Admire the calligraphy works of several calligraphers of the late Qing Dynasty and early Ming Dynasty.
Zhang Xiao's painting is written in Cui Hu's "Title Capital City South Zhuang", and in this door last year, the faces of peach blossoms were red. People don't know where to go, and peach blossoms are still smiling in the spring breeze. This painting is fresh and elegant, full of ancient meaning.
Tan Yanmin's writing is Han Hong's "Sushiyi Mountain" in the Tang Dynasty, the floating clouds do not share this mountain Qi, and the mist and the sky look at the fans. Xiaoyue temporarily flew high in the trees, and the Qiu River was separated by several peaks in the west. There are discrepancies between the thousand words, the numbers and the original poems in the work. The work is wide-knit, thick with ink, and majestic and ethereal.
Liu Chunlin's writing is that the Taige Mountains and Forests are no different, and the fish, birds and lakes only know themselves. The upper link is the verse of Shi Yuanjing, and the lower link is the verse of Su Shi. It's also a lot of fun to get together. The work is written fresh and handsome, which shows the depth of the skill.
Wang Shoupeng's writing is Li Bai's "Yellow Crane Tower Wendi", a migrant to Changsha, looking west to Chang'an and not seeing home. The jade flute is blown in the Yellow Crane Tower, and plum blossoms fall in Jiangcheng in May. The work is stable, exquisite, elegant and generous.
Zhu Ruzhen's painting is written in Zhu Xizhen's "Fisherman's Father's Word". The font is thick and round, and the fall is generous.
Shang Yanjun's writing is really well written, simple and elegant, flexible and elegant.