The Great Idiot Daoist was the famous painter Huang Gongwang of the Yuan Dynasty, who was a Taoist priest of the Quanzhen Sect. Later generations know Huang Gongwang, mostly because of his achievements in painting. How good his works are and how high his achievements are, we can know from the repeated learning of his style by future generations. Painters of the Ming and Qing dynasties took the ancient as a teacher, and as long as they painted landscapes, they would definitely copy his works.
This "Landscape Map" is the work of the Qing Dynasty painter Dong Bangda, who imitates Huang Gongwang's brushwork to depict the deep landscape and the lush beauty of the forest. In the painting, a mountain and a stone, a grass and a tree, taking into account the beauty and freshness, it deserves the eight-character evaluation of "the peaks are thick, and the grass and trees are huazi". If it is Dong Bangda's original style, it is estimated that this taste cannot be painted. He painted a large number of sketches of landscapes, and when Qianlong toured the south, he was ordered to paint jiangnan landscapes. Such a painter, when he was imitating his predecessors, his works presented a different feeling.
Dong Bangda Landscape
Dong Bangda's own works have a distinctly orthodox style, and he likes to learn from Wang Yuanqi's style, and in this "Landscape Map" you can see the characteristics of the stone into the mountains. In terms of using pens, he likes to mix dry pens and wet pens. There is a saying in the world of calligraphy and painting, dry to see the pen, wet to see the shape. The meaning of this sentence is that the brush has a full belly and can accumulate ink. Less ink is a dry pen, and more ink is a wet pen. Dry pens can show "momentum", wet pens can show texture.
Take a good look at this statement and see how Dong Bangda behaves. Taking the ancients as a teacher, it is not necessary to copy the works of the ancients in the studio all day long, but also to understand the ideas of the predecessors and learn the ideas of the predecessors. Dong Bangda imitates Huang Gongwang's penmanship, emphasizes the charm and then integrates personal characteristics, which is a meaningful copy.
Dong Bangda Landscape Local
With a good dry pen and wet pen, you can enrich the picture changes. The composition is slightly dull, all rely on pen and ink adjustment, the large area of white space in the painting seems to be somewhat contrived, fortunately, the combination of dry and wet brushwork dilutes the lack of composition. If Dong Bangda can go further, he will reach the realm of wet pen rhyme and dry pen posture. Unfortunately, he was shackled by the orthodox style of painting, which influenced his creativity.
Taking the ancient as a teacher is the method of learning, and after mastering the method, you cannot rely too much on the method. Artistic creation requires courage and freshness, and Dong Bangda wanted to understand this truth, so he painted this landscape. The hook line is rapid, the dye is slow, and the book is used to draw, which adds to the interest of the literati.
Dong Bangda Landscape Local
If there is no lack of composition, if the pen is more bold, this "Landscape Map" is more like Huang Gongwang's style. The dry brush in the painting is wet, which is in line with the way of yin and yang. He has already understood Huang Gongwang's creative ideas, and what is missing is to paint the beauty of natural freedom.
Enjoying the "Landscape Map", observing Dong Bangda's antique attitude, and experiencing the creative ideas of taking the ancient as a teacher can bring a lot of gains. Understand the development and change of landscape painting style, and understand the efforts made by successive generations of painters in pursuit of the ultimate pen and ink.
Dong Bangda Landscape Local
Looks good and contains a lot of detailed information. Pen and ink, composition, and interest are indispensable. Staring at the distant mountains in the painting, feeling the gravitational force emitted by the deep mountains and forests, I don't know where I am in a trance, and I forget all my troubles. Taking the ancient as a teacher is a way to quickly master the skill; taking the ancient as a teacher allows Dong Bangda to occupy a place in the Qing Dynasty painting world.