Wen Tingjun and flower faces are intertwined

【Reading verses 1968-1974】

【2022.3.22-2022.3.28】

[Wen Tingjun · Delicate Mind Wen Eight Forks] In the words between the flowers, Wen Tingjun is probably the most delicate one. Wei Zhuang was very bright, needless to say, others such as Ouyang Jiong and Zhang Bi could not write about him.

1968 Minami Gezi

Author:Wen Tingjun 【Tang】

She lowered her bun and swept her eyebrows.

All day long,

For the king haggard exhausted, a hundred flowers.

Lyrical:

Acacia or haggard, are common scenes, but if the spring is picturesque and the flowers are in full bloom, but it is partial to "Si people alone and haggard", this double sadness has to make people pay attention. A hundred flowers are a good season, why am I alone? The first four sentences are written plainly, but the last three words of "Hundred Flowers" are made up very deeply, and there is a sense of one sentence. Wen Tingjun's "River Blasphemy" also has the sentence "Cicada sideburns are beautiful and sad, a hundred flowers and herbs are festive", which is the same meaning as this work, but it is too neat, and it has a lot less power to reverse it. This method of suddenly casting cold arrows is one of the standard paradigms of "Nan Gezi".

1969 River blasphemy

The lone temple is against the cold tide, and the wind and rain in Xiling are xiaoxiao.

Xie Niang leaned on Lan Huan with pity, and tears flowed into a thousand jade baskets.

Twilight listens to si gui, and the morning plum fragrance fills the mountains.

Looking back at the two emotions, where is the soul drifting?

The lone temple is my heart, the cold tide is the love, and the wind and rain in Xiling are the hardships of life. The opening paragraph seems to be writing scenes, but in fact, it is a love affair, and it is written cleanly and concisely, which is really exemplary. Three or four sentences turn out the characters, and they are also very concise, and the three words of "Leaning On Lan Jun" write out the source of sorrow. Five or six sentences are turned with rhyme, and the emotions are also turned, and some wishes are born in the sadness. This pen is used well, and there is a magic of the iron tree flowering. Seven or eight sentences are written plainly.

1970 Jade Butterfly

The autumn wind is miserable and the travelers have not returned.

The grass outside the plug faded first, and the Jiangnan geese arrived late.

Hibiscus withers her face, and willow falls to new eyebrows.

Shaking makes people sad, and who knows about the broken intestines?

Saiwai sentence, borrowing the decline of the grass to write here about the concern for the other place, Jiangnan sentence, the goose refers to the letter, but also refers to the person, write here because of the sadness of the other place. These two sentences are not only neatly aligned, but also very well matched in meaning. The hibiscus and willow in the lower part are not only the real scenes of seasonal change, but also a metaphor for the wounds of the beauty, a pun. These four sentences are neatly written and cleverly written.

1971 Appeal to heartfelt

Warbler, flower dance.

Spring day and afternoon. The rain is faint.

Gold belt pillow, palace brocade, phoenix curtain.

Willow weak swallow flying, Yiyi.

Liaoyang has rare messages, and returns in dreams.

The beat of this kind of work is short, and there is a taste that cannot be written in five or seven words, but it can be less space to move, and it is more difficult to write well, and it is easy to write as a pile of words. Wen Tingjun's poem, from the object in front of him, wrote to the situation at this time, and then transitioned to the real space in which this body is located, is a very layered advancement, and then with Liu and Yan Rising, buried the foreshadowing, and advanced to the final Liaoyang sentence, only to shake open the baggage, and end with "dream return", which not only responds to the sadness of "rare sound", but also echoes the previous day and afternoon, pillow drapery, and there is some lingering aftertaste.

1972 Dream Gangnam

Freshen up and look at the river tower alone.

After a thousand sails, the veins of the oblique veins are leisurely.

Intestinal severance of the white apple island.

The previous sentence is still morning, and the next sentence is at dusk. "After a thousand sails, it is not, and the veins of the oblique veins are leisurely." With only these two sentences, the poet wrote about the situation of the woman sitting in a daze and waiting for a day from morning to night. It's simple and timeless. The concluding sentence is average.

1973 Lotus leaf cup

A little dew condensed, the waves, and filled the pond.

The green stems are red and colorful, and the intestines are broken. The water is cool.

A little dew is the woman's shyness; the shadow pond, it is she who looks up and sighs; the red and green chaos, it is her heart that touches, and she is sad; the water is cool, which is the aftersound of her sorrow. It seems to be pure writing scenes, but in fact, it is all about emotions, and there is also a hidden story, which is the highest way to write scenes.

1974 Bodhisattva Man

The hills overlap the golden ming extinction, and the sideburns want to burn the snow.

Lazy to draw moth eyebrows, make up and wash late.

Look at the front and back mirrors of the flowers, and the flower surfaces are mirrored.

New post embroidered grosgrain, double golden partridge.

The first two sentences write the face, three or four sentences write the dressing, five or six sentences write the flowers, seven or eight sentences write the luo, the four shots, the layers are advanced, and the writing is very orderly. Shang Yanming wrote that the beauty had a heart, and the lower one used "intersecting" and "double partridge" to imply that she was alone. The poet does not make arguments, nor does he have to discuss them, and the tortuous thoughts in this are all out. The lament of the wound is not in the form, and the means are exquisite.

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