Huang Gongwang (1269-1354), real name Lu Jian, Zijiu, Yifeng, a native of Changshu County, Jiangsu and Zhejiang Provinces, was a painter of the Yuan Dynasty. There is only one kind of success in the world, and that is to spend your life in the way you like. Do not be invisible to the public, only follow the true feelings of the heart, and move forward happily.
At the end of the Ming Dynasty, a painting was passed to the famous collector Wu Hongyu, who regarded the painting as more important than his life. Before I died, I said to my family: I have to take this painting with me, and you should burn it.
The family could not swallow Wu Hongyu's last breath before he died, so when his face began to burn this painting called "Fuchun Mountain Jutu", his nephew Wu Jing'an arrived and snatched the painting out of the brazier. The painting is burned into two sections, the first half is "Leftover Mountain Map", and the second half is "Useless Division Volume". The person who painted this painting was a Yuan Dynasty man named Huang Gongwang.
In life, we climb over mountains and mountains, board boats and wade through the water, mountain and water, sometimes walking, suddenly feeling that we have achieved nothing in our lives, we begin to complain that we have done nothing. If you feel that you have nothing to do in life, please read Huang Gongwang.
01
In 1269, Huang Gongwang was born in Changshu, Jiangsu Province. He was the biggest loser of that era, reading the Four Books and Five Classics from a young age, taking the examination, and only at the age of 45 did he become a scribe in the Lian Visiting Division of Western Zhejiang. Before the official could do so for a few days, his superior, Zhang Lu, had nine lives killed for embezzlement and fraud, and the imperial court arrested Zhang Lu and arrested Huang Gongwang by the way.
By the time Huang Gongwang was released from prison, he was already over fifty years old. Thinking about this life, it is almost to the end. One day in the Yuan Dynasty, Huang Gongwang was writing in the house when a friend who was an official came. Say to him, "Go to my house and be a scribe!" ”
Huang Gongwang put the pen down and said: "As an official, don't go, don't go, you hurry back, I'm going out too."
An official friend asked: Where are you going?
Huang Gongwang answered: Be a Taoist!
Huang Gongwang's door was not locked, and he whisked away, and since then he has wandered the end of the world.
From that day on, Huang Gongwang began to set out for the recklessness of his life and completely broke with his past life. He no longer pleases anyone, no longer wastes time on boring people, boring things, he lives a minimalist life, and has the momentum to ride the wind and waves.
A person's true maturity begins with knowing oneself. In ancient times, 50 years old was already the twilight of life, and perhaps what awaited Huang Gongwang was death, and death was left. But death is never the most terrible thing in life, the most terrible thing in life is that people are not old, the heart is dead, the heart is dead, and time will die.
For Huang Gongwang, his feast of life is just the beginning!
02
Huang Gongwang wanted to learn to paint, and when he thought of it, he immediately went to learn it. He came to the great painter Wang Meng, who was the nephew of the great painter Zhao Mengfu, who abandoned his official position and lived in seclusion in The Yellow Crane Mountain in Yuhang, Zhejiang. Wang Meng saw that Huang Gongwang was more than half a hundred years old. Just wave your hand and say: You are fifty years old, what else are you learning? It's too late, go back!
Huang Gongwang didn't care, he was bored and went to school, in the eyes of anyone, this is an impossible thing to complete. But Huang Gongwang set off on the paper. Every day he sat on a large rock and stared at the opposite mountain for hours without blinking.
A few months later, Huang Gongwang's paintings made great progress. Wang Meng was puzzled and followed him to see. Every time I saw Huang Gongwang sitting on a big rock, he didn't move, like a dead man. Later, I couldn't help but ask, "You sit on a big rock every day, what are you doing?" ”
Huang Gongwang said: I am watching the mountains and watching the water, observing the warblers flying and the grass growing, the rivers babbling, and the fishermen returning late.
Wang Meng said: Then you continue to read!
In the next 29 years, Huang Gongwang traveled all over the mountains and rivers, traveled through the rivers, and looked where he went, extremely focused, and no one knew where he had been, as if his whereabouts were an eternal mystery. But as long as he was quiet, the whole world seemed to have nothing to do with him.
03
In the seventh year of the Yuan Dynasty, Huang Gongwang was 79 years old.
It was autumn and the leaves were falling. Huang Gongwang and his disciples were useless and traveled from Songjiang to Fuyang, Zhejiang. Only to see the fuchun river, the river surface like practice, fishing and singing late, he said to the useless: I am not leaving, I stay to paint.
