In the Edo region of Japan, there is a place called Yoshihara, there are 100+ yards, generally around the age of 7 here 28 years old laid off, Yoshihara Hanaku is the most representative, they are not only all-round but also hair and makeup also lead the Japanese fashion.
Men are proud to see them, while women frequently follow their hairstyles and makeup. In addition to being proficient in piano, chess, calligraphy and painting, Yoshihara Hanaku also has to learn tea ceremony, Hua Dao, incense, sanmi strings, etc., and the rich family will also meet them, which makes the rich men who are looking for her also have a light on their faces.
Yoshihara Hanakushi in the Kazezuki place best represents the fashion trend of Edo, and the merchants use ukiyo-e to promote cosmetics (makeup powder, rouge) for the sake of profit, that is, the three colors of makeup, makeup powder is white, lipstick is red, and eyebrow powder is black. In addition, these hanaku have also become important themes of ukiyo-e, from hanaku to J-nü to dancers who can sing and draw and sing.
These beauties appeared in the pens of many artists, such as the beauties painted by Katsushika Hokusai, a representative of the Katsushika school, which were mainly prostitutes in The Flower Street Willow Lane in the early stage, and mainly women in daily life in the later period.
For example, in this painting "Chuanji No Haruhi", the beauty in it has the shadow of Torii Kiyocho, with a round face, thick eyebrows, wearing the light clothes of Natsuki Naraku, and later turned into a civilian woman in daily life.
Speaking of which, it is necessary to mention the ukiyo-e master Katsushika Hokusai, who constantly innovated the themes and compositions of ukiyo-e prints, such as figures, landscapes, flowers, birds, fish, insects and beasts, landscape paintings, and functional portraits.
For example, the "Eight Views of the Road" series is one of Katsushika Hokusai's most outstanding and emotionally appealing works. Among them, "Date and The Work and Guan Xiaowan. The Sunset Chart depicts a low-ranking samurai, Date and Sakura, who leave home to meet their lover, Guan Xiaowan, and Date, as a way to pay off a huge gambling debt, instigate a boy to steal for him, and the boy is later arrested and sentenced to death, and the lovers are guilty and remorseful and intend to go to martyrdom, they sit outside a tea house near Mt. Fuji and think about the last time of their lives they are about to spend together.
The two lovers have low eyes, their eyes are confused with a firmness, each of them is slightly worried about the twitching, the brain must also recall their once warm bits and pieces of the picture, about to run to life and death, but their hearts still believe in each other's love,
In Japan, Mt. Fuji is a very sacred spiritual mountain in the eyes of the people, guarding them for generations like a mother. The literary scholar Jun Kubota once said in an interview with the media, "I think that most Japanese people's feelings for Mt. Fuji may be frank appreciation of beautiful things, so they are moved." ”
Katsushika Hokusai has repeatedly painted Mt. Fuji, a sacred place in Japan, into his paintings. For example, there is the "king of ukiyo-e", "Kaifeng Kuaiqing", depicting the phenomenon of "Akafuji", a perfect proportion of "Kanagawa Surfing", and arranging the scenery of Mt. Fuji in the depths of the picture.
In the Edo period, when the average life expectancy in Japan was only forty-five years old, Katsushika Hokusai lived to the age of ninety, and he devoted the breadth of his life to the study of painting techniques, in order to improve his painting skills, he befriended people in various fields and also worshiped temple monks as teachers, in order to understand the human anatomy, he once visited a bone doctor to learn bone grafting and studied the structure of the human body, Andsa Hokusai painted more than 30,000 works in his lifetime.
This great artist series, Katsushika Hokusai, tells the story of the creation period of Japan's greatest artist, Katsushika Hokusai, namely the era of study (20-34 years old), the unfolding of the "Sorai style" during the Shōryū period (35-45 years old), and the best-selling "Reading" (46-50 years old) during the Katsushika Hokusai period.
The book reproduces a large number of representative paintings of Katsushika Hokusai from different periods, as well as the characteristics he presents in his paintings in each period.
For example, Katsushika Hokusai studied with the Katsukawa school at the age of 19, he died at the age of 34 at the age of 86, katsukawa Haruaki unfortunately passed away, not long after the teacher's death, he broke away from the Katsukawa faction, some people say that he left the Katsukawa faction because the sign painting he created for a straw paper shop in Edo was insulting to the shimen, someone tore it off, Katsushika Hokusai felt deeply humiliated, and since then he has been separated from the same door and has decided to go.
No matter why Katsushika Hokusai left the Katsukawa school, in Hokusai's mind, the Katsukawa school where he stayed for 15 years will always be a place to witness his growth and play a decisive role in his lifelong painting career.
Later, under the influence of many artists, Katsushika Hokusai mastered the techniques of ukiyo-e, the Lyno school, Chinese landscape painting, Western landscape painting, and the Lin school.
Take Chinese landscape painting, Katsushika Hokusai also has a special love for Chinese landscape painting.
He had painted because shen Nanping, a Chinese Qing Dynasty painter who had been stranded in Nagasaki, Japan for two years, and the sketching and techniques of the flower and bird paintings he brought out also influenced the popular realistic style in Edo to a certain extent, among which there were landscape paintings and flower and bird paintings of "Mustard Garden Painting Spectrum" and "Ten Bamboo Zhai Painting Notation", "Tang Poetry Painting Notation" and other Chinese painting techniques and painting styles opened up Hokusai's vision, he first wrote the painting techniques in "Mustard Garden Painting Spectrum", the three scattered perspective compositions in the book, that is, the "high", "far-reaching" and "pingyuan" of the scenery. Katsushika Hokusai was greatly inspired by the composition of landscape prints.
Since then, familiar figures have appeared in his paintings, such as "Poet Du Fu", "Poet Li Bai" and so on.
There are many more stories about Katsushika Hokusai, the book "Katsushika Hokusai" of the great artist series reproduces the classic paintings of each period of Katsushika Hokusai, 45 hand-painted, more than 200 prints, nearly 150 book illustrations, covering beautiful prostitutes, famous mountains and rivers, flowers, birds, fish and insects, demons and ghosts like an immersive Katsushika Hokusai art exhibition, this book is a good choice for friends or for their own children to learn, Oh, Now the price of less than a meal can get a closer look and walk the legendary life of Japan's most famous ukiyo-e master, like friends do not miss Oh, welcome to click on the link below to take a look. #Katsushika Hokusai ##Hanakuei ##浮世绘 #
Great Artist Series Katsushika Hokusai
