The Chinese nation has a long history, poetry and songs have been passed down through the ages, Tang poetry has made people proud, and Song Ci has also bloomed with dazzling light. The language form of the word is staggered, which is very convenient for lyricism, and there are many works that reflect the theme of love.
In the early Tang Dynasty, the lyrics were widely used, and love words accounted for a considerable proportion. For example, Dunhuang songs have a strong folk love song color. Some talents of the late Tang Dynasty carried out inheritance and innovation on this basis, and wrote many excellent chapters. The following is an introduction to two famous poems of the Tang Dynasty, which are exquisitely conceived and very successful in character building.
Bodhisattva Man made a thousand wishes in front of the pillow
Tang Dynasty: Anon
The pillow made a thousand wishes, to rest and wait for the green mountains to rot.
The scales on the water surface floated until the Yellow River completely dried up.
The day is shining, and the Big Dipper is back to the south.
Hugh is not able to take a break, and to wait for three more to see the sun.
Created in the early Tang Dynasty, this poem not only originated from the folk, but also the language is easy to use, and the author lists a series of impossible things to express the unswerving love of his love, and also reflects the healthy and simple thoughts and feelings of the working people.
The opening chapter is straight to the chest, the heroine is tossing and turning, she lies on her side on the pillow, her heart is full of thoughts, both missing her lover and worrying about being abandoned for no reason. In order to strengthen the confidence of the other party, she herself first swore to heaven.
The heroine first stated three situations: the green mountains began to rot, the scales floated on the water, and the Yellow River was completely depleted. Qingshan, Weighing, and the Yellow River are all things that people are very familiar with, and everyone knows that these situations cannot happen, but they reflect the heroine's attachment to beautiful love.
The next oath is turned to the air, samson, referring to the star and the star, located in the west and the east, respectively, do not see each other, isolated from each other, the two stars appear at the same time during the day, which is a completely impossible thing to happen. The Big Dipper cannot be reversed at will, and the north and south will not be replaced by each other.
Although the ancient people did not have advanced scientific instruments, they already had a certain amount of astronomical common sense, so these examples are also familiar, so they are very convincing. The last two sentences are sonorous and powerful, through the above series of metaphors, the heroine said categorically, I will never change my heart, unless I see white hair on three days. It was another powerful oath that demonstrated her strong resolve. The whole text is full of affection and exquisitely conceived, which is worthy of appreciation.
Bodhisattva Man Hill overlaps Jin Ming extinction
Tang Dynasty: Wen Tingjun
The hills overlap the golden ming extinction, and the sideburns want to burn the snow.
Lazy to draw moth eyebrows, make up and wash late.
Look at the front and back mirrors of the flowers, and the flower surfaces are mirrored.
New post embroidered grosgrain, double golden partridge.
Wen Tingjun, a talented son at the end of the Tang Dynasty, used words to write about women, from their posture and style, to lovesickness and resentment, the words were gorgeous, and they were called soft perfumes by later generations. Wen zi has a great influence on the style of words of later generations, which can be seen in this bodhisattva man.
The first sentence describes the scenery on the screen in the embroidery room, overlapping the winding hills and sparkling water. The second sentence shows the heroine's fluffy sideburns, scattered on the face as white as snow. The third sentence reveals her state of life, the word "lazy, late", and lyrically describes her lazy posture after getting up.
The author does not explain why the heroine seems lazy, but the reader can imagine that she must be extremely frustrated. Maybe it's because of the loss of a loved one, maybe it's because he was abandoned by his lover, maybe it's because his husband hasn't returned for many years, and his heart is empty, as if he has lost his soul.
However, the woman is still not assured of her appearance, although she is lazy in grooming, but she is afraid of youth, so she unconsciously comes to the mirror. The front mirror is facing the rear mirror, and inside and outside the mirror are the beautiful shadows of the Yi people.
The woman's dress was also not vulgar, "Luo" was Ayara's short coat; "Golden Partridge", referring to the bird pattern embroidered with Luo. The word "double" is used in the word, reflecting her loneliness. "Partridge" is the name of the dance song, and the singers at that time often embroidered partridge patterns on their dance clothes, so the end of the word finally revealed that this beautiful woman was actually a prostitute.
Wen Tingjun is a very talented writer, he is good at depicting the demeanor of a young woman with a vein of affection, even if it is a white brush stroke, it is quite emotional, far better than those deliberately carved words.
Because Tang Xuanzong loved to listen to the music of "Bodhisattva Man", he asked someone to let Wen Tingjun fill in the lyrics, and then let the palace ladies sing. In order to cater to the emperor's taste, Wen Tingjun wrote so gorgeously. Wen Tingjun's bodhisattva shows the bored and depressed mood of the amorous girl from the aspects of utensils, actions, clothing and accessories, and the character shaping is very successful!