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Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin

author:Representative of the calligraphy and painting class

Yan body calligraphy has always been loved by many calligraphers, of course, the same is true for class representatives. When I was a child, I saw the characters of the Tang Dynasty families in the history books, and the Yan body was obviously outstanding, and it felt more attractive than other book styles, and since then I have been addicted to the Yan body. Later, with more understanding of Yan Lugong, he also learned that the character of loyalty and integrity was also rare in the ages, so he liked his calligraphy even more, and even thought that his achievements in calligraphy were not weak."Shusheng" Wang Xizhi.

Although Yan body calligraphy is popular, since Yan Lugong, the vast majority of people who have learned Yan have only learned its form, and there are very few people who have both form and god. In modern times, there have been quite a few Famous Yan Kai masters, such as Qian Feng, Weng Tonggong, Tan Yanmin, Hua Shikui and others. These several gods of the shape of Yan body calligraphy also have their own strengths, such as Qian's taking Yan Kai's masculinity, Hua's taking Yan Kai's beauty, and the famous Weng Tonggong may not be able to achieve the true beauty of Yan Zhenqing, but Tan Yanmin thinks that he has done it.

Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin
Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin

The representative of this class wants to introduce Tan Yanmin's brother- Tan Zemin. Tan Zemin's calligraphy is known for his calligraphy and calligraphy, and he is also a worker. Its calligraphy is majestic and majestic, and the writing is thick and elegant. Some book friends said that his first view of Tan Zemin's calligraphy actually had a feeling that the atmosphere did not dare to come out, the spine and bones were numb, straight and bone, full of atmosphere without losing grace, full of spirit!

Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin

Someone once commented that Tan Zemin's calligraphy is a family of its own, the style is close to Weng Tonggong, majestic and beautiful, and the Book of Yougong (big characters) is more magnificent than his brother Tan Yanmin." This seems very pertinent. After all, the four-character plaque of the "National Government" in Nanjing originally invited his brother Tan Yanmin to write, but he believed that the big characters of the list book were no better than his brother, so he was eventually written by his brother. In addition, the three words of Hong Kong's Wen Wei Po are also from his handwriting.

Now it seems that tan's father and son can be described as one discipline and three masters, quite the appearance of the "three Sus" in history, although it is not enough to compete with the former, but it is also difficult to compare with many doors at that time. Next, enjoy Tan Zemin's calligraphy works together——

Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin
Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin
Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin
Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin
Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin
Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin
Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin

Tan Zemin (1889-1948) was a native of Chaling, Hunan. Modern calligrapher. Zi Zu Tong, Trumpet Bottle Zhai, Room Name Tian Sui Ge, Tan Yan Min's younger brother. Noh poetry can paint, good calligraphy, Gong Han Li, especially xing, calligraphy is known, shi Fa Weng Tong Gong, He Shaoji, Qian Feng, Shang Yan Zhenqing. Majestic and strong, strong in strength, good at the list of books.

Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin
Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin
Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin
Tan Zemin's calligraphy is majestic and beautiful, and the book melts into the rice thick and free, not weak to his brother Tan Yanmin

Wen 丨 Calligraphy and Painting Class Representatives, more high-definition Jinshi calligraphy and painting works and the stories behind them, welcome all friends who love calligraphy painting and seal engraving to pay attention to us! Every time you "like, comment, favorite, forward and share" is our support, but also an important driving force for us to continue to create! We will continue to create and share more high-quality content, and live up to the original intention of "collecting the essence of golden stone calligraphy and painting".

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