Who is the most regrettable female star in the circle?
Zeng Li counts as one.
Recently, she re-emerged as Lang Jie, which is not only amazing, but also makes people feel more emotional.
Her former beauty is comparable to Fan Bingbing, and among all the female stars who have been dressed as men, she is the first to vote.
But then there was no sound?
In the end, it is still too Buddha's personality, can you imagine? With that beautiful face, the words spoken were: "I don't love brand names, I don't like to shop, but I like to read books and like to be in contact with nature." ”
The teacher was optimistic that she let her study well, and she really sat on the cold bench for 4 years, rejected countless scripts, and waited for graduation to start filming, which was a bit late at that time.
You know, she is in the 96 star class of Chinese opera, and her classmates are Zhang Ziyi, Yuan Quan, Hu Jing, Yuan Quan, Qin Hailu, and Mei Ting, all of whom exploded early.
Fan Bingbing is still more faithful to her own desires, and wants what the fire has to pay, she changes.
But it is still the bottom desire of people to determine the situation, when Fan Bingbing plays the heroine in the blockbuster, Zeng Li can only play the mother of a young actor.
Among the works that Zeng Li left on the screen, Yang felt that the most evocative "Barber" was the most evocative.
In the movie, Zeng Li is wrapped in a cheongsam, with a delicate face, a vein of affection, and a "cousin, I want to do hair" full of thousands of provocative moods.
This film is the posthumous work of the oil painting master Chen Yifei, the tone of the film lens is poetic, and the tone of the film sense looks like a painting every frame.
For the painter, film is a fluid canvas.
When filming, Chen Yifei's body was very bad, he could only eat liquid food, and he was tired to the point of paleness.
His friends laughed at him for being stupid, why did he go on such a hard job of making movies.
But he persevered in the end, and the process of making a movie was like painting:
"I know that the process of making a movie is very hard, but I think the things that come out of this movie are really exciting, and I think this is very important, very important, so whenever a shot comes out, a feeling is there, you will feel that you have drawn a good picture, and it doesn't matter if it is bitter." 」
Painting is his life's work, he magnifies the beauty of China and amazes the world.
He let the beauty of China be seen by the world
Yu Qiuyu wrote a sentence under Chen Yifei's tombstone: "He once touched the world with the beauty of China. ”
There is an allusion behind this sentence.
At the beginning of reform and opening up, Deng Xiaoping invited Dr. Hammer, an American oil tycoon, to visit and invest in China, and Dr. Hammer gave Deng Lao a meeting gift, which was Mr. Chen Yifei's oil painting depicting the Jiangsu Zhouzhuang Shuangqiao.
Memories of Hometown - Double Bridge
Using the works of Chinese painters and giving them to Chinese leaders, the meaning of this is self-evident, and the beauty of China has been seen by the whole world.
Hammer knows how to paint, but also understands Chen Yifei, this move means that Chen Yifei has reached the peak of his artistic realm.
The Jiangnan Water Town series is Chen Yifei's famous works, and his paintings are realistic small bridges and flowing water people's homes, and zhou zhuang with pink walls and green bricks.
In Zhouzhuang, no one knows Chen Yifei, he is the "great benefactor" of the water townspeople, the rivers and mountains are magnificent, but also want the literati to praise, he brought the beauty of the jiangnan water towns to the world to see.
Chen Yifei's Zhou Zhuang under his brush flows with poetry.
Art News magazine in the United States defined Chen Yifei as "a romantic realist, whose works exude a strong nostalgic atmosphere, and the calm and quiet atmosphere that permeates it is particularly moving."
Now go to the water town to find the poetic plot, the uniform architecture and the lively bar vendors, has covered up too much water town background, but fortunately, there are chen Yifei's paintings, we can glimpse the agility of the former water town.
His ambition has always been that his paintings can go out of the frame and become real scenes of the street market.
He hopes that China's cities can become a grand aesthetic classroom, just like Florence and Paris in Europe have played a role, so that the Chinese in the 21st century can be improved in the field of beauty as a whole.
Tick out the most beautiful soul of a woman
Jiangnan Water Town is Chen Yifei's blessed land, Jiangnan women are his muse, under his brush, women flow with a variety of beauty.
Under Chen Yifei's brush, women have souls.
These Jiangnan women are made of water, shrouded in a hazy mist, they have a faint mournful melancholy, allowing emotions to flow between the paintings.
Chen Yifei is always associated with beautiful women.
Do you know how easy it is to know? A sad-looking woman, her painting, many girls take it as an avatar.
