[Exhibit Appreciation]
The "Road of Inheritance" Qing Dynasty Ceramic Ornament Art Exhibition is one of the important exhibitions in the exhibition section of the "China Today" Art Week, the first online exhibition of Qing Dynasty ceramic art jointly sponsored by the China Federation of Literature and Literature and the China Foreign Language Bureau, and the first national exhibition completed since Jingdezhen became a national ceramic culture inheritance and innovation pilot zone. The exhibition is based on the adherence to and display of traditional Chinese culture, and the concept of inheritance and promotion is a public welfare ancient ceramics online exhibition planned and designed.
The exhibition aims to take the Chinese and Western Maritime Silk Road as the axis, take the heyday of the integration of Chinese and Western trade cultures as the background of the times, sort out and display the colorful design styles, cultural themes, handicrafts and profound design connotations of Chinese Qing Dynasty ceramics, mainly to show the design style of those outstanding Qing Dynasty export ceramic ornaments in the trade process of the Sino-Western Maritime Silk Road in the 17th and 19th centuries, and to show the interaction and integration of Chinese and Western cultures in the trade process of the Maritime Silk Road. Discover and carry forward the profound cultural connotation and broad artistic charm of traditional ceramics. It is of far-reaching significance to the dissemination and popularization of Chinese ceramic culture, the construction of Chinese and foreign cultural interaction, cultural sharing, and cultural co-construction, and the rich ceramic cultural connotation of Jingdezhen, the thousand-year-old porcelain capital, and the international style of the new era. In addition to the attention of relevant people in China, the exhibition has attracted the attention of envoys from Russia, South Korea, Argentina, Hungary, Cuba, Ukraine, Azerbaijan, Armenia and other countries in China, as well as representatives from all walks of life and media reporters.
Up to now, the data shows that the launch ceremony of the exhibition has been reported by 32 mainstream media, including 6 first-line mainstream portal media such as NetEase, Sohu, Phoenix, and China.com, and 10 well-known media in the industry. Starting from modern aesthetics, the exhibition explains the design style and cultural connotation of Chinese Qing Dynasty ceramic ornaments, explores and carries forward the cultural connotation and artistic spirit of Chinese ceramic ornaments, shows the cultural integration and interaction of the Chinese and Western Maritime Silk Roads, and inherits the spirit of the times of inclusiveness, beauty and commonality between Chinese and Western cultures. Cultivate people to use modern artistic vision, aesthetic concepts and humanistic feelings to learn and feel the design method, craft characteristics and cultural connotation of traditional ceramics, cultivate the Chinese people's awe and love for traditional national culture, show the international style of Chinese culture, and show the wisdom and creation of ancient sages to the public, but also convey To the world China's attitude and belief in the inheritance of traditional culture in the new era. While letting modern design art deeply take root in the soil of traditional Chinese culture, it will pass on the torch and bloom the cultural light that belongs to this beautiful new era.
Qing Kangxi blue and white floral pattern plate
Qing Kangxi blue and white floral pattern plate
1-Qing Kangxi Blue and white floral pattern plate
Craft category: underglaze color (blue and white)
Exhibit varieties: decorative porcelain
Collection size: Diameter 27cm Foot diameter 15cm
Collection unit: Jingdezhen New Youth Hutian Porcelain Society
Collection Description:
This is a classic work of Kangxi Jingdezhen kiln blue flowers, flower mouth, folding edge, shallow abdomen, painting to the theme of "twelve flower letters", "twelve flower letters" is also called "twelve flower trade winds", the so-called flower trade winds, is corresponding to the flowers that bloom during different solar terms, because it is the wind that should come from the flowering period, so it is also called trade winds. Floral patterns are the most common ornamental motifs on ceramics, starting from the Sui and Tang dynasties to reaching their peak in Jingdezhen kilns in the three dynasties of the Yuan, Ming and Qing dynasties. It is often presented in different kinds of ceramic ornaments through tangled branches, folded branches, overwiged branches, suitable patterns, and brush sketches. The hair color of this work is green and clear, and the blue and white color classes are clear, and the thickness and lightness are suitable. The overall disc surface adopts a full form of layered composition design, from the edge of the disc to the center of the disc divided into seven layers of decorative ornaments, forming a "side decoration - open light" interval design composition, with a sense of rhythm and rhythm of the design. Elegant and pleasing blue and white combined with warm and delicate glaze, December flowers form a clever continuous pattern design, elegant and elegant, both traditional ornamental design connotations, but also contemporary aesthetic craftsmen, perfectly presenting the design wisdom and elegant aesthetics of traditional blue and white.
