Since Huang Chun's death, Bai Jingqi's originally peaceful backyard has suddenly become lively. When Huang Chun was there, everyone was at peace, a harmonious scene, Bai Jingqi saw that Huang Chun and Yang Jiuhong got along well, and sighed with great satisfaction: "Hey! Look at these two sisters! ”
After the old lady and Huang Chun died together, Yang Jiuhong began to stand up, which made the honest locust flower, the locust flower had no talent and no mouth, and could only let Yang Jiuhong pinch and rub the circle, like an angry little daughter-in-law, she sighed with Xiangxiu: "When is such a day a head?" I heard that she hadn't been so evil before, and I don't know what happened to her in the past few years? ”
Huaihua estimated that she had forgotten that when she was the old lady's big handmaiden, her arrogant attitude had hurt Yang Jiuhong's heart fiercely, and she did not realize that when the old lady died, cats and dogs could wear filial piety, but Yang Jiuhong could not wear filial piety. The fragile and honest Huaihua and Yang Jiu chose to hang themselves after a few rounds of fighting.
Yang Jiuhong laboriously removed the locust flower, losing Bai Jingqi's pity and guilt, but let Xiangxiu accidentally grab the handle of having to be a wife, and even she herself said with emotion: "The praying mantis catches cicadas and yellow finches is behind!" From this time on, Yang Jiuhong completely lost, and then she paid homage to the Buddha in a simple way, and no longer asked about the fight at the door of the house.
Many people feel unfair for Yang Jiuhong, why Yang Jiuhong boiled oil at the door of the mansion for decades, but was exploited by Xiangxiu, everyone thinks that Xiangxiu is too clever. Xiangxiu and Yang Jiuhong have never been inferior in their fights, one is because she is really spicy, and the main reason is that she knows that Bai Jingqi cares more about her, so she has no fear.
In the TV series, Xiangxiu defeated Yang Jiuhong and became the wife of the main room of the mansion door, but Xiangxiu did not take long, she actually had a difficult time after entering the door, first of all, no one took her seriously, did not get the respect she deserved, when Bai Jingqi was not at home, she was driven out by the descendants of the Bai family at every turn, the title of mrs., for Xiangxiu, there is not much gold content, in addition to not getting the minimum respect, people around her are still looking at her share of the family property, but have to buy a child to be bold, However, the child who bought it finally broke with her, which is like a person drinking cold and warm self-knowledge.
Yang Jiuhong's final sitting and death is actually a good result of cultivation, compared to Xiangxiu's miserable and unknown ending, Yang Jiuhong's ending is actually quite good. And the prototype of Yang Jiuhong and Xiangxiu, the ending of both of them is not good, the same desolate and pitiful!
The prototype of Yang Jiuhong is the flower queen of Jinan, who has lived all her life in the small room outside the door of the mansion, has no children and no daughters, and there is no maid to serve her, and no one has ever called her an aunt and grandmother, and everyone is disdainful and disgusted to call her old kiln sister and old prostitute. No one wanted to talk to her at all, but in this lonely and closed environment, she lived to the age of ninety, but during the Cultural Revolution, she was locked up in a closed room by a group of people, she did not know what was happening outside, and finally she was scared to death.
The prototype of Xiangxiu is the adoptive mother of director Guo Baochang, Guo Rong, because the director at that time not only let her adoptive mother hand over all the shares, but also went to find her own poor peasant biological mother for her own composition problem, which led to a complete break between mother and son. In her later years, Guo Rong was very desolate, and when she was dying, there was only one relative around, and her last words said that she was "no worries", but it was precisely from this sentence that she had no worries, and it can be seen that she was actually gambling with her adopted son. It can be said that the archetypal endings of Xiangxiu and Yang Jiuhong are more realistic and bleak than the endings in the TV series.