"Yushita Kasugabe Otoko"(Nichireon Shin-chan Calls 岚! Yushita Kasugabe Otokojo"(Original name: Crayon Shin-chan: Call The Kasukabe Boys in the Evening). 《蜡笔风唤 rain! Yushita Kasugabe Otoko: This is a sound-educing picture of Yuyumi Tsutomu, Yayaku Akiko, Nara miko, Fujiwara Osamu. This is the 12th part of "蜡笔场 edition", yakore 1st vice sea 报蜡笔笔场剧场场剧场剥
Synopsis
Xiao Xin and their friends are playing ghost hunting, breaking into the abandoned movie theater, when they watch a free movie, Xiao Xin went to the toilet, and when he returned, there was no one there. He went home angrily, but the wind did not return, and the family entered the cinema to investigate, and was sucked into the western pioneer desert of the movie, and found a town along the railway. In the tavern, they meet Kazema, who, although he knows Koshin, becomes a sheriff and pretends not to know him in order to protect his interests, later, Tsubaki helps them find a place to live, they meet Kazema, who is being executed, and they save Kazema. In the town, Koshin meets Masao, who becomes a couple with Nini, and they don't want to go back to Kasugabe. In the end, Hiroshi gathered all the people who were involved and let the film continue to act. At the same time, the doctor invented the red panties, and Xiao xin and everyone else was very suitable. Tsubaki tells them about the forbidden land, and they take the train, and at the same time gather all the reliable people who oppose Jestis. The connection lock of the train was broken by machine guns, and Kazema did not jump over, so the members of the Kasuga Ministry Defense Team immediately went to the Kazema, and the wild man (the one who drew a match on Hiroshi's face) tried to crush Kazema to death. But Koshin arrives just in time to save Kazema, and the members of the Kasuga Ministry Defense Team arrive, and together they transform and wipe out all the convoys. Jastis escapes and goes to open up the robot they encountered before, which is a huge challenge for the Defense Force. The robot holds Tsubaki in his hand, and in the end what will happen to Xiaoxin and Tsubaki's fate...
Tsubaki
A mysterious girl who lives in the "City of Justice". Around the 1960s and 1970s, she looked like a cute and beautiful girl with politeness and a no-nonsense personality. Because he was discovered by the mayor of Jestis, he served in the mayor's house, but he was kind enough to help the Nohara family. Once attracted by Xiao Xin's kind personality. Although Xiao Chun knew it, he did not open his mouth to confess to Xiao Xin. After returning to reality, Xiao xin felt a heavy blow because of her disappearance. Incidentally, in the play, Tsubaki is barefoot due to restrictions on Jastis's prohibition on going out, but in the happy ending song MV, there is a picture of wearing boots. The heroine of this theatrical version likes Xiaoxin. She is about 14 years old, a mysterious girl who lives in the western pioneers, has a kind personality, serves the mayor of the town, and is familiar with the affairs of movies. At the end of the theatrical version, after returning to Kasugabu, Koshin searches for Tsubaki in the cinema, but fails, learning that Tsubaki is the original character of the movie, and she disappears with the movie. It is also said that the little girl who entered a long time ago, the world that disappeared back to the movie itself no longer exists, or is hidden in a corner, (Xiaoxin's father finally looked back at the movie theater), will Xiaoxin forget Tsubaki? (CV: Saitō Saika)
Yoneguchi (Microphone)
His real name is Yoneguchi, a man who helps the Nohara family, is sucked into movies like the Nohara family, and is a store manager who rents video tapes in Kasugabe, always looking for a way back to Kasugabu, but gradually forgets his profession and family, and is a movie fan. A fat man rescued by the Nohara family after being lynched by a security team. A resident of Kasugabe City who was sucked in by the Nohara family for watching a movie in the cinema. Constantly looking for a way back to reality, but slowly forgetting about his profession and family. Later in the story, when the situation is critical, he can still make a calm explanation, resulting in being kicked by Mizuki and others. Formerly a DVD rental shop manager, he is also a movie-loving otaku and single. As a movie fan, I don't like to go to the cinema to watch movies, but prefer to watch movie DVDs. (CV: Yasuo Muramatsu)
Simple and touching story, sincere and warm emotion, in the dim yellow tone of American Westerns, this five-year-old child with young teeth once again touched me with his optimism and kindness. It is worth mentioning that Xiaoxin, who has always looked heartless and lungless, has also moved his heart this time. After the end of the film, the lost expression on Xiao Xin's face when Xiao Zi could not be found in the empty movie theater, I believe it also evoked the memories buried deep in the hearts of many people.
Boundless desert, scorching sun, such a desolate scene is really incompatible with the comedic atmosphere created by the previous "crayon small new", and the theatrical version of "Calling the Wind and Rain!" "The Kasuga Boys at Sunset" is built against the backdrop of the late American Western era. The collision of traditional cowboy customs and the nascent mechanical revolution has both a wild and uninhibited folk atmosphere and the rudiments of order in turmoil.