Contributor: Chen Zhang / Curator
Local detail map
2-Qing Kangxi Blue and White Flower Pattern Plate (Part 1)
3-Qing Kangxi Blue and White Flower Pattern Plate (Part 2)
4-Qing Kangxi Blue and white floral pattern plate (bottom)
Qing Kangxi blue and white character pattern plate
Qing Kangxi blue and white character pattern plate
1- Qing Kangxi Blue and white character pattern plate
Collection size: diameter 24 cm foot diameter 13 cm
Collection unit: Jingdezhen Qing Art Museum
Blue and white porcelain from the Yuan Dynasty Jingdezhen kiln to the present, after more than 700 years, because of its unique artistic charm, stable craft shape, elegant and pleasing hair color characteristics, colorful theme forms, has become a classic of each era, enduring. The Qing "Tao Ya" said: "Although Kang Qing is not as beautiful as Ming Qing, he can also walk alone in this dynasty", Kangxi Qinghua, whether it is an official kiln or a folk kiln, has always led the development and aesthetic fashion of blue and white porcelain in the Qing Dynasty for more than three hundred years. Taking this disk as an example, the disc is painted along the edges with geometric patterns and symmetrical layout of four groups of ruyi-shaped open light, and the single folded branches and floral ornaments are painted inside, which is uniform and neat as a whole, and is very beautiful in decorative design. Pan Xin is the main painting, painting the courtyard lady ornament, blue and white hair color, elegant human posture, vivid charm, between a smile, as if immersed in the scene. The six-character calligraphy section of the "Daming Chenghua Year System" at the bottom of the plate was a "sustenance money" that was more common in the kilns of officials and people in the Kangxi period.
Written by: Lv Ziqing / PhD candidate of East China Normal University
2-Qing Kangxi Blue and White Character Pattern Plate (Part 1)
3-Qing Kangxi Blue and White Character Pattern Plate (Part 2)
4-Qing Kangxi Blue and White Character Pattern Plate (Part 3)
5-Qing Kangxi Blue and White Character Pattern Plate (Bottom)
Qing Kangxi Blue and white phoenix pattern cup and dish combination
Qing Kangxi Blue and white phoenix pattern cup and dish combination
1-Qing Kangxi Blue and White Phoenix Cup and Saucer Combination (Main Picture)
Exhibit category: cup and dish combination
Collection size: (cup) caliber 7.2cm foot diameter 3.3cm height 4cm (disc) diameter 12cm foot diameter 6.5cm
Kangxi Qinghua is the most distinctive ceramic variety in the Qing Dynasty blue and white porcelain, characterized by its elegant and rich hair color, clear layers, vigorous brushwork and rich and diverse themes. This cup and dish combination, the original original, painting the "five phoenix" pattern, the phoenix is the king of the birds, is an important totem of the Chinese nation, there is a phoenix to yi, is the auspicious omen. From the perspective of design composition, the phoenix design on the cup and plate echoes each other, some flying, some looking forward, the ornament corresponds to each other, and the central circular small open light painting group phoenix, focusing on the theme of the ornament, plays the role of finishing touch. Those Jingdezhen painters who have never left their names use skillful and elegant brushwork to perfectly interpret the elegant beauty of "Kangqing Five Colors", which is very rich in the design of the blue and white decoration of the early Qing Dynasty folk kilns and aesthetic tastes.
2-Qing Kangxi Blue and White Phoenix Cup and Saucer Combination (Plate)
3-Qing Kangxi Blue and White Phoenix Cup and Saucer Combination (Plate Trim Phoenix Detail 1)
4-Qing Kangxi Blue and White Phoenix Cup and Saucer Combination (Phoenix Pattern Detail in the Center of the Plate)
5-Qing Kangxi Blue and White Phoenix Cup and Saucer Combination (Bottom of Plate)
6-Qing Kangxi Blue and white phoenix cup
7-Qing Kangxi Blue and white phoenix cup
8-Qing Kangxi Blue and White Phoenix Cup (Bottom)
Kangxi Blue and White Crane Pattern Cup and Plate Combination
Kangxi Blue and White Crane Pattern Cup and Plate Combination
1-Qing Kangxi Blue and White Crane Cup and Saucer Combination (Main View)
Kangxi Qinghua is the most distinctive ceramic variety in the Qing Dynasty blue and white porcelain, characterized by its elegant and rich hair color, clear layers, vigorous brushwork and rich themes. This cup and dish is a typical blue and white vessel of the Kangxi Jingdezhen kiln, and the cups and plates are painted with the "Five Cranes" pattern, also known as the "Yipin Dangchao" figure. From the perspective of design composition, the crane pattern design on the cup and plate is symmetrical and orderly, echoing each other, some flying, some looking forward, the central circle open light inside the theme of the theme ornament "Yipin Dangchao" figure, the crane stands on the rock, the red sun is empty, the tide is rolling, implying a product dangchao, hong luck dangtou, Shoushan Fuhai. The crane is the leader of the feather tribe and is known as the "one bird" In the traditional bird culture of the mainland, the crane is an auspicious bird "under one person, above ten thousand people", and its status is second only to that of "phoenix", which is a metaphor for the extreme of people's subjects. "Tide" and "Chao" are harmonious, and the crane stands on the rock when the tide is tide, which means "a pin when the dynasty", indicating that the official position is extremely high, and the longevity is rich. Crane ornamentation is accompanied by the growth of traditional culture, is an important totem of the Chinese nation, those Jingdezhen painters who have not left their names, with skillful and elegant brushwork, perfectly interpret the ancients' expectations and pursuit of good and auspicious.