Useless to say: what if you stay on your own and no one takes care of you?
Huang Gongwang sat down alone, calm and relaxed. No matter how much the useless disciple tried to persuade him, he didn't move at all. The useless master and disciple had to swim alone. 79-year-old Huang Gongwang lives in Fuyang, and every day he is alone, going to the Fuchun River alone to watch the mountains and water.
At noon one day, Huang Gongwang came to the stork mountain rock head on the east side of the city, sat on the reef by the Fuchun River, took out a pen and paper, and began to paint on the riverbank. Suddenly someone behind him pushed him into the river. The person who pushed him was Wang Qida, the nephew of Huang Gongwang's former boss Zhang Lu.
When Huang Gongwang confessed Zhang Lu's crimes in prison, Wang Qida held a grudge in his heart, and this hatred was that after finding Huang Gongwang's whereabouts for 30 years, he secretly poisoned Huang Gongwang to death. Huang Gongwang fell into the river and almost died, when a woodcutter passed by, threw his burden and jumped into the river, saving Huang Gongwang.
The woodcutter said to him: Since someone wants to harm you, you are so old and you can't protect yourself, my family lives on the mountain by the river, you live in my house.
Huang Gongwang staggered and followed the woodcutter down the river, walking less than ten miles to a ravine called Miaoshanwu. When I climbed a mountain beam, a raised flat land appeared in front of me, and there were seven or eight families living sporadically.
It is surrounded by mountains on three sides and faces the river on the other, resembling a bamboo basket for rice. Huang Gongwang looked around, where the mountains were undulating, the forests were lush, and the rivers were like exercises. The whole Fuchun River can be seen from the bottom of the river, and the scenery is amazing!
04
Huang Gongwang lived there for four years. In the past four years, as soon as the day dawned, Huang Gongwang wore bamboo knacks and wore mangshoe shoes to go out, walking dozens of miles along the river, rain or shine.
When he encounters a good scene, he stops to paint, his heart goes with his thoughts, and his body goes with his fate, and in his simple life, everywhere he goes is a landscape.
The real maturity of people is to understand that 99% of the things that happen to us every day are meaningless to us and others.
Huang Gongwang is such a person, he only puts all his energy on the 1% of the beautiful things he cares about and pours into.
The people around them looked at Huang Gongwang and said: This old man is dying of age. I'm still in a hurry every day, so why bother? For Huang Gongwang, death is not a hurry, he is about to die every day, busy doing what he should do. There are always endless paintings, unfinished words, endless roads, and endless scenes.
He's really busy, busy to death!
In addition to painting, Huang Gongwang often received people from the village. Once, he took out a painting, paid the "Great Fool", asked the woodcutter to take it to the city to sell, and instructed: Do not sell without ten silver.
When the woodcutter heard that this crumpled paper was going to sell for ten taels of silver, he felt that the old man must have been crazy for money. When he came to the bazaar, he spread out the piece of paper. Immediately, a buyer came over, took out ten pieces of silver, bought it, and left. The woodcutter was very surprised, he was cutting firewood for a year, and he could not earn more than ten pieces of silver.
After that, Huang Gongwang asked the woodcutter to sell one painting every two or three months, and all the proceeds from the sale of the painting received the villagers. This village was cultivated into a well-off village by Huang Gongwang's paintings.
05
When Huang Gongwang was 80 years old, he began to formally paint "Fuchun Mountain Residence Map".
He wants to tell the life of a river in this painting, and he wants to tell the joys and sorrows of the times and mankind in this painting.
For others, painting such a big painting is inherently difficult, let alone an 80-year-old man.
But for Huang Gongwang, he never does everything regardless of what others say, I am happy, I am happy, this is enough, I just want to start on paper.
Although I am 80 years old, should I be "invisible", and my inner feelings are the most important thing in this world.
On all four sides of the Fuchun River, there are ten peaks with different peak shapes, hundreds of trees, and different postures.
Huang Gongwang traveled all over the banks of the Fuchun River, carrying a picture scroll and carrying dry food all the way. The fishing boat sings late, the woodcutter returns late, the mountains and forests are silent, and the flowing water without a trace has become a footnote in his life.
In Chinese history, no one has ever spent four years in a real dialogue with the river. In the dialogue, it can be said that Fuchunjiang read Huang Gongwang, and Huang Gongwang also understood Fuchunjiang.
Part of "Fuchun Mountain Jutu Useless Master Volume"
06
Four years later, huang Gongwang was 84 years old, and the "Fuchun Mountain Jutu", which was later called one of the "Top Ten Famous Paintings in China", was completed.
