet post, laying a very solid foundation, and also laying the foundation for the European, Chu and Fa of his calligraphy. After he became the champion of the title of the gold list, he first followed the thick and solemn style of his mentor Weng Tonggong, and then taught Huang Tingjian, who was still in Linti Huaisu a year or two before his death, and immersed himself in painstaking research.

Zhang Xiao's calligraphy is the foundation of Ou, Chu, and Yan, and according to his own Linshu records, when he was young, Linchu Suiliang's "Dead Tree Endowment" and "Sacred Order" and Yan Zhenqing's "Self-Written Confession" and "Battle for Seats" were posted. At the age of forty-one, he came to the "Crane Inscription", and at the age of forty-five, he came to the "Cao'e Monument". After Zhang Xiao was middle-aged, he especially loved Huang Tingjian. In his later years, he was still in Linhuaisu and Sun Guoting.

Judging from the evolution of Zhang Xiao's writing style in his lifetime, it can be divided into three periods:

In the early days (22-40 years old), the style of writing pursued stability, modesty and integrity, and the pen was both European and Chu, and with willow meaning, and the representative works were "Four Hours of Reading Music" and so on;

In the middle period (41-65 years old), he deliberately sought change, won the charm of the valley, the knot body was dashing and healthy, the penmanship was tenacious and strong, and the representative works include "Ink bamboo fu" and so on;

In the later period (65-72 years old), he integrated all the families and used his pen to make his own ingenuity, thick and simple, and the taste of the books was strong, forming the atmosphere of "Zhang Shu", and the representative works were "The Record of Dong'ao Mountain Villa" and "WangjiaLou Lian".

The calligraphy theorist Sun Xun listed Zhang Jian as an important calligrapher "famous for his calligraphy" in the book "History of Calligraphy in the Republic of China", and after studying Zhang Xiao's letters, he said: "Zhang Shi was good at calligraphy, learned yan and mixed with Ouyang rate. The intention is intoxicating, the outside is soft and the inside is rigid; the font is far away, and the demeanor is peaceful. There is a style of Sui and Tang Dynasty Kaixing transmutation. Sun Qian believes that Zhang Jian "wrote at will in his later years, strange and energetic, and free to create." ”

Zhuangyuan Zhang Jianxing book "Thousand Character Text" HD appreciation

Calligraphy Discover the beauty of the heart

Thinking of thousands of years, seeing through thousands of miles, the heart travels to ten thousand miles, and the eight poles are exquisite