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Junior High School Language, Volume III, 1993 Edition
About the Author
Water encouragement
Mizumi Tsuneyoshi is a Japanese novelist. Born in Fukui Prefecture in 1919. His father was a poor carpenter. At the age of 8, he was sent to Xiangguo Temple as an apprentice. After a few years, he escaped from the monastery and completed middle school with half-time work, and later graduated from Ritsumeikan University. He has worked in more than thirty occupations, such as newspaper delivery, medicine sales, and editing, and is familiar with the life of Japan's lower class society. Novels such as "Mist and Shadow" (1959) and "Hungry Strait" (1962) reflect the psychology of people who were forced to go down the road of crime due to hunger and poverty after Japan's defeat in World War II. The Story of the Red Flower (1969) portrays the image of a craftsman who strives for excellence in his work. The short story "The Coffin" (1966) through the tragic death of JiroSaku and his wife, provides an indictment of the disasters brought to the people of their country by the war of aggression launched by the Japanese militarists.
In 1960 he published Teeth of the Sea, which won the 14th Japan Detective Writers Club Award. The novel is based on the theme of a Japanese factory discharging industrial waste into the sea, causing serious public harm, revealing the dark curtain of society. After becoming famous, Mizumi wrote a series for seven newspapers every month, known as a "writing machine". In 1962, he wrote Hungry Straits, a speculative novel that established Shui Shui Mian's literary status. Shui Min later wrote such pure literary masterpieces as "Mulberry Child", "Yuki Building on No. 5 Street", "Ichigo", "Echizen Bamboo Doll", "Lake Bottom Piano", "Lake Flute", "Terapo", and "The Second Biography of Hiroshi Uno". "One Break" won the Tanizaki Award, and it became popular around the world after being made into a movie. Mizumi was later elected vice chairman of the Japan Writers and Artists Association and became a great writer of pure literature. He died of pneumonia in 2004 at the age of 85.
Mr. Mizumi is not only a well-known writer in Japan, but also a Japanese friend familiar to Chinese people. During his lifetime, he devoted himself to Sino-Japanese cultural exchanges for many years, visited China many times, served as a permanent director and top adviser of the Japan-Chinese Exchange Association, and had a deep friendship with a large number of Chinese literary and art circles such as Lao She, Ba Jin, Zhou Yang and so on. Shui Mimian is a writer who loves China. In 1938, he worked in "Manchuria" and visited China many times after the war. In 1975, he visited China as a delegation of Japanese writers, and has visited China many times since then. In 1985, after investigating and interviewing in China, he created the novel "The Moon in Shenyang". He has a deep friendship with Lao She, and in 1965, during the cherry blossom season, Mr. Lao She led a delegation of Chinese writers to visit Japan, and he went to Tokyo specifically to visit Mizumitsu. The water was excited, and the two talked together for two hours.
During the banquet, Mr. Shui Shui Mian said to Mr. Lao She: "If I have the honor to visit China, I would like to visit the Wuzu Temple of Huangmei Dongshan. Mr. Lao She listened with a smile, he casually tore off the wrapping paper used to wrap the snacks on the table, took out a pen from his pocket, and wrote down the famous poem: Bodhi has no tree, and the mirror is not a table; there is nothing in the original, where to stir up dust. Lao She handed the note to Mr. Shui Mian and said, "If you go to China, I will accompany you to Huangmei." The year after Mr. Lao She returned to China, during the Cultural Revolution, he was brutally persecuted and left with hatred. In the second year of Lao She's death, Shui Shui Mian wrote an essay entitled "Cricket Gourd" to express his nostalgia for Mr. Lao She. Later, he wrote many articles mourning Lao She.
The article "The Bridge Erected by the Mother" is short, but cleverly conceived and full of emotion. This is due to the successful use of symbolism. The author mainly praises the mother, but the intention is to say the other, focusing on the bridge erected by the mother. The bridge is the central image of the article, and the author captures the specific characteristics of the bridge: it is a bridge of life that helps the family through the difficult years. In the author's heart, my mother built a spiritual bridge to guide me to walk my own life path. The bridge is the embodiment of the mother, and it is integrated with the bridge, sublimating the emotional theme of the article.
Those years
Texts we read together
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The series of recitations of "Texts We Read Together in Those Years" was recorded by the Central People's Radio and prohibited from commercial use. Reprints must be reproduced in full and signed by "Voice of China (zgzs001) WeChat public account".
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