In this painting,
There is Su Dongpo want to see "distant mountains long, cloud mountain chaos, Xiaoshan Qing"
There are also the waters of the waves that Qu Yuan wants to see, which can be mazen.
Huang Gongwang seemed to hear the joyful sound of the river.
I also heard the sound of the river crying,
Hearing the pride of his own scientific expedition,
I also heard the pain of his imprisonment at the age of 46.
In the painting, Huang Gongwang hides people in the landscape, there are 8 people in the painting, and ordinary people can only find 5. In Huang Gongwang's view, people in the landscape and water, do not need to be seen by others, understand and review, people's life, in fact, there is no wind and rain and no sunshine.
More than 600 years ago, 80-year-old Huang Gongwang spent his life doing only one thing, that is, to complete himself.
Compared with us ordinary people, Huang Gongwang may be bitter, there is no red wine and greenery, there is no sound and color dog and horse that pushes the cup to change the lamp, and the most unbearable thing in human life is not labor, not exhaustion, but frivolity, frivolity without the weight of life, without the value of life.
Huang Gongwang is also happy, in this painting of "Distant Mountains, Cloud Mountain Chaos, Xiaoshan Qing", he found the whole world. In real life, we often hear people say that they are too old to move forward. In fact, the reason that really hinders you from moving forward is not old age, but laziness and doubt. Those who really want to set off, whenever they want to leave, will open the sea and the sky.
Writer Sanmao said: "Waiting and hesitation are the most ruthless killers in the world. "You've been waiting for the most opportune time to do what you want to do, and then you've been wasting time in hesitation.
Just imagine, when we are 80 years old, do we still have the courage to prepare new pursuits for ourselves, and do we have the courage to make choices, and can we really insist on doing a "never die" thing?
The first half of the volume "Fuchun Mountain Jutu · Leftover Mountain Map"
Size: length 31.8 cm, width 51.4 cm
The second half of the volume of "Fuchun Mountain Jutu Useless Master Volume" is a complete volume
Size: length 33 cm, width 636.9 cm
07
When Huang Gongwang finished painting the "Buchuan Mountain Residence Map", he breathed a long sigh of relief, threw the pen into the river, and called for this life, I finished. In 1353 AD, the useless disciple finally followed the woodcutter who sold paintings to find Huang Gongwang.
When I saw the ingenious "Fuchun Mountain Residence Map", the useless master and disciple burst into tears. Huang Gongwang, who was weeping with joy, did not say a word, quietly painted the inscription on the scroll, and raised his hand to give the "Fuchun Mountain Residence Map" that he had spent all his life to give to the useless master and disciple.
After four years of painstaking efforts, Huang Gongwang did not care at all, rather than obtaining a floating name, it was better to have a gentleman's friendship. Compared with the current people, Huang Gongwang is really free, but also really open, he is like a flower planter, planting, fertilizing, and then spending years waiting for the flower to bloom, the flower blooms for a moment, but he picks the flower and raises his hand to give it to others.
True openness is to enjoy the process of pursuit and never care about the gain or loss of the result. The real freedom is Guangsha Wanjian, I sleep no more than seven feet at night, a thousand acres of fertile land, and I can't eat three meals a day. I want very little, I'm satisfied, and that's enough.
A year later, Huang Gongwang passed away with a long smile. It is still conceivable that 663 years ago, an old man of the Yuan Dynasty died, and when he died, his face must have been extremely peaceful and smiling. His whole life went without regrets!
08
Is the story over?
Not really!
After Huang Gongwang's death, the experience of this painting is even more bizarre.
In a certain year and month of the Ming Dynasty, this painting reached the hands of Shen Zhou, the four great talents of Jiangnan, who regarded it as a treasure, but late one night, the painting disappeared and then completely disappeared in history. Another one hundred and fifty years later, in the seventh year of Shunzhi (1650), the "Fuchun Mountain Jutu" suddenly appeared in the hands of the famous collector Wu Hongyu, who collected tens of thousands of items, but only loved the "Fuchun Mountain Jutu". I value painting more than life.
Before his death, the dying Wu Hongyu lay on the bed and spat out a word to his family: "Burn! ”
The family watched Wu Hongyu's last breath and could not swallow, so when his face began to burn "Fuchun Mountain Jutu", just when the painting was put into the brazier, his nephew Wu Jing'an arrived and pulled the painting out of the brazier.
