The pinnacle of Chinese new century music - Li Zhihui's music

Like the warmth of unexpected encounters, awakening the long-hidden feelings in your heart, and nourishing your tired soul, this is Li Zhihui's music.

Li Zhihui's music is characterized by geographical music, landscape geography, human geography, and even extends to astronomy. Touched by the singing of picturesque landscapes, evocative because of the profound traditional cultural heritage, and soothing by the remembrance of the lost homeland. Beautiful landscapes, long history and culture, and rich humanistic feelings, Li Zhihui slowly used his perfectly matched beautiful melody.

Because of geography, it speaks of the heart. This is the search for a sense of belonging to the soul, the desire to return to the spiritual home. Listening to his music, you seem to have found a long-awaited destination, your heart is warmed, and you can deeply appreciate the vitality of the national characteristics rooted in this land, which is the most stable sustenance in our hearts.

Li Zhihui's music is a combination of classical and modern, the fusion of folk music and Western music, and the intersection of the spirit of traditional national culture and modern psychological characteristics. It has a strong sense of traditional culture and distinctive characteristics of the times, integrating Chinese and Western composition techniques, and its band is also a combination of Chinese and Western when playing. This kind of music that blends seamlessly like water and milk is naturally evocative. Therefore, people can't get tired of listening to it for a long time, and it is always fresh.

The musicians who led the times always had a deep cultural heritage, and were artists and thinkers. If there is not enough ideological and cultural accumulation, even if the geniuses are talented, the pattern will be insufficient, and the ideological connotation and cultural sense will be lacking. It is difficult to capture the innate melody that can accurately express culture or emotion, and it is difficult to achieve such a harmonious mood of all things.

Li Zhihui belongs to the post-70s group. This is a generation of alternation and transition between the old and the new, who are deeply influenced by tradition and have the clearest understanding of change. They have become accustomed to setbacks and suffering, they seem to see through everything, and their minds have been able to contain everything very calmly. People born in the 1970s are a deep, strong and contented generation. Li Zhihui's music implies these subtle characteristics of the post-70s group, the coexistence of tradition and innovation, profound and keen insight, and the endless pursuit of beauty.

Li Zhihui hid in Qingcheng Mountain for a long time, feeling, creating, and the long-term infiltration of Taoist Buddhist thought, so that his music always revealed a trace of Zen, the harmony of Daofa nature, and the flowing and unworldly artistic conception.

In Li Zhihui's music, everyone will find the way home of the soul and the poetic life after washing away the lead.