Li Qingzhao, yi an resident. Talent, music, calligraphy and painting, gong poetry, especially the name of the word moved the world, passed down through the ages, its words are called "Easy An Body".
Former residence of Li Qingzhao
Li Tiaoyuan, a Qing dynasty, had a very high evaluation of Li Qingzhao: "Yi An... Not under Qin Qihuangjiu. None of the words are bad. Its refining place can seize the seat of the dream window, its beautiful place directly participates in the class of the piece of jade, and the cover does not look down on the scarf, and wants to overwhelm the eyebrows. ”
Qin Qihuangjiu, referring to Qin Guan and Huang Tingjian, dream window guide Wu Wenying's dream window words in the late Song Dynasty, and Zhou Bangyan's "Piece Jade Collection" (also known as "Halal Collection") of "Authentic" and "Ji Dacheng". The above four poets are all very famous at that time, highly respected in later generations, and famous all over the world. It can be seen that the evaluation of Li Qingzhao by later generations is high.
Su Dongpo is recognized as a prodigy of the ancient and modern world, who knows the rhythm of music. Its words are majestic and expansive, and they are deep and profound, creating a bold style. Li Qingzhao's father, Li Gefei, was also known to Su Shi and was one of the "Last Four Scholars" of Sumen. Li Qingzhao accused Su of "more dissonance."
A generation of Wenzong Ouyang Xiu
It is such a female lyricist who has a very high self-esteem, but she prefers a word of Ouyang Xiu, and because of this, she has a number of words. What kind of word is this? Let's take a look:
"Butterfly Love Flower" (Author: Ouyang Xiu)
How deep is the courtyard?
Willows pile up smoke, curtains without weight.
Yule carved saddle tour smelting office,
The height of the building does not see Zhangtai Road.
Rain and wind mad March twilight,
The door hides the dusk, and there is no way to stay in the spring.
Tearful eyes asked the flowers without words,
Red flew over the swing.
Butterflies love flowers
In the Qing Dynasty, Zhou Yi's "Shuyu Word Notes" commented on Ouyang Xiu's poem: Ouyang Wenzhong's "Butterfly Love Flower" "Courtyard Deep" Que, tender ileum, send yan drunk. Non-Wen Zhong can not do, non-Yi An is not allowed to love. Extremely highly rated.
European words are mainly written about grievances, and the whole word is layered to portray and render the sad mood of the deep bridesmaid. Shangque begins with cross-examination, expressing the feeling in the chest, and then cleverly uses the Bixing technique to depict the courtyard environment, implying the sorrow of the woman. Followed by writing nostalgia, starting from the other side, from the imagination to the pen, forming a sharp contrast. The lower que shows natural scenes such as the annoying spring layer by layer, setting off the grievances in the boudoir.
The whole song is deep and gentle, portraying the psychology and image of the characters, which is unique. The sentiment is soothing and subtle, quite the charm of the flowers and the characteristics of the Southern Tang Dynasty word "thinking deeply and beautifully".
Jinan Baimo Spring
The words of Li Qingzhao's "Linjiang Immortal" are recorded below for everyone to appreciate:
"Linjiang Immortal" Part 1 (Author: Li Qingzhao)
Ouyang Gong's "Butterfly Loves Flowers" has the sentence "The courtyard is deep and deep", which is loved by it. In its language, "the courtyard is deep" is counted, and its sound cover is the old "Linjiang Immortal" also.
Cloud window fog pavilion is often broken.
Willow calyx gradually becomes distinct,
Spring returns to moling trees,
People build a city of Kang.
How many things do you feel in the moon,
Nowadays, there is no success in getting old.
Who pity the haggard more withered,
The lamp flower is empty knotted,
Parting hurts together.
Second
Cloud window fog pavilion spring late.
For whom is it emaciated?
The night is good to dream,
It should be a south branch.
Jade thin sandalwood light infinite hate,
The South Building Qiang Pipe Hugh Blowing.
Who knows?
Warm wind late day also,
Don't go to apricot blossoms.
Both of these words were written in the third year of Jianyan (1129).