Unfortunately, this painting has been burned into two sections, the first half of which is called "Leftover Mountain Map", and the second half is called "Useless Master Scroll". The two paintings pass through the hands of many collectors, and the years have ebbed and flowed, looming in the folk. In 1938, "Leftover Mountain Map" entered the Zhejiang Museum, and in 1948, "Useless Master Scroll" arrived in Taiwan. Since then, the "Fuchun Mountain Residence Map" has been separated by two sections.
On June 1, 2011, exactly 361 years passed since the year when Wu Hongyu burned the painting. The two sections of the "Fuchun Mountain Jutu", the "Useless Master Volume" and the "Leftover Mountain Map" were officially re-encountered at the National Palace Museum in Taipei after being separated. Cultural people on both sides of the strait say that this is called: "the combination of mountains and rivers"!
All this is like a person's fate, life and death are separated, and the end of the world is broken, just like Du Fu's poem: life does not meet, and movement is like participating in business. At this point, the story is told, the storyteller has the most heart, and the person who listens to the story is always emotional.
The replicas "Fuchun Mountain Jutu Andu Yushan Tu" and "Fuchun Mountain Jutu Wushi Volume" are stacked together to form a partial map of one volume
The original painting has the right half of the "Fuchun Mountain Jutu Useless Teacher Volume" with an inscription when mounting, and the two volumes cannot be combined
09
More than 600 years later, the 80-year-old Huang Gongwang stopped at the bank of the Fuchun River, and then spent a full 4 years, doing only one thing. Today, we who have learned how to survive are far from learning how to live. We are lost and forget that no matter how big a career we are, the real purpose is to live.
How to find yourself, in fact, the answer lies in Huang Gongwang's "Fuchun Mountain Residence Map". Today we study Huang Gongwang, which is a learning choice. There are two paths in life, one is what the society requires us to go, and the other is what we want to go, and you can only live the real self if you are firm in your inner choice and rush forward.
Today we study Huang Gongwang, is to learn to wait. In the rush of life, try to slow down your pace and let waiting become a state of mind, an attitude, and only when you are as open as water can you see the most beautiful things.
Today we study Huang Gongwang, is to learn to be free. Allow yourself to calm down and listen to your own heartbeat and breathing, and I believe that only in this way will your life not panic when it goes out.
Today we study Huang Gongwang, it is to learn to seek. If you are still young, do you dare to boil the blood, tie your shoelaces and get back on the road, dare you be brave enough to face yourself, and look for the forces that can make you strong inside?
Then, no regrets in this life!
Attached: Huang Gongwang Sanshui Cheats 33 Law "Huang Gongwang Writing Landscape Tips"
1. Modern painting. Duozong Dongyuan Li Cheng's second family. Brushwork tree stone. Each is not similar. Scholars should be conscientious.
2. The tree should have stems and branches on all sides. The lid takes its roundness.
3, the tree should have an identity, the painter is called a button. To fold in the middle. Each tree body has to happen.
4, the tree should be leaned over the dense and dense. There are soft branches with leaves. There are back branches behind the face.
Part of Huang Gongwang's "Fuchun Mountain Residence Map"
5. The method of painting stones. Start with light ink. Changeable and salvageable. Gradually use thick ink for the top.
6, shi wu ten steps true. Stone looks at three sides. Use the method of square circles. More squares and fewer circles.
7. There is a lot of gravel at the foot of Dong Yuanpo. It is a painting of the Jiankang Mountains. Dong Shi is called Hemp Skin. The slope foot first rises towards the edge of the stroke. Then use light ink to break its deep recesses. Coloring is not far from this. Stone coloring is heavier.
8. Dongyuan Xiaoshanshi. It's called an alum. There are clouds in the mountains. These are all Jinling mountain views. The method should be soft. There is sand underneath. Sweep with light ink. Bend it. Break it with light ink.
Dong Yuan's "Longsu Suburban People's Map"
Part of Huang Gongwang's "Tianchi Stone Wall Map"
9. The mountain theory is three far away. Connected from below continuously. It is called pingyuan. Relative from near separation. It's a far cry. Vista from outside the mountains. It's lofty.
10. Use brushwork in landscapes. It is said that the bones are connected. There is a distinction between pen and ink. Use the scrub to stick to its pen. It's called ink. The pen does not move the drawing method. It's called pen. This painter is in critical condition. This is used for mountain stones and trees.
11, probably the tree should fill in the blanks. Small trees, big trees. One by one. Thick to the back. Each shall not commit a crime. Sparse places between the troubles. Need to get in. If you are well-drawn. Natural brushwork appears.
