The plum bottle collectors of the Song Dynasty all liked, first of all, thanks to the Song people's introverted aesthetic of porcelain, and secondly, the plum bottles made by the Song people were really the most advanced appreciation porcelain, especially when they encountered some special glazed porcelain, which was the favorite existence of collectors.
It is not that after the Ming and Qing dynasties, there is no such beautiful treasure that can be compared to the Song porcelain, in fact, the plum bottles of the Yongzheng and Qianlong periods are also good, especially the blue and white porcelain plum bottles that belong to the Yongzheng period. Because the Yongzheng Emperor has a different aesthetic, it can completely surpass the Song people's aesthetic of porcelain on some fine utensils.
A Yongzheng man bamboo plum bottle worth more than 15 million yuan, this treasure really does not lose the porcelain beauty shoulder of the Song Dynasty. According to Ma Weidu, this is a rare Piece of Yongzheng Official Kiln Fine, a Yongzheng representative vessel full of work and materials.
This piece of plum bottle porcelain painted with spring bamboo is already very close to the plum bottle under the Song people in terms of instrument type, and it feels that the shape of the Yongzheng period is fat, and the others are no different from the Song people.
The shape of the instrument is beautiful and beautiful, plus this instrument is full of blue and white paintings. When you see this object, you can feel the light and elegant beauty of Yongzheng, especially the painting, although it is a painting with full work, you can feel the thinness and elegance of that kind of bamboo.
From the top down, the neck of this plum bottle is actually a lotus petal with a double line, which is very exquisite, proving that this object belongs to Yongzheng's official kiln painting brush. In particular, the whole body is painted with bamboo patterns, which shows the characteristics of the craftsmen at that time
The biggest feature is that the main trunk of the bamboo is strong and tall, it is estimated that if it is replaced by Qianlong's painting, it will be different, but Yongzheng's thin painting can be called a feature of the three generations of the Qing Dynasty, and it is also the only place where there is too Much Song painting.
Look closely at the thin branches of the bamboo, and each one has a feeling of obliquely crossing out. As mentioned earlier, although this artifact is a full painting, each bamboo stick appears particularly agile. In particular, the clusters of some bamboo leaves feel particularly good, and there are even some bamboo shoots with tips under the whole plum bottle, giving people a sense of vitality and spring vitality.
The feeling of bamboo blooming on the plum bottle is too good, and it is worth mentioning that the pattern of this plum bottle is delicate and delicate with a pen, and the blue and white hair color is elegant and pleasant, with Yongzheng's unique snow white bone fetus, which is undoubtedly a heavy weapon in the collector.
Netizen message: Like Yongzheng porcelain, the favorite is this kind of glazed blue and white porcelain, Qianlong's is too lively, and Yongzheng's fresh and elegant treasure is too rare.