Qi Gong (July 26, 1912 – June 30, 2005), self-proclaimed "Surname Qi Ming Gong", [1] Character Yuan Bai, also known as Yuan Bo, Yuan Beiju Shi, Beijing Manchu. [2] The ninth grandson of the Yongzheng Emperor. [1] Famous contemporary Chinese calligraphers and painters, educators, classical philologists, appraisers, red scholars, poets, and masters of traditional Chinese studies.
He once served as an associate professor and professor of Beijing Normal University, a standing committee member of the National Committee of the Chinese Political Consultative Conference, a chairman of the State Cultural Relics Appraisal Committee, the director of the Central Research Museum of Literature and History, a doctoral supervisor, an advisor to the Jiusan Society, an honorary chairman of the Chinese Calligraphers Association, the founding chairman of the World Federation of Chinese Calligraphers and Painters, an advisor to the Buddhist Association of China, the Palace Museum and the National Museum, and the president of the Xiling Printing Society.
Mr. Qi Gong's self-preserved calligraphy and painting works are rich and diverse in form, and the basic works and publications are in 17 important publications such as "The Complete Collection of Qi Gong", "The Collection of Qi Gong Calligraphy and Painting", "Yi Pen Relics - Qi Gong Calligraphy and Painting Collection", "Qi Gong Rhymes", etc., many of which are the orphan works created by Mr. Qi Gong, such as the twelve screens of self-composed poems, the twenty-one words for Meifeng Guangxiao Temple, the inscription volume of Qingyi River in Huangting of the Song Dynasty, and the twelve screens of ancient poetry, which are extremely precious.
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Enlightenment
Xingshu Self-composed poem twelve screens
1986 manuscript
12 boxes on paper
45×68.5 cm (each)
Partial Publications:
1. The Complete Works of Qi Gong, Vol. 15, Beijing Normal University Press, 2009, P96.
2. The Complete Works of Qi Gong (Revised Edition), Vol. 15, Beijing Normal University Press, 2012, P93.
3. Beijing Academy of Painting, ed., Yibi Relics - Collection of Qigong Calligraphy and Painting, Guangxi Fine Arts Publishing House, 2015, P69.
4. "2017 Qigong Calligraphy and Painting Calendar", February 23, Beijing Normal University Press, 2016.
5. "QiGong Calligraphy and Painting Collection", Beijing Normal University Press, 2020, P194.
6. "Qi Gong Pan Zhulan Calligraphy and Painting Collection", Jiangxi Fine Arts Publishing House, 2013, P17.
Partial Bibliography:
1. Qi Gong Rhymes, Beijing Normal University Press, 1989, P68.
2. "Qi Gong Series Manuscript" Poetry Volume, Zhonghua Bookstore, 1999, P93.
3. "Collection of Qi Gong Rhymes", Beijing Normal University Press, 2004, P95.
4. The Complete Works of Qi Gong, Vol. 6, Beijing Normal University Press, 2009, P70.
5. The Complete Works of Qi Gong (Revised Edition), Vol. 6, Beijing Normal University Press, 2012, P70.
exhibit:
Yibi Relics - Retrospective Exhibition of Qi Gong Art, Beijing Academy of Fine Arts, June 30, 2015 - July 13, 2015.
This piece was created by Mr. Qi Gong in 1986, which is the golden age of Mr. Qi Gong's creation, and it is also the only set of self-composed poems and twelve screens passed down by Qi Gong, which can be called a unique product and precious. Photographs and videos of the work were left at the time of the exhibition at the Beijing Academy of Fine Arts in 2015, both of which are images of the work, and the videos are recorded during media playback.
Xingshu wrote twenty-one words for Meifeng Guangxiao Temple
1985 manuscript
2 boxes on paper
24.5×377.5 cm (each)
This twenty-one words of writing is related to Qi Gong for the Great Compassion Hall of Meifeng Guangxiao Temple in Putian City, Fujian Province, and was written in 1985. Mr. Qi Gong is extremely serious in his creative attitude and has written many paintings. In his lifetime, he was a famous Buddhist book association, which should be the longest word association written by Mr. Li and passed down to the world.
Meifeng Guangxiao Temple, referred to as Meifeng Temple, Guangxiao Temple, was founded in the Song Dynasty, is located in Chengxiang District, Putian City, Fujian Province, Shengli North Street, because of its long history, deep influence, grand scale since ancient times included in one of the four jungles in Putian, known as one of the birthplaces of Buddhism in Fujian, is the first batch of national key monasteries approved by the State Council.
Lin song Huang Tingjian Qingyi River inscription volume
Written in the 1980s
1 roll on paper
894×28.5 cm
Description:
1. "Qi Gong Yu Yu", Beijing Normal University Press, 1999, P31.
2. Poetry Volume of Qi Gong Series, Zhonghua Bookstore, 1999, P255.
3. "Qi Gong Rhyme Collection", Beijing Normal University Press, 2004, P269.