12. The magic of painting stones. Immerse the pen with garcinia garcinia water. Natural finish. Not available more. More than that, the pen should be stuck. It is also wonderful to use a screw in the ink. Makeup is easy to get into the eye. Morale.
Huang Gongwang "Danya Yushu Diagram"
13. Put a stylus in the middle of the leather bag. Or in a good place. See the tree has weird. Bento mold writes about it. It is meant to happen. Climb the stairs and look out into the sky. Look at the clouds. It is a mountain view. Li Chengguo Yan. All use this method. Guo Yan painted stones like clouds. Ancient cloud. Tiankai garden painter is also.
14, in the landscape, only the mouth of the water is the most difficult to paint.
15. There is no trace of distant water. Distant people have no eyes.
16, water out of the high source. Top. Never break the pulse. Take the source of the living stream.
17, the top of the mountain should be folded and converted. The mountains are all smooth. This way of living also. The peaks are like each other. Thousands of trees follow each other. Like a pawn in a large army. Senran has an inviolable color. This photo of the shape of the mountain also.
Huang Gongwang's "Shallow Landscape Map"
18. You can put a house in the hillside. Dinghies are available in the water. Be angry ever since. The mountainside is cloudy. See the unfathomable height of the mountain.
19. The method of painting stones. The most important thing is to be unsympathetic. Stone has three sides. or on. On the left. Can be a surface. On the verge of writing. It is necessary to take it.
20, there is a waterhole under the mountain. Painting this is a very existential business. Four tree clusters.
21. Draw a stone. When Yi Mo skimmed off. There is a gentleman's family style. He fell into the ranks of painters.
Part of Huang Gongwang's "Nine Everest Cuitu"
22, or paint a landscape. Start with the title. Then write. If there is no title. It is not a painting. Remember the scenery of spring, summer, autumn and winter. Spring happens. In summer, the trees are thick. Autumn is a massacre in Vientiane. In winter, the clouds of smoke are dim. The sky is hazy. Those who can draw this are superior.
23, Li Cheng painted slope feet. Several layers are required. Take its wet thickness. Mi Yuanzhang discusses that Li Guangcheng has descendants and grandchildren. The most fruitful officials are the ones. The painting also has feng shui.
24, pine trees do not see roots. The gentleman is in the opposition. The meaning of the pheasant tree is the villain.
25, summer mountains want rain. Bring a fountain pen. There are stones on the hill. Small pieces are piled on top of it. It's called an alum. Smudge with a water pen. Add light screws. It's generally beautiful again. Painting is just meaning.
26, winter scenery borrowed land for snow. To thin powder dizzy mountain head.
Huang Gongwang "Clear Map when The Snow Is Fast"
27. The Law of Landscape and Water. Care about impromptu strain. Remember the law first. No clutter. Near and far. Probably like writing. Cook it well. Difficult to draw on paper. The silk was alumed with a good pen. Easy to use color. Easy to see. Pre-order topic. This is called the top product. The ancients painted. Broad chest. The set is naturally interesting to the ancients. The painting method is exhausted.
Huang Gongwang "Nine Peaks Snow Ji Map"
28, good silk spray wet with water. Mallet-eye plaque on the stone. Then on the frame. Alum method spring and autumn glue alum stop. In summer, there is more glue and less alum. In winter, there is more alum and less glue.
29, coloring the snail on the stone. Garcinia into ink. Painting trees is very beautiful.
30, painting is only the most important word. Wu Rongshiyun: Good work is good and good.
31, painting ink is the most difficult. But first use light ink product. To the point of view. Then thicken the ink with burnt ink. Divide the furrow path far and near. Therefore, there are many moisturizing places on raw paper. Li Chengxi mo rujin is also.
32, Drawing Oacro, 4 Characters of Evil.
33. The works of landscape and water, from the Han and Tang Dynasties, are no longer common in ancient pens and inks. The Minang Palace commented that Dong Beiyuan did not have half a point of Li Cheng, Fan Kuan's tacky style, and a piece of Jiangnan scenery. The monks Juran and Lu Daoist both practiced their methods, and Lu Pens were rare, but there were often pens, and there were also those who forced Dong. Those who have learned it know: "Jiang Guandao uses ink lightly and evenly, the leaves of the forest trees, the arrangement of pearls, the Song people are also precious, and it seems that there is a great way to go." "Whoever makes landscapes and rivers will take Dong as his teacher, such as Du Ye, who learns poetry."
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