Biography of a calligrapher
Ning Jilin Character 耑舟, the number of yun zhongshan people. Born in 1947, a native of Jingle County, Shanxi Province. Graduated from Northeastern University with a bachelor's degree and is a senior engineer. Since childhood, he has been influenced by his ancestors and fathers, loves calligraphy, adheres to family learning, and has the calligraphy style of Zong Yan Zhenqing and He Shaoji. He is a member of Beijing Calligraphers Association, Shanxi Calligraphers Association, China Association of Calligraphers, Director of the 3rd China Elderly Calligraphy and Painting Research Association, Executive Vice Chairman and Secretary General of the 5th and 6th Shanxi Elderly Calligraphers and Painters Association, Special Calligrapher of Calligraphy Newspaper, Senior Consultant of Shanxi Elderly Calligraphers and Painters Association and Director of the Art Committee. Calligraphy works have been exhibited many times in competitions at home and abroad, and have been collected by many museums, art galleries and collectors. Many places of interest and halls are engraved with their written links and plaques, and their calligraphy achievements have attracted the attention of the world.
Deeply study the Qin Seal Chenghan style and follow the Tang method of Jin Yun
——Remember the famous calligrapher Ning Jilin
Calligraphy secrets have been passed down through hundreds of generations and are often precipitated in inscriptions. Contemporary people who practice calligraphy need to deeply unlock the enlightenment of the mysteries of the stele, so as to achieve the achievements of the Fa from the stele and the attainment of the practice of the stele. Mr. Ning Jilin, a famous contemporary calligrapher, is a profound master who has a strong ability to realize calligraphy. Therefore, looking at his calligraphy works, the most first-hand golden book jinzi can train the stele kung fu to be just the right atmosphere, and have the meritorious service of the dragon vein inheritance of calligraphy culture!
The theory of gestures has words, poor research and seals, easy to achieve in the province of merit, concentration and specialization, and the shape of the situation. It seems that the Book Saint Wang Xizhi also attaches great importance to the basic value of the unity of seal books. One by one, I looked at Mr. Ning Jilin's seal book works, which were extremely easy to turn around the Taishan Stele, and also had the vivid and round work of the Yishan Stele, which made the seal book a rigid and soft harmony, rich and multi-divine, and quite the spirit of the Qinshu iron line. This is an important reason why his calligraphy has been trained by the center forward and can be used to percuse the mountains and rivers. The profound kung fu of the seal book allows him to write and write with his heart, and he can do other things, becoming the pillar of Han Mo who is both excellent in the five bodies.
Looking at Mr. Ning Jilin's Lishu works, it is an exclusive style that blends the high quaint collection of the Western Han Dynasty with the mature elegance of the Eastern Han Dynasty. Take the silkworm head swallowtail of the Cao Quan Monument, refer to the deep thickness of the Zhang Qian monument, and also focus on drawing the mighty god from the Cangjin Lishu such as Shi Men Song, and write the Li in a wave that can be folded in three folds, and a vertical can be hidden, becoming the superior product of the abundance and multi-god. After the Book of Letters, the book is taken from the willow bone, and the writing is in detail, especially true. Its calligraphy cultivation has a very strict legal performance, the upper and lower are not flush, the left and right are not square, the height is interesting, and the flat curve is different. Avoid the tendency of printing calligraphy, emphasize the essential attributes of calligraphy art, take the use of pens that are not easy for thousands of years as the purpose, write side pens like birds falling on the flying instrument, write pecking pens quickly and fluently, and are proficient in the eight laws. In particular, he studied far away from the Jin and Tang Dynasties, the later Song and Yuan Dynasties, and then learned the Ming and Qing dynasties, so that his calligraphy could penetrate the mainstream of calligraphy, and finally settled on the Qing Dynasty calligraphy master He Shaoji, and wrote the He Men calligraphy style in an indistinguishable way, which was extremely well-researched and convincing.
If the above books highlight the spirit of Mr. Ning Jilin's calligraphy, they are written quite rigorously. Then walk into his grass world, you can see the book with lyrical and free mood. In addition to the strength of the calligraphy function, it must also have the character expression of the book as its person. If it is practical, it is a bookmaker. It can also be lyrical, as a classic. Ning Jilin's xingcao is based on the Erwang Fa Ti, throughout the Tang, Song, Yuan, Ming, and Qing dynasties, and has the atmosphere of a literati calligraphy, and every time a work is presented, it is also a common connotation of tianlang qiqing, huifeng and chang. Hanging such a calligraphy work in the hall of the Yashe will inevitably be cultivated by the rich and colorful cultural spirit in the pen and ink, and the more you look at it, the more you taste it, the more you feel that it is readable.
Deeply study the Qin seal to inherit the Han style, and follow the Jin rhyme to take the Tang method. A stroke of ups and downs, a little bit of special setbacks, the strokes of the chapter grass and wild grass are spread across the horizon, which can make the calligraphy left and right like a shock, like a Chu and Han attack! Of course, such calligraphy works can decorate the barriers of thousands of families and have the ultimate charm of the promotion of calligraphy culture! Moreover, such works for collection must be the quality of Qionghua Yurui, which can have the value of Bi Sui Beads. Revenue box, the price is immeasurable. Many institutional collections, many of which are treasured. He also often writes for the plaques proposed by the Famous Monuments and Monuments, which makes the cultural atmosphere of the place endless! Books are written in the way, and so on. Everyone's demeanor, at a glance!
Famous calligraphy and painting critic Shi Feng
April 13, 2022 Book at Lan Yi Zhai
Appreciation of works