In the history of the development of poetry, Wei Zhuang and Wen Tingjun are the representative figures of the "Huajian School", and are collectively known as "Wen Wei". Wen Tingjun is more than twenty years older than Wei Zhuang, and naturally he is a senior, but in the matter of dealing with love, he does not have Wei Zhuang's deep affection and persistence.
Wen Tingjun spent his life running for his career, entering the words as a woman, but just making a few complaints, sometimes with some real feelings, but compared with his junior lyricist Wei Zhuang, it really does not need to be mentioned. Wei Zhuang's love, I thought was a unique scenery in the world, and even in terms of expression techniques, it had surpassed Li Yu, the lord of the Southern Tang Dynasty.
Let's start with the first encounter. There are many words for writing about encounters, "remember the first sight of the little apple", "remember the green luo skirt", "the cave room remembers the first encounter", these works are naturally beautiful. But everything starts with "remembering the year spent".
I remember that year when I spent it, late at night, when I first met Xie Niang.
The west side of the water hall is painted with a curtain hanging down, hand in hand with the dark phase period.
Sorrow for the warbler remnants of the moon, parting, since then soundproof dust.
Nowadays, they are strangers, and there is no reason to see each other.
- "The Lotus Leaf Cup"
I remember that year under the flowers, late at night, I met Xie Niang for the first time. The identity of this Xie Niang is consistent with the images of Liu Yong and Yan Jidao. Infatuation, euphemism, and affection, so there is a tragic ending in the back.
After the dawn parted, there was no more news of her, and all the beauty stayed last night. Huang Jingren said: "It seems that this star is not last night, for whom the wind is shining in the middle of the night!" Wei Zhuang and Xie Niang would naturally stand for each other for a long night, but after separating the two places, they would never have the opportunity to see each other again.
This poem was written after the fall of Chang'an, when Wei Zhuang wandered around Jiangnan in order to take refuge. Many of his love words were also written during this period, both to write about love and to expose the culprits of destroying love - war. Writing about the war is not through the environment, but to grasp people's inner performance, which shows that Wei Zhuang is a person with heavy feelings. He wrote in the Bodhisattva Man:
Everyone says that Jiangnan is good, and tourists only meet Jiangnan old.
Spring water is blue in the sky, painting boats to listen to rain sleep.
The people on the edge are like the moon, and the frost and snow are condensed on the wrists.
If you do not return to your hometown, you must cut off your intestines when you return to your hometown.
Everyone says that Gangnam is very good, picturesque, wind and things, and moving style. The water was turquoise, slightly better than the sky. On the painting boat, listen to the oblique wind and drizzle, and gently fall asleep. I have to say that these two sentences are simply the stroke of God, condensing the style and elegance of the whole Jiangnan into one.
Then, he wrote about human feelings. Here are allusions to Sima Xiangru and Wenjun. It means that this girl who sells wine in Jiangnan Water Town looks like Wenjun and has a water spirit, and her arms are as white and tender as frost and snow. However, the whole song writes Jiangnan so well that it has even surpassed Bai Juyi's "Remembering Jiangnan", but the end expresses a desolate feeling - before returning to his hometown, he must cut off his intestines.
Jiangnan is absolutely beautiful, but in the end, I hope that I can return to the north one day, which is the hope of every wanderer in a foreign land. But when you return to your hometown, seeing that ruined side will only make people more gut-wrenching. Therefore, in the contrast between one south and one north, one good and one bad, Wei Zhuang's patriotic feelings were revealed. And the positive depiction of war is all in his "Qin Women's Yin".
Wei Zhuang is a person who likes to talk about love, and he is also the infatuated langjun of a certain woman. His most classic is still two "Female Crowns". First Cloud:
April 17th, it was last year today, when the Emperor was gone.
Bear the tears and lower your face, and half raise your eyebrows.
I don't know that my soul is broken, and there are dreams in the air.
Except for the moon, no one knows.
April 17 is not a landmark day today. What Wei Zhuang was referring to was definitely the seventeenth day of the fourth month of the lunar calendar. At that time, it was already summer, and it was a good time when the temperature was more suitable.
This day, which is no different for others, has a very important commemorative significance for him. Because last year today was the day he separated from the girl. Who is this "Jun"? In general, it is more likely to refer to a wife. Li Shangyin's "Junqing return date is not yet overdue", is not it from his wife's concern?
Therefore, Wei Zhuang's "Jun" is likely to also refer to his wife, because other red and pink confidants are already "seeing each other for no reason". The only one who misses him and has the opportunity to say goodbye must be his own wife.
When they parted, they held back tears and pretended to bow their heads, not to let their husband see her brow tightened. "I don't know that my soul is broken, but I have dreams in the air." The wife's longing for her husband has reached the point where her soul has broken into a dream, even to the point that only the moon in the sky knows except me and you.
"Mingyue does not know how to leave hatred and suffering", but here it does the opposite, and Mingyue becomes a witness of love and thoughts. There is no use of the code, plain as words, but affectionate and gentle, directly hit people's hearts!
Look at his other song:
In the middle of last night, I dreamed clearly on the pillow. Talk a lot.
Still peach blossom noodles, frequent low willow leaf eyebrows.
Half ashamed and half happy, wanting to go and clinging to it.
Awareness is a dream, and it is not sad.
I was used to dreaming, and last night I saw my wife again in my dreams. She still has a peach blossom face and eyebrows like willow leaves. We snuggled up to each other and said lots and lots of love words. The next sentence is very magical.
"Half ashamed and half happy, want to go and cling to it." Since the two of them are talking about the relationship, why do they suddenly want to leave? Before leaving, I was shy and happy, which was a bit incompatible with the state of reality.
But soon, the author woke up and realized that everything was just a big dream, and he was still alone on the bed. Everything makes sense again. I would like to ask you, when you meet your beloved in a dream, do you also wake up with her departure? If you don't leave, you won't wake up; if you don't separate, you won't have such dreams.
Wei Zhuang's two words made me deeply realize that he had love, and the taste was mesmerizing and could not be abandoned. He is willing to support Wang Jian for love and achieve a career, why shouldn't we?
-Author-
Kong Yao. Pen name Daiko. Love life, love literature, love poetry. A pure and simple literary and artistic youth; a red fan who is difficult to extricate himself; an ethereal ancient poetry writer!