"No matter what the structure of the world is, I will probably stay here, Aodou thought." We're probably all going to stay here. I am afraid that there are corresponding threats in this world, there will be dangers lurking, and it will be full of its own many mysteries and contradictions. We are afraid that we will have to walk many dark roads that lead nowhere. But that's not to be afraid. Never mind. Take the initiative to greet it. I will never leave here to go anywhere. Whatever happens, we must insist on staying in a world where there is only one moon. ”
The book takes the form of the protagonist's two perspectives taking turns to tell the story:
<h1 class="pgc-h-arrow-right" > briefly preceded</h1>
The whole book from the beginning of the two parallel lines, to the later three lines, and finally merged into one, a seemingly bizarre story stripped away in front of the eyes, an air pupae throughout, not only imprisoned the characters in the work, in fact, imprisoned the general public, but represented by the protagonist in the book finally achieved a breakthrough and then achieved self-achievement. The work is an observation, recording, and reflection of the real world.
The book is a split-shot, but the sense of substitution is still very strong. In the middle of the book, I have been thinking about why Haruki Murakami has spent a lot of time describing a real-like world, and finally learned that Haruki Murakami was shocked by the poisoning of the subway by religious extremists nine years ago, and used this book to expose the various things in the religious order.
<h1 class= "pgc-h-arrow-right" > commented by various companies</h1>
Realizing that the second half of these re-readings are about the difficulty of solving the logic of cat city, the intention of the author gradually understands, the existence of the sub-body as an alienated non-self-aware person, bound by the utopian idea of air pupae... Perhaps like Aodou and Tengo, who grew up believing in and anesthetizing themselves in a utopian family, this story may be like my own story in another parallel time and space, although I have long been freed from the influence and shackles of utopia in this real world, or slowly began to understand the existing value of that kind of utopia, in short, I am very grateful to Mr. Haruki Murakami for bringing me this feast of thought, that is, "vision".
First "Underground" and then "1Q84", without the documentary literary work "Underground", there is no "1Q84". Murakami believes that the most terrible thing is to create something like a "spiritual cage" caused by specific doctrines and claims, and Aum Shinrikyo is an extreme example.
So he said he wrote fiction for only one reason: to cast light on it in order to allow the dignity of the individual soul to emerge. We often cast light and sound alarm bells so that our souls are not entangled and degraded by the system.
("Once one is involved in fundamentalism, one loses the soft part of the soul, abandons the effort to feel and think in one's own power, and blindly obeys the teachings and their principles.") Because it's easy to live, it's not confusing, it's not damaged. They gave their souls to the system. ”）
The confrontation and confrontation between the individual and the system is the most important theme of Murakami. Institutions cannot be without, but in many ways they turn people into non-human beings.
"Between a hard wall and an egg that crashes into it, I will always be on the side of the egg." This wall has a name: the system.
The system should protect us, but sometimes it is no longer controlled by anyone, and then it starts killing us and making us kill others – ruthlessly, efficiently, systematically...
In the face of the system, most people endure silently, as if they have never noticed that there are several moons in the sky; some people want to joke about it, and the loopholes in the Komatsu drill system make "Air Pupae" a bestseller, and the participants' lives have been in trouble ever since; the rebels can do nothing but escape and hide - the system is too powerful, and zf is inactive - in this way, staying in the "system" is silent and non-committal, and it is indeed a high standard of life.
"The night has just been very reluctantly withdrawn. And the next time darkness, it is not so soon", there will always be a world with Q that continues to appear, can not escape forever, always have hope, unity and sincerity, and bravely face the attitude that should be faced with the system.
< h1 class="pgc-h-arrow-right" > the last</h1>
Murakami wrote this story under the understanding of Japanese religious culture, "Air Pupae" is like a microcosm of religion, with the meaning of xie religion, and the protagonistSei and Tengo are deeply trapped in such a world, experiencing the inconceivable and discordant logic in it and escaping hand in hand, which is my understanding.
The first two parts of the book are very attractive, this is murakami's pen, from the Norwegian forest to listen to the wind, the end of the world, it is like this, telling the story, each story has its own meaning.
![Together with the translator Lin Shaohua, Savor the stylistic beauty of Haruki Murakami[fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)