Wang Fengshan Allegro book actor, cross-talk actor Wang Fengshan

Wang Fengshan, male, Allegro book, cross-talk actor. Erdaogou people in the suburbs of Beijing, whose ancestors have been farming for a living.

He was born into poverty, and at the age of eight, he studied as a teacher at the tianqiao to Hai Feng, a famous old artist of counting nobles at that time, and studied countless nobles assiduously. During the day, I learned art with my master, and at night, I made money by walking the alleys to earn money. In less than two years, he learned more than a dozen traditional passages such as "Black Lady", "Bet on Treasure", "Tongue Twister", "Liu Ling's Drunkenness", "Erxian Medicine Collection", "Qin Qiong Guanjing", "Single Knife Society", "Hu Yanqing Fighting", "Tieguan Tu", "Wusong Rushing Meeting", "Wusong Dadian", "Lin Chongfa Matching", "Lu Da Zhiba", etc., and under the careful guidance of Mr. Haifeng, he gradually mastered a set of performance skills of his master. After leaving the school, he teamed up with Meng Zhaokui, Wang Yusheng, and Liu Mazi to learn from them the passages of "Persuasion Morphine", "Persuasion of White Noodles", "Persuasion of Prostitution and Friendship", "Little Bye Nian", "Seventeen Years", "Trading Shop" and other double-digit Noble and Three-person Noble Passages. By the age of eighteen, he officially performed in the bookstore and juggling theater. Until liberation, he performed in Beijing, Jinan, Nanjing and other places.

After the "July 7 Incident", once, Mr. Wang Fengshan, who was selling art at the Beiping Tianqiao, came to a Japanese translator to listen to the number of nobles not only did not give money, but also was quite unreasonable and outspoken. In a fit of rage, Mr. Wang beat up the Japanese translator and was forced to leave the overpass to perform at the Beijing Civilian Market.

Mr. Wang Fengshan has been working in the tianqiao for six years, and through the relationship of master Haifeng, he has become acquainted with the old artists of the tianqiao. In addition to several artists who counted the treasures, miao kuoquan and Ma Huaxin, who often came and went, who spoke and commented on books, Cai Baoxing and Ma Liandeng, who sang the big drums of the West River, Guan Shunpeng and Guan Shungui, who spoke bamboo board books, and Zhu Kuoquan, Yan Shouchen, and Tang Jincheng, who spoke cross-talk. After arriving at the civilian market, I met Several cross-talk artists such as Zhao Yugui, Guan Shaoying, and Luo Rongshou, who spoke cross-talk. Usually, as soon as he was free, Mr. Wang would visit them on the field, listen to their rap, and ask them for advice. The seniors in the art world saw that Mr. Wang was young and studious, humbly seeking advice, and liked it in his eyes, and often came to listen to his number of treasures, saw that he had deficiencies, and also enthusiastically pointed out, which benefited Mr. Wang a lot. During this period, he asked the storytellers Miao Kuoquan and Ma Huaxin about their art and improved their performances of hand-eye-body steps. From cross-talk artists Tang Jincheng and Yan Shouchen, he learned more than ten cross-talk passages such as "Da Shang Shou", "Family Hall Order", "Reporting The Name of The Dish", "Kwa Residence", "Pulling Foreign Pieces", "Jiewa", "Paying Land Rent", "Geographical Map" and so on. At the same time, he teamed up with zhao yugui, Guan Shaoying, and Luo Rongshou, who were cross-talk artists in the civilian market. Because he can count Noble and speak crosstalk, he is very popular and the business is very prosperous. In the winter of 1937, under the stage name of "Wang Fengshan", he officially performed in the tea house and the bookstore. Mainly counting nobles, interspersed with crosstalk, and can hold and tease, and soon shouted in the audience.

Mr. Wang's master is Zhu Kuoquan, an old cross-talk artist in the civilian market, because Mr. Zhu is fat, people call him "big bread". Mr. Wang Fengshan was given the stage name "Wang Baoshan", and together with his disciples Li Baolin and Hou Baolin, he was praised by his peers in the art world as "Qilin (Lin) Mountain".

