< h1 class= "pgc-h-arrow-right" ></h1>
On the spring night, the small window sits, the moon mulan has bones, and Ling Bing is pregnant with people like jade.
Because I want to "lie down in the snowy mountains, and the beauty under the moon and the forest come", the situation is quite similar.
- "The Little Window Memoirs. Episode rhymes》
Turning to this sentence of "The Little Window", I decided to write it, after all, the night is so boring.
"Snow is full of mountains in the high priest lying down, the moon is bright under the forest beauty come", quite Lin Kui's sense of "the shadow is shallow and shallow, and the dark incense floats in the moon at dusk",
Like a breeze, a long moon, a few strokes, the fun of life is exhausted.
Appreciation of Guan Shanyue's works
< h1 class="pgc-h-arrow-right" > two</h1>
Let's first look at this poem by Gao Qi.
Plum Blossom Nine. One
bright. Gao Qi
Qiongzi is only in Yaotai, who planted everywhere in Jiangnan?
Snow fills the mountains in the high priests, and the moon is shining under the forest.
Cold shadows Xiao Xiao bamboo, spring cover the remnants of the desert moss.
Since going to He Lang there is no good chant, and the East Wind has been silent several times.
Translation:
The plum blossom has a magnificent appearance, she should have been the Qiongyu on the Yaotai, but she did not know which immortal's hand planted her in the mountains and forests of Jiangnan.
In the end, the plum blossoms still came to the earth from heaven, and they stayed away from the hustle and bustle of the world, choosing to live in the snow-covered mountains, under the forest spring of the breeze and the bright moon, at that time, you can see her money coming.
The sparse plum shadow was attached to the cold in Xiao Xiao's bamboo voice, and it seemed even more dignified; the indifferent moss, gently hiding the slight spring feeling in her residual fragrance.
Meihua has no longer been a confidant since He Xun went, and I can't help but ask them: How many times has the loneliness and sorrow blossomed and fallen in the east wind?
< h1 class= "pgc-h-arrow-right" > three</h1>
Gao Qi, a famous poet and writer in the late Yuan and early Ming dynasties. One of the "Three Great Poets of the Early Ming Dynasty" and one of the "Four Masters of Wuzhong".
There are many works of yongmei by poets of all dynasties, but in contrast, it seems that only Gao Qi wrote plum blossoms to capture its soul, which is indeed good.
His "Nine Plum Blossom Songs" can be described as "flowing and flowing, and the sentences are forged and refined".
Lonely and arrogant without desolation and depression, pity mei but not sad and broken.
A few simple strokes, the depiction of the look is super leisurely, the appearance is beautiful and moving, as Xie Daoyun said, "the look is scattered", there is a "forest atmosphere".
Wang Shizhen's Commentary on Ming Poetry praised his poems: "Fast as a swift bird rides on the fly, and the scenery of liang ji tramples; Li Ruo the sun is facing the sun, autumn water hibiscus. ”
Yuan Ming commented on Gao Qi: "Poetry has crisp syllables, such as snow bamboo ice silk, natural and pleasant, all by talent, non-academic ability can also be reached, in the Ming Qingqiu alone."
<h1 class= "pgc-h-arrow-right" > four</h1>
Let's look at Lin Kui's "Mountain Garden Xiaomei".
Mountain Garden Plum
surname. Lin Kui
Zhongfang shook off Du Xuanyan and occupied the style to the small garden.
The shadow is shallow and shallow, and the dark incense floats at dusk.
The frost bird wants to steal its eyes first, and the pink butterfly is like knowing the soul.
Fortunately, there are micro-chants that can be snought together, and there is no need for sandalwood to share the golden bottle.
When the flowers are withering, only the plum blossoms bloom alone in the cold wind, like a fairy standing tall, taking over the scenery of the small garden.
Look at the sparse shadow of the plum blossoms, slanting across the shallow water, the quiet fragrance floating under the dusk moonlight.
When the birds want to fly down, they will first sneak a glance at the plum blossoms; if the butterflies know the beauty of the plum blossoms, they will be eclipsed.
Fortunately, I was able to whisper plum blossoms and be close to her, without having to sing on the sandalwood and cling to the wine glass to admire her.