Written by: Chen Zhang/Curator
2-Qing Kangxi Blue and White Crane Pattern Cup and Saucer Combination (Plate)
3-Qing Kangxi Blue and White Crane Pattern Cup and Dish Combination (Center Part of Plate)
4-Qing Kangxi Blue and White Crane Pattern Cup and Saucer Combination (Plate Trim)
5-Qing Kangxi Blue and White Crane Pattern Cup and Saucer Combination (Bottom of Plate)
6-Qing Kangxi Blue and White Crane Pattern Cup and Saucer Combination (Cup Part 1)
7-Qing Kangxi Blue and White Crane Pattern Cup and Saucer Combination (Cup Part 3)
8-Qing Kangxi Blue and White Crane Pattern Cup and Saucer Combination (Bottom of Cup)
Qing Kangxi Blue and White Landscape Pattern Cup and Dish Combination
Qing Kangxi Blue and White Landscape Pattern Cup and Dish Combination
1-Qing Kangxi Blue and White Landscape Pattern Cup and Dish Combination (Main View)
Exhibit varieties: daily porcelain cup and dish combination
Collection size: (cup) caliber 7cm foot diameter 3cm height 3 .6cm (disc) diameter 12cm foot diameter 6cm
Kangxi Qinghua is the best of the Qing Dynasty, characterized by its elegant and rich hair color, clear layers, vigorous brushwork, and rich and diverse themes. This cup and dish combination, the original original, the cup and plate are all painted with the same picture of the Jiangnan landscape pattern. In terms of painting style, the work takes the composition law of traditional Chinese painting, and perfectly presents the artistic relationship between "gaoyuan", "far-reaching" and "pingyuan" of traditional Chinese painting in a limited space. With porcelain as paper, counting white as black, distant mountains and close-up views, pavilions and pavilions, characters fairy wind dao bones, riverside overlooks, a leisurely, transcendent blue and white Jiangnan small scenery jumps on the porcelain. Porcelain has square inches, painting has no heaven and earth, and what is pinned between the square inches is the beauty of the artistic conception of infinite heaven and earth.
2-Qing Kangxi Blue and White Landscape Pattern Cup and Dish Combination (Plate 1 Front View)
3-Qing Kangxi Blue and White Landscape Pattern Cup and Saucer Combination (Plate 1 Bottom View)
4-Qing Kangxi Blue and White Landscape Pattern Cup and Dish Combination (Plate 2 Front View)
5-Qing Kangxi Blue and White Landscape Pattern Cup and Dish Combination (Plate 2 Bottom View)
6-Qing Kangxi Blue and White Landscape Pattern Cup and Saucer Combination (Cup 1 Side View 1)
7-Qing Kangxi Blue and White Landscape Pattern Cup and Saucer Combination (Cup 1 Side View 2)
8-Qing Kangxi Blue and White Landscape Pattern Cup and Dish Combination (Cup 1 Top View)
9-Qing Kangxi Blue and White Landscape Pattern Cup and Dish Combination (Cup 2 Side View 1)
10-Qing Kangxi Blue and White Landscape Pattern Cup and Saucer Combination (Cup 2 Side View 2)
11-Qing Kangxi Blue and White Landscape Pattern Cup and Saucer Combination (Cup 2 Top View)
12-Qing Kangxi Blue and White Landscape Pattern Cup and Saucer Combination (Cup 2 Bottom View)
Source: Hutian Porcelain Society
Source: Jingdezhen release