Bamboo book artists Guan Shunpeng and Guan Shungui had a deep influence on Mr. Wang's art. When they sing bamboo board books, they do not use large boards, they hold the knots (small boards) in their hands, flashing board songs, compact and coherent, like mountain springs and streams, natural and smooth, sounding relaxed and comfortable, like immersive. Under the careful guidance of two old artists, Mr. Wang Fengshan transplanted the "black and red plate" of the bamboo board book into the number of nobles, when singing, he removed the big board, held the knot horizontally, abandoned the old cliché of the old style of "three three seven" upper and lower sentences of the old number of noble treasures, and absorbed bit by bit of artistic nutrition from folk arts such as Shandong Fast Book, Henan Pendant, Commentary, Funny Big Drum, Jingyun Big Drum, Single String, etc., integrated and penetrated, constantly sharpened, and gradually summarized the five rhythm board points of The Number of Nobles: flash, catch, stomp, cut, Throwing five kinds of singing board styles; and the three ventilation methods of holding gas, shaking gas, and stealing gas, as well as a set of performance techniques, have formed their own unique style of "half talk and half sing". He sang the number of nobles, sharp speech, clear words, rounded voice, sincere feelings, fast and not chaotic, slow and continuous, slow and not scattered, such as small streams and streams, smooth and smooth, euphemistic and beautiful, deeply loved by the majority of the audience, and was respected by the music and art circles as "civilized number treasure". Historically considered to be a wild toy that is not elegant, After Mr. Wang Fengshan's transformation and innovation, it has finally stepped onto the formal stage of music and art. In the Silla Tian Theater, he performed on the same stage with Liu Baoquan, the king of the drum industry, Rong Jianchen, the famous king of the single string, Jin Wanchang, the famous plum blossom drum artist, Qiao Qingxiu, the empress of Henan, the famous puppeteer Ofdong Gua, the old Wu Gua, the cross-talk artist Gao Deming and Xu Degui, the loud drum artists Fuji Ting, the Lianzhu Kuaishu artist Zeng Zhenting, the lotus flower artist Jia Yushan, the double yellow artist Guo Rongshan, the Han Yongqian, and the jurist artist Red Eye Liu.

During this period, the "Wang Fengshan Civilization Counting Noble Taiping Lyrics Collection" published by the Northern Bookstore collected Mr. Wang's singing of "Han Xin Suan Gua", "Qin Qiong Guan Zhen", "Er xian picking medicine", "Liu Ling drunk", "Double Lock Mountain", "Single Knife Society", "Double Bald House", "Wu Song Playing Shop", "Wu Song Rush meeting", "Tongue Twister", "Noisy Gong Tang", "Black Whirlwind Big Trouble Zhongyi Hall", "Rao Array", "Five Pigs To Save Mother", "Black Lady", "Jiang Taigong Selling Noodles", "Little Widow on the Grave", "Fool Worshiping the Year", "Demolishing the White Party to Visit the Temple" There are a total of thirty-four passages such as "Lu Da Zhi Ba", "Wild Boar Forest", "Burning Clay Pot Temple", "Peach Blossom Village", "Drunken Mountain Gate", "Upside Down Weeping Willow", "White Tiger Hall", etc., which were the first people to write lyrics and books at that time, which caused a sensation in the music and art circles.

Mr. Wang Fengshan was deceived by Sun Wu's use of means to resist the exploitation of the bully Bao Changsun Wu and sold to the Shanxi Kouquan Coal Mine as a laborer. During the coal mining period, many laborers knew Mr. Wang and asked him to sing allegro, and Mr. Wang sang for them despite the fatigue of the day. A month later, Mr. Wang escaped from death, and finally escaped from the dark labor life of the coal mine, fled to Jinan, Shandong, and performed in the "Morning Light Tea Society", which was well received by the audience in Shandong and caused a sensation in Jinan. During this period, he also partnered with cross-talk actors Yuan Peilou, Gao Guiqing, Liu Guangwen, Guo Quanbao, Wang Shutian, etc., and learned more than ten new cross-talk passages such as "Witty Words", "Lantern Riddle", "Tongue Twister", "Xi Jiang Yue", "Trainer", etc., and learned double reed performances from Wang Shutian and Liu Guangwen, which was quite successful.

In July 1948, Lin Hongyu, the "female drum king", invited Mr. Wang Fengshan to perform on the stage of the Nanjing Tianxiangge Theater. Famous artists on the same stage also include Fu Shaofang, who sang the funny drum, Han Fengtian, who performed a single string, Xiao Lanying, who sang plum blossom drums, Tan Jinqiu, Tan Jinfang, and several other artists, who sang Henan pendants, and several other artists, which could be called a strong lineup at that time.