4. The Complete Works of Qi Gong, Vol. 6, Beijing Normal University Press, 2009, P207.
5. The Complete Works of Qi Gong (Revised Edition), Vol. 6, Beijing Normal University Press, 2012, P207.
Song Huangtingjian's Qingyi River inscription volume was written by the valley when he exiled Rongzhou, and it is the largest character in his inkblot. The Huang family took a boat up the Tsing Yi River, staying with Liao Zhiping, a close friend of Niukouzhuang, on the way. The Liao family feasted on the Huang family, and when the guest of honor was interested, the Huang family wrote a poem about his trip and the invitation he received from the Liao family. This scroll was divided into two by posterity, the former poem volume, the later large character inscription circulated, that is, the title of the Tsing Yi River, now the National Museum of Tibet. Mr. Qi Gong likes to write in the valley, and has been through several kinds, one of which is one. After this book, Mr. Shu wrote his own poem and wrote it for the title.
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Twelve screens of ancient poems
Written in the 1990s
32.7×133.5 cm (each)
This five-character ancient poem has been seen in the Book of Qingwang Youdun, the third sentence is "Listening to the noise of birds in the deep forest", the fourth sentence is "Qu Sill Guan Yu Yue", and the two sentences written by Mr. Qi Gong are mutually tuned. This five-word ancient poem rhymes with a flat voice, that is, the last word of an even number of sentences is in the same rhyme foot, which is: year, noise, speech, reference, inter, and also, which shows the depth of Mr. QiGong's learning.
Xingshu Since the Lanting assembly, it is the first two songs to stay in the ten first choices
1 box on paper
52.5×48.5 cm
publication:
1. The Complete Works of Qi Gong, Vol. 16, Beijing Normal University Press, 2009, P234.
2. "A Hundred Years of Qigong Calligraphy and Painting Yixing", Beijing Normal University Press, 2013, P78.
1. Qi Gong Rhymes, Beijing Normal University Press, 1989, P122.
2. "Qi Gong Series Manuscript" Poetry Volume, Zhonghua Bookstore, 1999, P145.
3. "Collection of Qi Gong Rhymes", Beijing Normal University Press, 2004, P155.
4. The Complete Works of Qi Gong, Vol. 6, Beijing Normal University Press, 2009, pp. 119, 120.
5. The Complete Works of Qi Gong (Revised Edition), Vol. 6, Beijing Normal University Press, 2012, pp. 119, 120.
Book of Conduct "Meditation"
58×48 cm
1. The Complete Works of Qi Gong, Vol. 15, Beijing Normal University Press, 2009, P314.
2. The Complete Works of Qi Gong (Revised Edition), Vol. 15, Beijing Normal University Press, 2012, P296.
3. "A Hundred Years of Qigong Calligraphy and Painting Yixing", Beijing Normal University Press, 2013, P172.
Mr. Qi Gong made a commentary on meditation, expounding the difference between meditation and meditation, which is very Zen.
Xingshu Self-titled Leifeng Pagoda Sutra fragments
68.5×137 cm
1. Qi Gong Rhymes, Beijing Normal University Press, 1989, P99.
2. "Qi Gong Series Manuscript" Poetry Volume, Zhonghua Bookstore, 1999, P122.
3. "Collection of Qi Gong Rhymes", Beijing Normal University Press, 2004, P130.
4. The Complete Works of Qi Gong, Vol. 6, Beijing Normal University Press, 2009, P99.
5. The Complete Works of Qi Gong (Revised Edition), Vol. 6, Beijing Normal University Press, 2012, P99.
The original poem of this work was inscribed by Mr. Qi Gong in the 1980s for Gu Mu's collection of the Leifeng Pagoda of wuyue kingdom.
Book of Tang Zhangxu", "Peach Blossom Creek"
45.5×69 cm
1. The Complete Works of Qi Gong, Vol. 15, Beijing Normal University Press, 2009, P133.
2. The Complete Works of Qi Gong (Revised Edition), Vol. 15, Beijing Normal University Press, 2012, P129.
3. "Qi Gong Lectures on Calligraphy", Beijing Normal University Press, 2016, P230.
4. "Qi Gong Calligraphy and Painting Collection", Beijing Normal University Press, 2020, P203.
Cursive "Drizzle Wet Streamer"
34.3×66 cm
"Drizzle wet streamer" is a phrase from the five generations of Feng Yanmi's "Nanxiangzi". This work Mr. Qi Gong is written in Tang Huaisu cursive calligraphy, the pen is thin, flying naturally, if the rain whirlwind, it is always changing.
Xingshu Jinren asked Anyu
1 sheet of paper
100×24 cm
"When the snow is clear, the good thoughts are safe" is said from the book of the Jin Wang Xi, "Qing Ti when the snow is fast", which is a saying for the Jin people to ask for peace. This is sprinkled with gold wax on both sides, and Mr. Qi Gong writes on both sides of the paper, which is extremely chic.