Yi Zhinan once suddenly said to the photographer Xiao Quan: "Xiao Quan, I have known you for so long, and you have not taken a picture of me." ”
At this time, she sat in the piano room, holding an ashtray and leaning on the piano, the smoke in her hand was not extinguished, slowly smoking, tears oozing out, and on the wall hung a replica of Chen Yifei's oil painting.
Later, the photo was on display, and many girls stood in front of the photo and refused to go.
"This picture drives a lot of girls crazy, and they say it's good to have one like this for the rest of their lives. After looking at this photo, you will feel that she is different from anyone 10 kilometers away from you. ”
You will find that most of Chen Yifei's paintings are such women who are shrouded in sorrow.
The beauty of "Xunyang Relic Rhyme" is inspired by "Pipa Line":
"Overhearing the sound of pipa on the water, the host forgot to return to the guest. The sound seeker asked who the bomber was, and the lute sound stopped talking late. Moving the ship to invite each other to meet, adding wine back to the lamp to reopen the banquet. Thousands of calls began to come out, holding the pipa half-covered. ”
The woman who makes people have the most fantasies is to have a large blank space, and there is no sense of surprise at the unobstructed beauty.
The three women were dressed gorgeously, but there was no color, all of them were dark but noble colors, and the woman on the front had to hold a fan to block most of her upper body.
The side face of the woman who plucks the piano is beautiful, and the woman who blows Xiao simply leaves only one side face, and cannot see the approximate outline.
The similarity is that they are shrouded in a poetic silence.
The women in "Beauty Walk" are enthusiastic, and the large area of crimson reveals that they love the world of fiery cooking oil, and they have an aura of seeing the grace and luxury of the world.
The red dust rolled over, since this life came, I chased after those good things, and after I died, no matter how terrible it was, I was happy first.
It is said that Shanghai women are absolutely beautiful, "Yutang Spring" warm depicts the luxury of the Shanghai Beach Ten Mile Ocean Field, the women's Yingying waist wrapped under the cheongsam, the orange lighting is ambiguous, everyone eats tea and watches the play around the rosewood round table with cherry blossom wood, the singer covers his face with water sleeves, and sings the song "Yutang Spring", which is the small tune of the shhhhhhhhhhhh
The artist and his women
Chen Yifei's life can be described as a double harvest of wealth and color.
By selling paintings, he enjoys endless wealth, fame and fortune, and the cumulative turnover of his paintings is 1.717 billion yuan, which is also amazing today.
The outside world said that Chen Yifei was "the tide of the times, the most successful artist among the businessmen, and the most successful businessman among the artists."
Chen Danqing, an evergreen tree in the painting world, said: If there were no Chen Yifei, there would be no Chen Danqing today.
Chen Yifei is Chen Danqing's teacher, promoter and friend, as well as a teacher and friend. Although the latter two are unhappy, the relationship between Zora and Cézanne can be recognized by heavyweight peers, which is the greatest honor of a painter.
After Chen Yifei became famous, he specially invited people to paint, and at the age of 54, he married a model who was 25 years younger. If there is any regret, it is too much thinking, too much labor, and too much energy to die early, which is the loss of the Chinese painting world.
It can be said that women have made him, and he really loves women.
He painted, made movies, and made costumes because of his love for women.
In his paintings on weekdays, Chen Yifei makes no secret of his love for women, and he even feels that women deserve more beautiful and cheaper clothes, and wants to develop fashion brands.
He once told Yang Mingyi, "I like girls to wear beautiful clothes, but imported clothes are too expensive, domestic clothes are too earthy, I want to enter the clothing industry to create my own brand." ”
Once, a reporter once used the same words in an article to report: "He has painted beautiful women all his life, and he hopes to meet such a woman on the street in Shanghai, which may be an important reason for him to enter the clothing industry."
Chen Yifei deeply agreed with this.
"Chen Yifei's popularity with women and his ability to take good care of women are almost an open secret in the industry."
In history, there are very few artists who can really express themselves from the perspective of women, and in the eyes of most male artists, women are just objects for enjoyment and touch.
But Chen Yifei can capture women's sensual delicacy, sensitivity and softness, this artistic force that cannot be ignored, let people have a broader perspective on women's appreciation, in his time, it was really rare.
"Man can be born like an ant and beautiful as a god", hoping that more and more attention will be paid to the emergence of women's art to fill the gap in art history. Art should not have a male and female perspective, and our sense of touch should be the same about the shock of beauty.