After the liberation of Nanjing in 1949, Mr. Wang Fengshan was the first to sing the Allegro program "Down with chiang kai-shek, the culprit of the civil war," which caused a sensation in praise of the People's Liberation Army's allegro program against the Kuomintang reactionary Chiang Kai-shek. Since then, several new legos of Noble, such as "New Eight Screens," which praise Chairman Mao and Commander-in-Chief Zhu, "The Battle of Huaihai," which reflects the life of the Liberation War, and Kim Il Sung, which reflect the socialist construction of Korea, have been successively performed, which have been welcomed by the audience.

In 1950, after suppressing the counter-revolution, Mr. Wang Fengshan and his disciple Ma Junsheng created a new section of The Shooting of Liu Qishan, which exposed and accused the bully Liu Qishan of his crimes. Then, he created and performed several Noble "Shoot Three Tigers and One Wolf". Mr. Wang's singing of the new passages made the class enemies resentful, and when he returned home one night, he was attacked by them, resulting in a broken head and leaving a threatening letter. Mr. Wang was not intimidated and continued to write new passages and sing new passages to praise the great Communist Party.

In 1951, with the support of the Jinan Public Security Bureau, Mr. Wang Fengshan invited Ma Junsheng, Ma Jinliang, Wu Huanwen, Wu Jingchun, Zhang Chunkui, Zhu Yongfu, his wife and daughter to form a new society together to form a new society, the "Mass Cross-Talk Society", singing new sections, reflecting real life, and was unanimously praised by the audience.

In May 1951, when the War to Resist US Aggression and Aid Korea was in full swing, Mr. Wang Fengshan organized a charity performance, donated all the funds raised to the volunteer army, and went deep among the people to carry out propaganda performances. Mr. Wang rehearsed day and night more than a dozen new programs reflecting the life of the War to Resist US Aggression and Aid Korea, such as "A Registered Letter," "Three Chickens," "The Hero with a Single Courage," "The Big Eagle Catches secret agent," and "Mother of the DPRK." These new passages strongly accuse the US imperialist aggressors of committing heinous crimes against the chinese and DPRK people, enthusiastically praise the moving deeds of the heroes of the volunteer army who can sing and weep, and praise the fighting friendship formed by the blood of the Chinese and DPRK peoples, and play a very good role in propaganda and drumming. Later, the organization also sent him to the army to pay tribute to the Chinese Volunteer Army, who was preparing to go to Korea, and his exquisite allegro art deeply infected the people, boosted the morale of the commanders and fighters, left an unforgettable impression, and he was also praised and praised by the superior leaders many times.

In 1953, Mr. Wang Fengshan sang the novella "White Haired Girl", which immediately caused a strong response among the audience as soon as the program was staged.

In September 1955, Lin Hongyu invited Mr. Wang Fengshan to perform in Tianjin Bird Market, and a piece of Allegro "Single Knife Club" sensationalized Jincheng, performing for more than ten consecutive days, and the venue was full. Among them, the image of "Lu Su" created by Mr. Wang is deeply rooted in the hearts of the people, and Mr. Wang is also known as "Living Lu Su".

On October 1, 1956, Mr. Wang Fengshan officially joined the Tianjin Quyi Working Group. In December of that year, the Tianjin Radio Quyi Troupe and the Tianjin Quyi Work Troupe merged and changed their name to Tianjin Quyi Troupe of Tianjin People's Radio, which was under the leadership of Tianjin People's Radio. Performed on the same stage with famous performers such as Ma Sanli, Li Runjie, Chen Yulan, Shi Wenxiu, and Sang Honglin. During this period, in addition to performing some traditional and new passages from the past, Mr. Wang staged more than ten new passages such as "Hundred Mountains Map", "Twenty-Five Thousand Miles Long March", "Revolutionary Youth", "Orphan's Vendetta", "Driving Out the Poor Devil", "Liu Jiemei", "A Silver Dollar", "Song of Life", "One Penny and One Meter", "Liu Hulan", "Huang Jiguang", "Xiang Xiuli" and so on. Mr. Wang Fengshan not only strives for excellence in art, but also selflessly contributes the artistic experience he has accumulated over the decades, and has made great efforts to cultivate a new generation of music performers. He often said: "In this life, I have no other wish, that is, I hope that our music and art cause can prosper and be passed on from generation to generation." From 1955 to Tianjin, until the decade before the Cultural Revolution, he held allegro singing tutoring classes for cultural centers, clubs and amateur literary and artistic troupes in various districts of Tianjin, and was also invited to hold tutoring classes for many professional and amateur literary and art groups in Beijing, Shenyang, Jinan, Nanjing, Shanxi, Lanzhou, Wuhan and many other professional and amateur literary and art groups, and received many apprentices. Today, his students, as well as his students all over the country, have become the backbone actors of the quyi stage. Such as Jin Wensheng, Zhang Jinming, Li Zongyi, Zheng Wenkun, Zhou Zhiguang, Li Lianwei and so on.