Book of Travels "Rain Hut"
1983 manuscript
36×67.5 cm
1. The Complete Works of Qi Gong, Vol. 15, Beijing Normal University Press, 2009, P39.
2. The Complete Works of Qi Gong (Revised Edition), Vol. 15, Beijing Normal University Press, 2012, P36.
Xingshu Excerpt from Jin Wang Xizhi's "Preface to the Orchid Pavilion"
1981 manuscript
52.5×105.5 cm
1. The Complete Works of Qi Gong, Vol. 17, Beijing Normal University Press, 2011, P65.
2. The Complete Works of Qi Gong (Revised Edition), Vol. 17, Beijing Normal University Press, 2012, P63.
This function is written on Koryo paper, and there is an inscription of Jia Zhen (Yuchen) in the upper paragraph. Jia Zhen was the confidential secretary of Comrade Chen Yun, the director of the Secretariat of the Organization Department of the CPC Central Committee, the director of the General Office of the Personnel Department of the State Council, the secretary of the Party Committee of Tianjin University, and the vice president of the Central Senior Party School. In 1977, he became the Secretary of the Party Committee of Beijing Normal University and an advisor to Beijing Normal University.
Book "I'm drunk and sleepy"
30.5×34.5 cm
1. The Complete Works of Qi Gong, Vol. 15, Beijing Normal University Press, 2009, P305.
2. The Complete Works of Qi Gong (Revised Edition), Vol. 15, Beijing Normal University Press, 2012, p293.
3. "Qi Gong Calligraphy and Painting Collection", Beijing Normal University Press, 2020, P443.
4. "A Hundred Years of Qigong Calligraphy and Painting Yixing", Beijing Normal University Press, 2013, P130.
flower
Picture book of 1947
129×30 cm
Publication: Mr. Qi Gong's Old Collection of Self-Facsimiles, Beijing Normal University Press, 2021. (Forthcoming)
Calligraphy and painting into a fan
Wrote picture books in the 1990s
52×19 cm
1. The Complete Works of Qi Gong, Vol. 12, Beijing Normal University Press, 2009, P302-303 (Zhu Lan).
2. The Complete Works of Qi Gong (Revised Edition), Vol. 12, Beijing Normal University Press, 2012, P306-307 (Zhu Lan).
3. "Qi Gong Pan Zhulan Calligraphy and Painting Collection", Jiangxi Fine Arts Publishing House, 2013, P91.
1. Qi Gong Shu Yu, Beijing Normal University Press, 1994, pp. 16, 26, 27.
2. "Qi Gong Series Manuscript" Poetry Volume, Zhonghua Bookstore, 1999, P179, 186, 187.
3. "Qi Gong Rhyme Collection", Beijing Normal University Press, 2004, P188, 196.
4. The Complete Works of Qi Gong, Vol. 6, Beijing Normal University Press, 2009, pp. 142, 147.
5. The Complete Works of Qi Gong (Revised Edition), Vol. 6, Beijing Normal University Press, 2012, pp. 142, 147.
In modern times, famous artists have donated 30 pieces of Mr. Qigong's fans, and the gifts are all Mr. Chen Yuan, Wu Jingting, Zhang Boying, Xu Shixue, Wu Guangyu, Shao Zhang, Yu Pingbo, Hui Xiaotong, Hu Peiheng, Han Xinshou, Ma Jin, Shou Magong, Pu Ling, Pu Song window, Wang Rong, etc., all of which are the pillars of the calligraphy and painting industry in the Republic of China period. Mr. Rong Treasured the Fan noodles so much that he specially entrusted Rong Baozhai to frame them on fine ribbed rice paper. It can be said that the calligraphers and painters of the Republic of China, represented by Mr. Qi Gong, should be forever in the long river of art.
Chen Yuan, Yu Jiaxi
The law book is fanned
1946 manuscript
51.5×17 cm
This Fan Chen Yuanshu is used as a note, and the book is recorded in the "Book of The Ancestral Hall of Xu Zizi in Nanfeng". Yu Jiaxi's book is an old poem, Yu Jiaxi and Qi Gong met at Fu Jen University, Mr. Yu is the head of the Department of Chinese Literature of Fu Jen University, and his profound bibliography has a great influence on Mr. Qi Gong. Chen Yuan and Yu Jiaxi have made outstanding achievements in traditional Chinese studies, and they have written books together.
Yu Pingbo and Hui Xiaotong
In 1954, he wrote a picture book
1 handle on paper
Publication: Chronicle of the Songfeng Painting Society, Beijing Normal University Press, 2018, p417.
In 1953, the People's Literature Publishing House sorted out and published the classical novel "Dream of the Red Chamber" (Cheng Yiben), Yu Pingbo recommended Qi Gong as an annotation, Mr. Yu said: "The annotation of "Dream of the Red Chamber" must be Yuanbai. "Because Qi Gong was familiar with Manchu customs and etiquette, it was more accurate and concise than the notes in later generations, and it was the best annotation of red studies." Hui Xiaotong and Qi Gong joined the Songfeng Painting Society and the Beijing Chinese Painting Research Association during the Republic of China period, and after liberation, the two worked together as painters at the Beijing Chinese Painting Academy, so they cooperated in many works. This piece is a fan, and the fan nails are inlaid with bird-shaped patterns, which is simple and exquisite.