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Tool preparation:
Thunderbolt Horse 132 colors, Get Dover slim high white 190g, automatic pencil, plastic eraser, waste ballpoint refill, pencil reel
First, draw a Thunderbolt Horse 132 color card
1. Use an automatic pencil to simply draw a large outline, detail control can draw internal details, lazy cancer patients are at will, and then use a plastic eraser to reduce the line draft.
2. Most of the students have a question, "Do you want to draw dark or light first?" My answer was "look at the pen, look at the strength, look at the texture of the painting, and consider the order as appropriate." For a light-colored pen with super coverage ability, it is recommended to be dark and then light. Here I start with the largest petal of the protagonist and paint the darker dark side with the growth texture of 931 dark purple. The depth should be deep, from the dark side to the gray side should also be lightly laid a layer of color, with the oblique side of the pen smoothly lay the color, do not change the nib.
3. Then use 995 dark fuchsia to lay another layer of background color from dark to gray and outline the main pattern of the petals. The pen method is the same as the previous step, and this method of laying the color is more uniform.
4. Change the pen and use 925 crimson to draw the area of dark gray side red. Some objects have other color tendencies under specific environments and light, and the colors we can observe are expressed in a suitable way, so that the things drawn will not be very rigid.
5. After painting the cushion color, then we use 994 magenta to draw a large area of inherent color, still use the oblique side of the nib to lay the color, pay attention to the change of strength, the color of the place where the thick should dare to write, afraid of a bad stroke of the students can try to stack the color many times, stacked to the needed saturation.
6. Observe the bright area of the previous step, and then look at the blank area paper, compared to whether it is found that the bright area color is somewhat single, then we use 934 lilac to lay the color again along the petal pattern, rich bright gray surface to bright surface transition, such a petal will jump out of the paper.
7. Next, draw the lower left piece, observe that the color is dark, although it is very dark, but it is not dark enough to be black, what should I do in this situation? In fact, it is very simple, at this time we have to observe the tendency of color, with 931 dark purple to paint the entire dark side, at this time with the pen is not too hard.
8. The darkest part of the petals is outlined in the darkest part of the 1095 black purple red stack, and the deepest part can be directly transported back and forth with force.
9. Then draw the dark gray side with 1078 black cherry color, use the pen to go with the flow, not too stiff with the pen.
10. After comparing with the middle petal, the whole color in the lower left is not so bright, so use 995 dark purple red transition gray surface, while painting and comparing, in order to grasp the whole from the local.
11. The internal color of the curl is gray and purple, so it is enough to paint with a 1026 light purple through the change of strength, and finally use 994 magenta to lay another layer of bright gray surface, and the whole lower left petal is completed.
12. Next, draw the upper right piece and use 995 dark fuchsia to outline the dark side of the lines and curls. It is enough with a diagonally side nib.
13. Draw the area shown in the picture with 1096 bright green and 1005 lime green, these two colors are enough to reflect the light and shade changes of this petal.
14. Then use 1020 gray green to deepen the dark side, and 920 light green to draw the bright side, which not only enriches the color, but also strengthens the contrast between light and dark.
15. The 1026 light purple of Perak Mali contains some gray, which is more suitable for directly laying some dark areas below, and the 934 lilac lightly lays the tip of the petals, and the transition up and down is natural. The entire right side petal is completed.
16. Use 911 olive green to connect up and down, than the natural point of direct painting stems, some students like simple and rough direct transitions, and the veneers of the painting are not alive.
17. The next step is very important, do any students see the change? I pressed out a short scratch with a discarded ballpoint refill, and then used 1068 light ash to lightly lay a layer on the entire area in the picture, which would leave a burr with a change of color. Remember to use a pen to be gentle when laying color, if you are very hard, the paper surface leaves a layer of light wax and then stacked dark wax, dark color is difficult to achieve the effect of dark color.
18. 948 tan covers a large area of dark surfaces, and draws a plush texture with a rough brush tip.
19. 1090 The dark side of the algae green folded inner fossa is drawn, and the dark side of the inner fossa is drawn. 1020 celadon green stacked bright gray surface, sharpened 1068 light gray outline the surrounding slender plush.
20. 931 Dark purple superimposed on the gray surface, drawn the state of the outer circle purple after completion. Then use the 911 olive green to draw the dark side of the handle, pay attention to the control of the pen strength, and draw the color shade change.
21. 912 Grass green painting the bright gray side at the upper end of the flower handle and the dark side of the young shoots. 1098 Artichoke Green Painting Flower Handle and Branch Junction and Young Shoot Tip Dark Side, Color Transition should be natural, at this time you can use a slightly pointed brush stroke to lay a thin layer.
22. Change the pen with 940 sand yellow to paint the bright side of the young shoots, 1020 celadon green stacked young shoots dark side, 1026 swipe the tip of the young shoots. Although the sparrow is small, it has all its internal organs, and the color that should be expressed can be expressed as much as possible.
23. 1051 warm gray painted as shown in the area, 948 tan outline dark part of the gap, pay attention to the edges do not draw solid lines, to outline the plush feeling.
24. Similar to the 17th step method, first use the 1051 to lightly lay a layer of background color, and then use the discarded ballpoint refill to press out the dots, thanks to my scanner for recording this detail so clearly (good value for money).
25. 948 Tan lays a large area to pave the dark side, and after this step is drawn, the white spots are reflected.
26. 1097 Moss green deepens the junction between the stalk and the branch, and 931 dark purple color the dark gray surface of the entire branch, leaving scars.
27. 1070 light gray painting scar color, 995 dark purple red fold scar a circle. After 1026 light purple pressing bright surface particles, the whole branch is completed.
28. Minor adjustments complete.
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