Mr. Wang Fengshan is cheerful by nature, responsive to everything he needs, must be taught, strictly demanding, and leads by example. Every time he accepted a student, he prepared a diary for the student, and personally recorded their advantages and disadvantages in learning and singing, and then according to the different situations of the students, he prescribed the right medicine and taught them according to their aptitudes. At the same time, every time he received an apprentice, he had to choose a piece of good bamboo and make a pair of bamboo boards to give to them.

Just when Mr. Wang was making a great achievement in his artistic career, the Cultural Revolution suddenly befell him. Mr. Wang was labeled guilty of "viciously attacking socialism and viciously attacking the dictatorship of the proletariat" and was often criticized, paraded in the streets, and beaten severely. Mr. Wang is still in prison and has never given up his beloved Allegro art. In prison, he used two chopsticks to tie together to make a festival, and sang "Serving the People", "In Memory of Bethune", "Foolish Fathers Moving Mountains", "On Correcting The Wrong Ideas in the Party", "Opposing Liberalism" and other works as exercises.

On September 9, 1971, Mr. Wang Fengshan was acquitted. In May 1972, Mr. Wang was sent to the cadre school to study labor. At a "meeting to remember the hardships" held by the cadre school, he took the stage to sing the Allegro "Quack Board" created based on his own suffering and life, accusing the Allegro artists of the tragic life of floating in the dark old society and being bullied to the end, singing the praises of the artists who turned around and liberated themselves into the people's actors after liberation, lived a happy life, and expressed his deep feelings for the party and socialist society. His tearful and affectionate singing deeply shook people's hearts, and the audience could not cry.

In April 1973, Mr. Wang Fengshan, who was forced to leave the literary and art stage for nine years at the Binhu Theater, took the stage heroically. With his unique king-style allegro processing method and singing style, he performed the long-familiar Allegro "Hymn of Haihe River", and his skillful and beautiful singing won the audience's unceasing applause.

After October 1976, Mr. Wang Fengshan began to praise Ma Sanli, and the first cross-talk performance was "Careful Calculation". The second passage they collaborated on, "Stress Hygiene", was made into a movie "Laughter" by the Beijing Film Studio. His voice was loud and his words were clear. During the performance, typhoon is simple and generous, generous and steady. Steady and tepid, steady in strict, stable in accuracy, steady in the sound. Ma Sanli's evaluation of him was: "One is serious, the second is accurate, and the third is not to get in the way." "They have been performing together for 14 years, and there are more than thirty large and small programs. There are audio and video materials to check: "Yellow Crane Tower", "Eating lanterns", "White Affairs Society", "Kwa Residence", "Open Porridge Factory", "Start at Ten O'Clock", "Buy Monkeys", "Emotions and Health" and so on.

In the Spring Festival of 1979, Mr. Wang Fengshan and Mr. Ma Sanli and other famous actors were invited to the Great Hall of the People in Beijing to participate in the Spring Festival Gala. At the party, Mr. Ma Sanli and Mr. Wang performed the traditional cross-talk "Xijiang Yue" and were cordially received by Comrade Deng Yingchao.

Mr. Wang also attended the Fourth National Congress of the China Federation of Literary and Art Circles, where he was cordially received by Deng Xiaoping, Hu Yaobang and other central leading comrades, and performed a cross-talk with Mr. Ma Sanli on "The Beginning of Ten O'Clock.".

During his cooperation with Mr. Ma Sanli, Mr. Wang often performed cross-talk and allegro in a performance, which was warmly welcomed by the audience.

Born: 1916, lunar year Of the lunar calendar Died: 1992, lunar year of nongshen