Wide-brimmed felt hats, revolvers, and colorful scarves make up the intuitive impression of Western cowboys today, and the kick spurs on the boots have become iconic objects in Western movies. From film and television works to reality, cowboys are gradually given a heroic color, just imagine a eye contact in the town tavern, the two sides will rub guns and go off the fire, suddenly the bar is a mess, the singers on the stage with heavy makeup lose their color, and most of the drinkers rush out of the double-leaf gate.
As members of the Kasuga Defense Force and the Koshin family are drawn into the supernatural film events one after another, everyone is pulled from reality into the virtual western film. In this place known as the "City of Fairness", characters who belong to the film become the rulers of the city-state, constantly enslaving audiences who fall from the real world to the film scene, and as the contradictions between the two sides intensify, a battle for freedom is about to begin. Today, we will talk about "Crayon Xiaoxin: Calling the Wind and Rain!" A different world in "Kasuga Boy at Sunset".
Starting with a supernatural story, the magic spell of the movie
In the Kasuga Department, where the xiaoxin family lives, a long-abandoned movie theater is hidden behind a forest of high-rise buildings, but an American Western movie is still rolling in the old screening room. When the unknown audience enters the empty hall, once attracted by the content on the screen, they will be unconsciously pulled into this virtual world, and when they come back to god, they are already in the desert.
And Xiaoxin's friends and family have successively entered the western world in this mysterious cinema, and the desolate desert and strange towns in front of them are as ethereal as dreams but within reach. Although the architecture here is the same as in the American West, all residents speak the Japanese language fluently. Hopefully, Hiroshi Nohara kept asking local residents about "Kasugabe", but everyone seemed to have lost their memory, and they were familiar with the "strange" word but had nowhere to find it.
In this virtual world, the audience of Kasugabu is constantly invaded and enslaved. Although time is always still, the memories of everyone are constantly fading, and the past occupations, families, lovers and even the "Kasuga Department" are slowly forgotten and begin to adapt to the new life in front of them. However, Xiao Xin maintains a state of drunkenness and solitude, he constantly reminds himself to "hurry home", and discovers the secrets of the movie world while searching for his partner.
The mayor of the "Fair City" is trying to establish an orderly city-state where there is no "evil" or "wrong" and everyone must play the role of a good citizen. However, he ignores that "evil" and "wrong" are relative, and his dictatorship arouses the anger of all Kasugabu visitors, and finally the Kasuga Ministry Defense Force, with the help of the inventor's magical props and the cooperation of everyone, ends the story, and the western film ends in the starburst, and everyone returns to the real Kasugabu.
Virtual Westworld, the magnifying glass of human nature
In this virtual world, all the residents of Kasugabe who have been involved will gradually forget everything in the real world, and the thoughts that have been coveted in their hearts will begin to sprout subtly. Mikasa, Hiroshi, and members of the Kasugabe Defense Force can detect their long-suppressed emotional outbursts.
Beauty, housewife's counterattack
As a veteran housewife, Mei Ling loves designer clothes and cosmetics, and although she accepts the task of taking care of her children and family, she still yearns to integrate with normal social work. In the regular "Crayon Novel" repertoire, Mei Ling has repeatedly mentioned her reading and working situation, and still has reluctance. In the face of Xiao Xin, who often makes trouble for himself, and Xiao Aoi, who is waiting to be fed, he does not know which way of life is the real freedom.
Looking at the natural liberation of the theatrical version of the American and American servants, wearing sexy revealing costumes and applying grease powder, holding guitars and singing in the crowded bar, from time to time throwing winks at the cowboys. Even though Hiroshi persuades him to be a housewife at home and will try his best to earn money to support his family, Mei Ling, who does not want to repeat the mistakes of the past, resolutely refuses such a request and hopes to start his true life in this new world.
However, Mei Ling's clumsy makeup skills and incomplete singing voice are ridiculed by the mayor of the town, and they are thrown into the gutter with Xiao Xin under a whipping. The harsh reality is undoubtedly the biggest blow to the housewife, and after this incident, Mei Ling began to wear simple costumes, worked as a miscellaneous job in a bar, and became the town's "most famous actress" dream was also forgotten.
Although the focus of this film is not in the beauty, the sporadic description constitutes a housewife's pursuit of her dreams. Becoming a housewife is a more common choice for Japanese women after marriage, which is not only affected by traditional concepts, but also has formulated many measures to protect the rights and interests of housewives, such as the need for companies to provide a "family subsidy" for the full-time wives of male employees.
With the passage of time, today's housewives have gradually acquired their own personalized lifestyle in addition to taking care of the family's diet and living, sorting out the basic work of storage. A large number of interest classes offer courses such as dance and weaving, which not only master a life skill, but also expand the social field. The development of network technology has made writing and life videos a side business choice for some housewives. Released in 2004, Kasuga Boy at Sunset may have been as lacking in entertainment as it was sixteen years ago, compared to the rich lifestyle of today.
