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Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

author:Phoenix TV

Qi Baoligao, perhaps to the average person, this name is a little strange, but when it comes to his composition of "Ten Thousand Horses Galloping", I am afraid that no one does not know. What is even more surprising is that more than 80% of the world's horse's head piano music today is written by him.

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

At the age of three, he was chosen as a living Buddha

In addition to the status of the world's grand master of the horse head, nearly seventy years ago, Qi Baoligao had another special identity - a living Buddha.

On the second day of the second month of the lunar calendar in 1944, the day of the folk custom "Dragon Rising", a boy was born in the family of an extraordinary family in the Horqin Grassland, and this boy was Qi Baoligao. The ancestor of this family was The eldest son of Genghis Khan, Shuchi, who went to the Zibazig steppe with the Great Khan during his western expedition and established the Zibazig Khanate. Therefore, this family generation took "Qi" as the surname, but at that time, Qi Baoligao was not called Qi Baoligao, but "Fifty-Three". It turned out that when he was born, his father was 53 years old, and his name came from this.

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

At the age of 3, Xiao Fifty-three was confirmed as the fifth living Buddha of the Moli Temple in the Horqin Grassland. However, this living Buddha of his did not last long.

Qi Baoligao: During the Northeast Revolution in 1949, I smashed my temple, and when I was finished, I went home. I didn't want to be a living Buddha, I wanted to make music, I wanted to play the harp, just let me go home, I was happy.

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

In fact, Qi Baoligao showed a very high musical talent very early. On the dirt road on the Horqin grassland, the telephone line set up on the side of the road, the wind blows "buzzing", these boring hums, to him sound so pleasant, like a moving symphony. And whenever he heard the sound of the horse's head, he was even more excited.

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

Chits Bolegosa: When I got home, I was listening to the folk artists playing. Oh, I said I can't learn this instrument, I listen to them every night, especially in the New Year, they have half a month, a village tells stories, and there are horse-head violinists, and those who play the four hu, as soon as they say it, for half a month, I follow them every day. I didn't come home until about 2 or 3 o'clock in the middle of the night.

Mother, my first listener

Qi Baoligao: When I first started pulling, my mother said, you go to the mill, the house where you push the mill, go and pull. After I pulled for a week, my mother said, son, you come in, pull at home, my first audience is my mother, I am happy to die, I said, I am not bad now.

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

After the death of Qi Baoligao's father, he and his mother were dependent on each other, during this time, he still did not give up playing the piano, on October 1, 1958, Qi Baoligao had just graduated from primary school, just when the Inner Mongolia Experimental Theater Troupe came to recruit students, the school teacher encouraged him to try it.

Father's prophecy

Qi Baoligao: I suddenly remembered that when my father died, he said, son, you wait, I will go to the school at the first of October of the next year, and someone from the west will come to take you away. Oh, really come, my dad is the old living Buddha of Korqin, oh, I said my dad was right, I went.

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

Xiao Fifty-three first sang songs to the main examination teacher, and then played folk songs such as "Han Xiuying" and "Gada Merlin" with a horse head and four hu.

Qi Baoligao: The regimental commander is happy. There is a teacher next to me, do you know the score, I said the score does not know, after the teacher said, he does not even know the score, don't want him. After our regimental commander said, Hmm, when you came in 1946, you boy didn't know how to score, don't you know now? There's something remarkable about the score, and I decided, you follow me.

Mother's advice

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

Qi Baoligao: Son, my mother said to you, if you become a great man, you must not live with yourself every day, you can't go through all the time, so that you are a real man, remember? I said Mom, I remembered.

You come back after 18 years old, then come back before I knocked off your leg, a man broke it, let's go, I said Mom, you rest assured. But she said I have a request, you can't act in the movie first, you can't play the four hus, you can't dance, I said what I do, you play the horse head piano, if you pull the horse head piano well, the mother's soul will "whizz" to the sky, if you can't pull well, the mother will come back.

National self-esteem

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

| | of poetry written by Chic Boligao in Mongolian

Qi Baoligao: Sometimes in Japan, I just buzz on the plane, especially in the afternoon when the sun goes down, oh, I shed tears, oh, why am I here, why am I, oh, no way, poor.

I had a fight with the Japanese, and I said that you will also go to our place to work in the future, thirty years of Hedong and thirty years of Hexi, you wait. The last time I went back, my friend said, Living Buddha, you are right, we are now going to Shanghai to work, people don't want us. Therefore, after a country is strong, the people are very happy. Many people say, Oh, this problem in China, this problem, this problem, that problem, I said don't squeak, shut up, the son can't think of his father as ugly, some people said, Qi Baoligao, during the Cultural Revolution, you were arrested and squatted in prison, and you were beaten, and now that you are old, your legs hurt and your feet hurt, what are you still wearing Chairman Mao? Someone asked this, I said sorry, the child can not be ugly mother, there is a son can not remember the father, they said how do you look at the problem like this, what do I say culture, cultured people look at it like this, people without culture think about themselves every day, just like lamas who can't chant, everything in the world is dead, just me alone, useless, this is my heart's word. Really, heck, I've traveled all over the world, and I'm not as good as China.

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

Reform is for better heritage

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

The ancient horse-head piano is not what it is now, and in sixty years, Qi Baoligao has reformed the horse-head piano three times.

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

Qi Baoligao: I don't want to reform this piano either, but I forced liangshan, because it is the development of this society that you can't catch up with. What do you call immaterial, immaterial, I sometimes joke that it is useless, wasted, so it is immaterial, you give that useless thing to a new life, but to serve a new society, this is called a real artist. You keep clutching, my yurt is better than your building, not necessarily, winter is too cold, summer is too hot, 800 years ago was a very good yurt. My Lele car is a first-class Lele car, better than your Mercedes, that is bragging, 800 years ago you Weren't a problem with the Lele car, it was absolutely good, but after 800 years, now you can only stay in the museum. Times are different. Therefore, there is no problem in loving the nation, and there is no problem in loving the motherland, but there is no way out for narrowness. So I can't, I have to change.

All his life for the horse's head

Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

Qi Baoligao: I am such an old man who lives for the horse head and dies for the horse head. I don't have any other bad eyes, I just do it every day, I just get up in the morning with a sense of urgency, heck, I work today, I never sleep at noon. There is also a fact that I can't drink, I can't smoke, and if I'm okay, I don't go to the banquet, why I don't have time, I might as well practice at that time, I'm also practicing for 2 hours a day, after practicing, I still create a lot of songs, and I still write it. Anyway, until I fell down, I still worked for the horse head piano that day, and when I died, I still had to play the horse head piano when I was reborn.

For more information, please watch this issue of "Cultural Grand View Garden"

| On Saturday, "Cultural Grand View Garden": A dialogue with the horse head piano master Qi Baoligao |

Program summaries range from living Buddha to horse-headed piano masters

He endured hardships but did not change his original intentions

Qi Baoligao: He was born of a living Buddha, the son of the son of Genghis Khan's eldest son, and he was reactionary in his bones. I thought to myself, reactionary is reactionary, anyway, I play the harp.

He is the author of more than 80 percent of the world's horse-head piano pieces

He lived and died as a horse's head

Qi Baoligao: I became it, and it became me.

"Cultural Grand View Garden" and "Dialogue with Horsehead Piano Master Qi Baoligao" were broadcast on December 19

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Dialogue | Qi Baoligao: From Living Buddha to Matou Qin Master

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