Wang Pai Allegro founder Wang Fengshan master introduced

Wang Fengshan (1915-1992)

Stage name Wang Baoshan, Manchu, Beijinger. Count Noble, Allegro, crosstalk actors. Founder of "King Pai" Allegro. He is a member of the Chinese Qu Artists Association. At the age of 7, he learned to sing noble while begging. In 1931, he studied under the old noble artist Hai Feng and benefited a lot. Learn art during the day and walk the streets and alleys at night to sell art. Later, he was arrested at the Shanxi Kouquan Media Mine to work as a Chinese worker for rikou. After escaping back. In 1935, he studied cross-talk performance with the famous cross-talk artist Zhu Kuoquan (stage name Big Bread) and partnered with Luo Rongshou Tang Jincheng and other partners. In 1940, he went to Jinan to perform. On the eve of the founding of the People's Republic of China, he went to Nanjing, and because he actively participated in the propaganda after the liberation of Nanjing, he sang new works. He was awarded the "Victory Medal for Crossing the River". Later, he went to Jinan to publicize the War to Resist US Aggression and Aid Korea, and participated in the condolence mission to The DPRK to comfort the volunteer army on the Korean battlefield.

Wang Fengshan came to Tianjin in 1955 and joined the Tianjin Quyi Work Troupe in 1956. Since 1977, he began to cooperate with the famous cross-talk artist Ma Sanli, and he supported Ma for fourteen years.

For decades, Wang Fengshan has never ceased to innovate in Logistical Noble. As early as the early 1930s, the "black and red board" used in the singing of the bamboo board book was appropriately borrowed and absorbed, and the technique of singing with the small board was appropriately absorbed and used by the singing number of nobles. And broke through the two-handed board, board up and down and "three, three, seven" rhythm. Its singing is called "Civilization Number Noble". From 1956 to 1976, it was a period of maturity, development and heyday of his art, he drew on some of the advantages of the "Li Pai" allegro, and took the "black and red board" and half-talk and half-singing as the artistic core; took the bumpy point, the joint point, the shopping point, the rubbing point, and the pinch point as the accompaniment skeleton; the performance was dashing and natural, calm and generous; the singing was fast and not chaotic, slow and continuous, slow and not scattered; the board was light and bright, the rhythm was distinct, and a unique "light, crisp, and pretty" artistic style was formed. His playing, singing, and performance are very distinctive, so he created the "King's Pie" Allegro. Its representative repertoire includes "Zhang Yu Boiling the Sea", "Liu Ling Drunk", "Single Knife Society", "Double Lock Mountain", "Three Chickens", "Monkey King", "Revolutionary Youth", "Eighteen Sorrows Tongue Twister", "Hundred Mountains Map", "Hundred Birds and Phoenix", Haihe Hymn" and so on. There were apprentices Jin Wensheng, Tang Wenguang, Li Zongyi, Zheng Wenkun, Li Lianwei and so on.