Wind room, the trouble of excellent students
In "Crayon Novelty", from beginning to end, the wind has been shaped into a good child image with excellent character and learning, and many factors such as excellent family background and good temperament have achieved excellent students on the screen. However, as a five-year-old child, compared with the small new and free life, the wind is like a prisoner bird living under the control of the mother, and countless training courses have become a child's pain.
In the regular repertoire, Kazema once proposed the idea of skipping class, and even went to The Little New Home to "take refuge", and finally resolved the misunderstanding with his mother with the help of mitsuru and other characters. Behind such an excellent child is such a burden that should not be borne at such an age, and the repressed emotions continue to accumulate, and once there is a "break" the consequences will be unimaginable.
In the theater version, Kazema, who comes to Westworld, is determined to be a rebellious child, and even though he still remembers the past about Kasugabe, he deliberately urges himself to forget. As the sheriff of the "Fair City", with his flammable style and flammable temper, The Wind Has completely liberated himself in this virtual city. He needs an uninhibited childhood, but the real world is only a shackle for him, so Kazema chooses to enjoy life here and gradually forgets his depression.
Dreams, children's fantasies counterattack
The role image of Dumb has always been the finishing touch of many plays in "Crayon New", and the seemingly sluggish look always has unexpected laughter. In the theatrical version, Dumb also underwent a perfect metamorphosis. When he first entered The Westworld, when everyone gradually forgot the past of Kasugabu, Dumb stayed alone in a tent with a strong Indian style, dressed in dark traditional costumes, trying to maintain his memory.
As the inventor prop activates the potential of the members of the Kasuga Ministry Defense Force, Dumb transforms into a cool boy with a mohican hairstyle on his head, and at the same time, his posture becomes extremely fast, changing his previous style.
In addition, Nini's "Princess Disease" and Zhengnan's "Seeking Perfection personality" are infinitely amplified in the theatrical version, and the film simply throws out the core of each character and shows it to the audience. Perhaps those things that cannot be done or are difficult to complete in the real world will always have a solution in the dream.
You are the hero, I am the cornerstone
In this self-proclaimed righteous virtual city, in addition to the real audience that has been pulled into the movie, there are also a number of characters who live in the movie. The heroine, Tsubaki, as the handmaiden of the mayor of the town, holds many secrets in the movie, and should have stood against Xiao Xin and others, but resolutely decided to become a rebel who overthrew the rule of the town mayor, and another important role is the inventor Lao Bo.
The theatrical version does not give more background information to the inventor Lao Bo, but simply explains "the inventor in order to overthrow the mayor". Because of his frequent strange inventions, the old man was identified as a heretic by the mayor and his lackeys and severely punished. However, the old man, who had been treated unfairly, still refused to give up his research, and eventually created the secret weapon of the Kasuga Ministry Defense Force.
Throughout the film, the role of "Old Uncle" is also the aboriginal people in the movie, when the crowd defeated the mayor and returned to Kasugabu, the figure of this old uncle did not appear, and at the same time, when the subtitles of "End" appeared, the old man said "to live well", and was flooded with starlight.
Although most films set in the Western era promote heroism, in the world of Crayon Shin-chan, the hero identity does not belong to any independent individual, and this honor is engraved with the courage of the inventor Lao Bo, the kindness of Tsubaki, the fearlessness of the Kasuga Ministry Defense Force, and the efforts of everyone. Although from the perspective of children, the biggest warrior is Xiaoxin, Kazema and other five children, but "you" as a hero, there are countless people silently acting as cornerstones.
The "Kasugabe Junior Team" at the end of the story echoes the title, and in the past, the plot was based on Koshin's "Unity of Family", but this work is a work woven from the "Unity of Friendship" of the Kasuga Ministry Defense Team. In addition, Xiao Bai's role in the drama has been greatly reduced because of the housekeeper.
The final showdown of the climax of this game, the seven gunmen who are the collaborators of Xiao Xin's party are tribute to "Heroic Seven Dragons" (the voice in the play is also voice actors at the time), and there is no shortage of witty scenes imitating Westerns in the plot. In addition, most of the violent and inhumane scenes such as Dr. Barrel River being dragged by Mara, Xiaoxin and Mizuki being whipped, etc. have also been depicted in the movie, and unlike the previous theatrical version of the villain, the villain of this game. Jastis thoroughly implements the evil side. Undeterred by the evil Reign of Jestis, Koshin also has an active performance with the KasugaBe Defense Force at the end of the showdown, and the film has a scene of Koshin's confession, which is rarely seen in the anime version.
No Plan, who sang the theme song, also made a cameo appearance in the film. Incidentally, the character archetype of the main co-actor in the play, Miguchi, was designed by the film critic Haruo Mizuno, although there was a controversy over unauthorizedness; fortunately, in the end, under the communication between Mizushima director and Mizuno, Mizuno expressed goodwill and did not pursue it (and even invited Mizushima Nu to participate in the premiere of the starring movie "Siberian Super Express 5").
It is used again for 100 years of Kata-kyoku "Ora is a garlic thing" and is used again for 9 years.
This is the last work in the "Crayon Little New Theatrical Edition" series to be released in the theatrical version of VHS.