As we all know, Mr. Ma Zhiming, the young horse master, is a big banner of Ma's cross-talk. Although the master inherits Zhu Kuoquan, an old artist of Beijing Xiangsheng, after all, the master has been dead for many years when he worships the master, and the worship of the deceased predecessor as a teacher must be led by the brothers of the same disciple. Under normal circumstances, the ones who are qualified to take in the disciples are either the master brothers under the master's disciples, or the most prestigious disciples in this door, and it is not the master brother Wang Fengshan who accepts the young Master Ma Ye as the master brother, but the famous Master Hou Baolin.
Judging from the disciples and portals, hou Baolin accepted disciples on behalf of the master without controversy. After paying homage to the master, Hou Baolin also encouraged Ma Zhiming many times to try to make more Willow Live on the stage, after all, he had been learning art for many years since he was a child, and the skills of Wu Hua Face were great, plus the voice of the cloud shading the moon did not make Liu Live a pity. Perhaps it was Hou Baolin's encouragement and support that allowed many cross-talk lovers to enjoy Shao Ma Ye's classic White Pie Jingyun drum "Tan Qingwen", "Dai Yu Burning Manuscript", as well as single-string singing sections such as "Uncle Drama Farewell" and "Curtain Tailoring", and even let many audiences like other forms of music and art since then.
Although the skills are nominally taught by his brother Hou Baolin, it is not difficult to see from Ma Zhiming's performance style that there is still a strong Ma cross-talk style. The iconic Ma's mouth is also good at portraying the joys and sorrows of small people, and the same low-key and humble way of dealing with the world. There is a stark contrast between "city well" and "temple"...
Among the many brothers and masters, the one who has the deepest affection and personal relationship with Shao Ma Ye is Mr. Wang Fengshan, the master brother. Putting aside the relationship between Mr. Wang Fengshan and Ma Sanye, in public, Shao Ma Ye has expressed his nostalgia and respect for the master brother Wang Fengshan more than once, and in art, he also sincerely admires the achievements of the two disciplines of the master brother xiangsheng and allegro, and bluntly says that his allegro is completely due to the careful teaching of the master brother.
Not only that, when choosing a master for Ma Liujia, the eldest son of Ma Sanye, Ma Zhiming did not hesitate to entrust his beloved son to his master brother, which was enough to see that Mr. Wang Fengshan's position in Ma Zhiming's heart was very important. A few years after visiting Malacca, Master Wang Fengshan died of illness. Although the funeral customs and religious beliefs of the Hui and Manchu ethnic groups are different (Wang Fengshan Manchu, Ma Hui), Ma Zhiming still asked Ma Liujia to wear a ma dai filial piety for his master and send Mr. Wang Fengshan on his last journey...