Song Dynasty Lin Kui Book, paper book. Length 32 cm, width 302.6 cm. The book was written in the first year of the Song Dynasty (1023), in the collection of the Palace Museum in Beijing, and the whole book was titled "Five Poems of Zishu Songfan".
The large blank spaces and elegant ink marks of this work create an atmosphere of elegant, natural tranquility. His calligraphy has a kind of qi, a kind of elegance and tranquility. His poem "The shadow is shallow and shallow, and the dark incense floats in the dusk of the moon", which is a wonderful evaluation of his calligraphy.
【Local magnification】
Interpretation :
The lishe people, with the two handles of the pine fan and the poem as the legacy, also rhyme:
The compilation pine is sent to the mountain, and the purple micro poem is also passed. Start with cool life and masturbate, but you can listen to the reclusive wind for a long time.
Writing in the snow of a lonely mountain:
The mountains and waters are thick, and the snow is long. Whoever arrives, Zhonglin looks at it every day. Far away from the tree load, obliquely pressing the reed dry. Pavilion Yancheng Temple, the bell moves in the evening cold.
Lonely Mountain from the upper man Lin Ting wrote:
Lin Table Autumn Mountain White Bird Flying, this is still rare in the world. Whose shore mouth is inhabited late, sit and see the fishing boat two or two returns.
Send Shidian Province to seal the river:
Yan Fang will be ordered to choose Chaolun and rule the ancients under He Ju. Embracing Ken resigned from The Distant County, boarded the ship and liked to worship the benevolent relatives. The water is connected to the south of the Yerba Buena River, and the smoke is cold and the plum ridge is spring. If you return to the goose halfway through, you can be comforted with the sound dust.
Occasionally formed in the Kasuga Fast:
The empty steps overlap the upper robes, and the early days of the day have nagasa Yan return. The begonia people are lying sick, and the spring breeze is stirring. Dian Zhi Ding Jun Zi Yi Shi Min, Fang Zhou patronized the language. Not much, and with humble poems as a claim, the sick helped to write a few chapters, less stuffed with good intentions. When the emperor ascended the throne in the summer of May, the Lonely Mountain Hokusai Handwriting, Lin KuiJi.
"Song Fan Five Poetry Volumes", line book, paper, length 32 centimeters, width 320 · 6 centimeters, where thirty-four lines, the number of words in each line is not the same, a total of 285 words. There are five poems in this volume, namely "Pine Fan", "Lonely Mountain snow", "Lonely Mountain Pine Pavilion", "Sending History" and "Spring Day". Lin Kui died in the sixth year of Emperor Renzong of Song 's reign ( 1028 ) . This work is signed "When the emperor ascended the throne in the summer of the summer of the lonely mountain Hokusai handwriting Lin Kuiji." "It is known that this volume was written in the first year of emperor Renzong of Song (1023), when Lin Kui was fifty-seven years old.
Lin Kui was famous for his poetry and lived in seclusion all his life. The poems in this book are thin and vigorous, and the style is unique. The starting pen uses more flanks, more than the dew front, although there is a hidden front to close the pen, and more dew out, implicated in the reflection of the belt also sees the front, do not want to hide the Gui angle. In this way, his book is even more lonely in the thin. Lin Kui was born in the early Song Dynasty, later than Li Jianzhong. Many commentators said that "Lin Kui is thin and thin, and Jian is injured and fat." "In fact, The swallow is thin and fat, each has its own posture, and the book is the body, and it cannot be dedicated." In the use of pen bone strength, good pen strength of the person with more bones. The book is thin and hard, and it is better to be too fat than to be thin. But with the power of the pen, it is not possible to generalize. Although the writings of Lin and Li are different, they both have bones in their characters. Lin Shu is thin and not dry, and Coke gets the law. The glyph is slightly longer and slightly lower to the right, similar to Li Jianzhong's Tumu Ti. But Lin Shu's penmanship is thin and straight, the knot is particularly strong, and one "ear" word in the volume, six "medium" words, and long vertical are all suspended needles. Six "people" words, one skimming the flank into the front, revealing the front out; one hidden front in, the front out. The gods are cold and the atmosphere is extraordinary. Song Dynasty calligraphy was greatly influenced by the five generations of calligrapher Yang Ningshi, the gestures are mostly indulgent, and the Song Dynasty simple post style gongxing is wide and sparse, especially influenced by Yang's "Leek Flower Thesis". This volume is extremely wide in line spacing, and two lines can be written in homomorphic font between the lines, the word spacing is sparse, the words are clear, the breath is complete, and it is very scattered.
At the end of the volume, there are Su Shi's inscription poems and poems, and the seven ancient poems praise Lin Kui's poems, books and personality. In the volume, there are four folds of rhymes of the Hongli (Qianlong), as well as Wang Shizhen, Wang Shimao, Wang Hongxu, Dong Yu and other five families and ten paragraphs, Su Shishi's poem has a sentence cloud: "Poetry is like Dongye does not speak cold, and the book is like Xitai with little meat." Lin Shu is indeed like his poem, "Demei Zhiqing", and the sentences of "Shadow Horizontal Oblique" and "Dark Incense Floating", which are the same as each other.
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