<h1 class= "pgc-h-arrow-right" > five</h1>
Lin Kui (林逋), courtesy name Junfu (君復), was a famous reclusive poet of the Northern Song Dynasty. He lived in seclusion in the lonely mountain of the West Lake, and did not marry for life, but he liked to plant plums and raise cranes, calling himself "taking plums as his wife and cranes as his son", and was known as "plum wives and cranes".
At dusk under the moon, strolling along the water's edge, the faint plum shadow and the wisps of fragrance make people intoxicated.
Lin Kui's poem had a great influence on posterity.
Chen Youyi believes that Lin Kui's Yongmei poem has overwhelmed the famous sentence in Tang Qiji's "Early Plum" poem, "In the deep snow of the former village, a branch opened last night."
He said: "Since reading the poems of the West Lake virgins, I look at the quiet posture by the water every year." The clear window paints a horizontal oblique shadow, which is better than the night snow in the former village. ”
In his poem "Nian Nu Jiao", Xin Also advised the Moke literati not to casually chant plum blossoms.
He said: "There are no plum blossoms in the grass, how many troublesome words." Always by the West Lake Forest Virgin, refused to keep the wind and moon. ”
It can be seen that Lin Kui's Yongmei poem is so well written and has such a great influence on the literati of later generations.
<h1 class= "pgc-h-arrow-right" > six</h1>
In fact, every dynasty has the literature of every dynasty, prospering to the death, and then reborn after death.
This is the case with the alternate appearance of Tang poetry, Song Poetry, Ming and Qing novels.
In the Song Dynasty, an era that belonged to the Song Dynasty and did not belong to poetry, the emergence of Lin Kui seemed to make poetry bloom a lot.
The Ming Dynasty, an era that belonged to novels and did not belong to poetry, the emergence of Gao Qi seemed particularly dazzling.
Whether they are elegant or elegant, or elegant and profound, we throw away the limitations of the times, on the two poems, who is superior?
<h1 class= "pgc-h-arrow-right" > seven</h1>
Behind Gao Qi's entry and exit is the despair of the war and chaos of the late Yuan and the early Ming Dynasty, and he melts his anger into Meihua to fight against real life.
Although Lin Kui is Yongmei, it is actually a true portrayal of his "not seeking fame and fortune" and "interest in Boyuan".
Su Shi once said in the "After the Book of Lin Kui Poems": "Sir is a wonderful person, and the gods are cold and unworldly. His poems are the embodiment of the author's personality, quite a sense that Wang Wei saw through the red dust, "in his later years, he is only quiet and does not care about everything".
The former is like a splashed ink landscape painting, in one go, the wind and moon are not alarmed, but they express all their feelings.
The latter is like a freehand landscape painting, the moonlight is gentle, silent, and the light ink renders my state of mind.
From this point of view, the two have their own advantages, regardless of whether they are different.
<h1 class="pgc-h-arrow-right" > eight</h1>
Wang Guowei said: "Words take the realm as the highest, and if there is a realm, it becomes a high-level character and has its own famous sentences."
Extending to poetry, I think the same applies.
According to Wang Guowei's realm theory, the works of the above two can be divided into the realm of self and the realm of no-self.
"The snow is full of mountains in the high priest lying down, the moon under the forest beauty" belongs to the realm of me, because it is with me to see things, the things here, that is, plum blossoms, are all colored by me, independent and regretless gaoshi, elegant and vulgar beauty, the noble spirit of this plum blossom, is not it his own embodiment?
"The shadow is shallow and the water is shallow, and the dark incense floats in the dusk of the moon" belongs to the realm of no-self. Because it is to look at things, revel in the night of plum shadows, shallow water, and kyauk moon, I don't know what is me and what is things.
The former is sad spring and sad autumn, and the latter is the two things I forget.
Or, not very objectively speaking, the former seems to be stuck in the point of "looking at the mountain is not a mountain, looking at the water is not water", while the latter has reached the realm of "looking at the mountain or the mountain, looking at the water or the water".
Therefore, from the perspective of realm alone, it seems that Lin Kui is better.
<h1 class="pgc-h-arrow-right" > nine</h1>
Writing this, perhaps everyone already has a high judgment in their hearts,
But who is high and who is low?
Yuan Ming said in the "Poetry of Suiyuan": "Listening to the song of the people, it is like a beautiful eye, knowing that I have no part, and I do not feel that I am deeply aroused."
These four verses are my mood at this time, and the reason why I wrote this article.