Fadu is the foundation of calligraphy, and the Jin and Tang methods in calligraphy are two different ways of using brushwork. The Jin Dynasty refers to the Eastern Jin Dynasty penmanship represented by Wang Xizhi's calligraphy, while the Tang Dynasty method is represented by Ou YuYanliu.
Eastern Jin Dynasty calligraphy, advocating nature, with a concise pen contains subtlety. The use of folding is meticulous without a trace. So much so that later generations of scholars often sighed: "There is no way to learn and advance." This is because their pen is closed, without a trace, and the movement is extremely slight but precise. We now see a lot of practitioners of the Orchid Pavilion Order, adding too many things like kaifa. The glyphs that came out were fleshy or stiff, and had nothing to do with Jin Yun.
In the Tang Dynasty's brushwork, the twists and turns at the beginning were quite obvious. Wanting left before right, wanting right before left, and wanting vertical first horizontal became the criterion of writing in the Tang Dynasty. The Tang Dynasty people shangfa, they knew that it was too difficult to reach the height of Wang Xizhi's divine incarnation. It is better to retreat to the second place. Summarizing the clues in Wang Xizhi's calligraphy, the square folding pen became the symbol of Tang Dynasty calligraphy.
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