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Appreciation of Dong Bangda's Landscape Paintings (Part 1)

author:The art is boundless

Dong Bangda characters fu cun, contention, the number of Dongshan, non-smelling, landscape to take the Fayuan people, good use of dry pen, his works of light ink, light and elegant color, with the pen gentle, the law of songxiu, literati interest is very strong. The style is between Lou Dong and Yushan School. Together with Dong Yuan and Dong Qichang, they are called Three.

Appreciation of Dong Bangda's Landscape Paintings (Part 1)

Autumn tree cloud sail axis Qing Dynasty Dong Bangda

In the picture, the picture is left and right, a touch of mountain color in the distance is flowing towards the sky, the blue waves in front of the mountain are thousands of acres, and the boat is light; the middle scene is a majestic mountain, the grass and trees on the mountain are sparse, there are several huts on the mountainside, the flag on the flagpole in front of the house is fluttering in the wind, and the lake water rushes out of the mountain and flows to the bottom of the picture; on the small bridge in the close view, a master and a servant are enjoying the lake and mountain color, and the water under the bridge is flowing.

Appreciation of Dong Bangda's Landscape Paintings (Part 1)

Qiushan Xiao temple axis Qing Dynasty Dong Bangda

In history, many painters have painted the subject of "Xiao Temple", such as Li Cheng, Yan Wengui, Wang Meng and others, of which Li Cheng's "Qingluan Xiao Temple Map" is the most famous. The mountains are stretched, the trees are sparse, the clouds are swirling, the water is babbling, the mountains are deep, and the silence is lonely. An ancient willow on the shore, the branches and leaves have fallen, and the wind is coiled.

Appreciation of Dong Bangda's Landscape Paintings (Part 1)

Shuanglin Xiao Temple Figure Qing Dynasty Dong Bangda

Although "Frost Forest" and "Autumn Forest" are only one word apart, the artistic conception has changed, and from this painting, the viewer can feel a strong atmosphere of desolation. The mountain stone is depressed, the cold forest is desert, and the author intends to be on the branches of the trees and on the walls of the temple, red and yellow ochre, so that the picture will not become the cold and cold like Ni Yunlin.

Appreciation of Dong Bangda's Landscape Paintings (Part 1)

Songxi Panyue Figure Qing Dynasty Dong Bangda

In the picture, the green pines, the smoke around the Chengjiang River, and the moon cage Qianmu are paintings of Dong Bangda's tribute to the inner court, which has the meaning of Su Dongpo Chibi night tour. The ancients painted the scene of the night moon, wrote about the scene they saw, and only wrote about the night of a certain moon when they inscribed it.

Appreciation of Dong Bangda's Landscape Paintings (Part 1)

SongYuan Yuntao Figure Qing Dynasty Dong Bangda

This picture is written by the author: Song Gu Yuntao, Gong imitation of Lu Guang's pen meaning, Chen Dong Bang Da Plutonium: ChenDa Zhu Bai Second Seal. Lu Guang was a painter of the Yuan Dynasty, who studied Wang Mengfa, and this Qing Dynasty scholar and court painter Dong Bangda deliberately imitated it and obtained its shape. Hongli personally inscribed a poem, and printed a full set of stones and canals to show praise, sincerely for Dong Bangda to pass on the landscape and water masterpieces.

Appreciation of Dong Bangda's Landscape Paintings (Part 1)

Sanxitang records the intention of the Qing Dynasty Dong Bangda

This painting was painted by Dong Bangda's Fengzhi Zhizhi Sanxitang, and the painting has the Qianlong imperial inscription "Sanxitang Record", and there are inscriptions by Liang Shizheng, Zhang Ruoyi, Li Zongwan, Wang Youdun, Qiu Rixiu and other ministers. In the picture of Zhongshan Stone Cui Wei, pine and cypress flourishing, in the water hall, some people are painting, some people are resting. The painter paints mountain stones with cirrus clouds and dyes them with stone blue dots, and the whole picture is neat and meticulous, giving people a beautiful enjoyment.

Appreciation of Dong Bangda's Landscape Paintings (Part 1)

Xiashan wants to rain figure Qing Dynasty Dong Bangda

This volume imitates the meaning of giant brushwork, painting cloud mountains far away, dense forests and waterfalls, far-reaching artistic conception, light ink, light color, gentle with pen, loose and beautiful, and the literati are extremely interesting.

Appreciation of Dong Bangda's Landscape Paintings (Part 1)

Broken bridge remnant snow axis Qing Dynasty Dong Bangda

In the picture, the clouds are dense and snowy, wrapped in silver, only a tall red tower is particularly eye-catching, the cold forest and desert by the lake under the mountain, the houses are like houses, and the heavens and the earth are particularly quiet and peaceful.

Appreciation of Dong Bangda's Landscape Paintings (Part 1)

Willow wave smelling warbler Qing Dynasty Dong Bangda

This picture shows the view of "Liulang Bridge", one of the ten scenic spots of the West Lake. The bridge is named after the Qingbo Gate and the Yongjin Gate, which were planted along the embankment during the Song Dynasty. In the painting, the willows fall to the ground, the breeze sways, and the pavilion is deep, like a yellow warbler crying in the green shade. The tone is loose and smooth, showing the tranquility of the spring lake. In the Song Dynasty, willows were planted along the embankment outside the Fengyu Gate, and the place name was Liuzhou, and there was a Willow Wave Bridge on it. The willows on the embankment swayed with the wind, like a green wave flipping into the air. In the spring, the yellow warbler is in the middle, and the tourists listen and linger.

Appreciation of Dong Bangda's Landscape Paintings (Part 1)

Return to the clouds in the Qing Dynasty Dong Bangda

The scenery in the picture is shrouded in a layer of tranquility and sunset, which makes people immersed in it.

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