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Cai Jingxing's book "Title Zhao Yi Listening to the QinTu" appreciates

Cai Jingxing's book "Title Zhao Yi Listening to the QinTu" appreciates

Song Huizong Zhao Tuo "Listening to the QinTu"

Cai Jingxing's book "Title Zhao Yi Listening to the QinTu" appreciates

Northern Song Dynasty Cai Jing calligraphy "Inscription Zhao Yi Listening to the QinTu", the Collection of the Palace Museum.

Cai Jingxing's book "Title Zhao Yi Listening to the QinTu" appreciates
Cai Jingxing's book "Title Zhao Yi Listening to the QinTu" appreciates
Cai Jingxing's book "Title Zhao Yi Listening to the QinTu" appreciates
Cai Jingxing's book "Title Zhao Yi Listening to the QinTu" appreciates

The Palace Museum in Beijing treasures a famous painting of the Northern Song Dynasty, "Listening to the QinTu", in the shade of the pine, a person burns incense and strokes the piano, and sits on the left and right of the audience in red robes, green robes and a boy. The characters behave in a vivid way, and the background depiction is also very interesting. Due to the author's superb talent, it seems that the melodious piano sound can be heard from the character mood, the pine wind bamboo rhyme and the light smoke. Some people believe that this painting is a self-portrait of Emperor Huizong of the Song Dynasty, and among the people who listen to the piano, the red-robed person is Cai Jing, and the green-robed person is Tong Guan.

The monarchs and courtiers in the painting are all reveling in the world of art, and the relationship between the three people outside the painting is also very close. Tracing back to the roots, Zhao Tuo indulged in the sound and color of dogs and horses, and Cai Jing was able to "worship the five times in the Golden Hall and the Ten Degrees of Xuanma in the Jade Hall", all of which have an indissoluble relationship with the collection of artworks.

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