Mountains and rivers
Nine-person exhibition of contemporary Chinese landscape paintings
Academic support
Art Committee of China Artists Association
Organizers
Zhejiang Artists Association
Propaganda Department of the CPC Ningbo Jiangbei District Committee
Co-organizers
Ningbo Jiangbei District Federation of Literary and Art Circles
Ningbo Jiangbei District Culture, Radio, Television and Tourism Bureau
Collection Magazine
Organizers
Zhejiang Xinjie Construction Co., Ltd
Exhibition time
25 December, 2021 - 8 January, 2022
Exhibition venue
Ningbo Art Museum
Huang Bojun
Born in 1962 in Cixi, Zhejiang Province, he now lives in Tonglu. He studied at the China Academy of Arts. He is currently a member of the China Artists Association, a member of the Chinese Calligraphers Association, a director of the Zhejiang Artists Association, the deputy secretary-general of the Zhejiang Lu Yu Shao Art Research Association, a founder of the Zhejiang Academy of Painting, a member of the Plenary Committee of the Hangzhou Municipal Federation of Literature and Art, the vice president of the Hangzhou Literary and Art Two New Development Promotion Association, a member of the presidium of the Hangzhou Artists Association, and the chairman of the Tonglu County Artists Association.
Art ascetic
Text/Sun Yong
Bo Jun and I have known each other for ten years, when he was already the chairman of the Tonglu Art Association, and as a foreigner (a native of Cixi), he was entrusted with this important task, which was enough to witness his smooth connections and academic weight, and he could be called a rare compound talent.
When I went to Tonglu to guide and help more complicated, the interaction and communication with Bojun was naturally more, he had rich experience, open-mindedness in the world, and was a man of temperament. Diligent pursuit of scholarship, let him spare no effort to go south and north, up and down to explore, down-to-earth cultivation of his own landscape and countryside.
In the following years, Bo Jun was approved to join the team of creative researchers of Zhejiang Academy of Painting, and their academic interaction became more and more in-depth and close. His talent, understanding is very high, the study is hard and rigorous, and every academic activity of the academy has achieved good results - in the recent theme creation of "Two Mountains Theory", his "Home in the Green Mountains and Green Waters" huge production has won wide acclaim and praise in the exhibition; recently, the National Academy of Painting and the Zhejiang Academy of Painting cooperated in the "Haiyuan Wanli" project, he was selected to participate as one of the few representatives of the founders and researchers of the Zhejiang Academy of Painting. The above achievements not only confirm the guidance of the academic benchmark of Zhejiang Academy of Painting, but also confirm the good return of his own hard work in recent years, which is gratifying and congratulatory.
In my exchanges and interactions with Bo Jun, I often bluntly remind that Chinese painting seems to be talking to itself, each table has a chapter, how to come by hand, in fact, it is not, it has a benchmark - the works that can be famous in history and flow for hundreds of years are in line with the category of benchmarks, and all those who act recklessly and deceive the world will eventually be swept into the garbage heap by history. Therefore, what we are doing today and conscientiously managing our studies is aimed at having a positive account for future generations -- facing the current industry ecology of the industry under the rush of quick success and short-term profits and mud and sand, and how to "not be afraid of floating clouds to cover the eyes" to look forward to it, is a serious issue in our industry: painters must eventually speak with painting, and those "emperors' new clothes" and "covering their ears and stealing bells" that are very loud and deceitful will eventually disappear and disappear.
Recently, Bo Jun's collection of books was paid to Zi, and he asked me to write a preface and encourage me, so I read some of the manuscripts and felt the following:
First, Bo Jun's understanding of Chinese brush and ink is quite high, which is actually the prerequisite and element of learning and exploring Chinese painting, and then being able to step into the right path with the guidance of superior people, step by step, the future can be expected.
Second, Bo Junzhi is rigorous and hardworking, although people are middle-aged, they are still inspiring, and huge works of small works gush out. To put it bluntly, painting is both mental and technical work, but also a hard work - if there is no spiritual support, it is difficult to sustain.
Third, through these years of taking nature as a teacher, Bo Jun has combined the pen and ink he has learned well with the elaboration of the specific scenes of nature, and the rich atmosphere of life in the picture is obvious to all. He is an excellent practitioner of the concept of "advancing with the times, pen and ink should be contemporary".
Fourth, since the beginning of a few years ago, Bo Jun has made useful absorption and penetration of the painting schools in the east, west, south, and north, expanding his artistic horizons and enriching the technical content, so as to make his academic demands more extensive and in-depth. Handy and responsive pictograms are the shortcomings of many painters at present, and Bojun has already got rid of this dilemma.
Fifth, Bo Jun usually pays attention to the magic of the same origin of calligraphy and painting. While painting and reading, it has strengthened the practice of calligraphy, which is also the obvious shortcoming of the vast majority of painters at present, and Bojun has long consciously made up for the shortcomings, which also makes me very pleased and appreciated.
Sixth, Bo Jun has long served as the chairman of the American Association of one side, and the disturbances of public affairs are naturally complicated. He was able to hold the degree of orderly and squeeze out time to lead the academic competition, so this kind of academic leadership is worthy of admiration and pride.
All in all, Bo Jun is an ascetic monk with a literary heart, and there are many similarities with me, so he is bitter and his speech is naturally more. As far as the above is concerned, I would like to encourage you with bojun.
"Cicheng Qingdao Temple"
136cm×68cm
《Baoguo Temple, Lingshan Mountain, a thousand-year-old temple》
"Yan ZiLing Fishing Platform"
《Fishing Platform》
32cm×32cm
"Red Seal Siming Mountain"
"The First Harvest of Spring Trees in the Thick rain"
"Maoli Waterside Mao'ao Village"
68cm×68cm
《Fuchun River Dam》
125cmx125cm
"Smell the Deepest Part of the Mountain Forest"
《Creek Bridge Village Road Deep》
136cm×68cm
Rural Poetry
"Xiangxi Sketching"
60cmx40㎝
《Hanura Ancient House》
68cmx68㎝