Click on the "Included in Topics" category to view all.
Tip: The graphic information comes from the Internet, and the copyright belongs to the original author. The picture is not sure of the authenticity of the work, not as the basis for investment collection, only for everyone to share and learn, if the author believes that it involves infringement, please contact us, we will verify and delete it immediately.
Black-waisted plum finch
skylark
Beginners in bird painters often have fine brush strokes and strive to be complete in form, and as a result, the birds in their pen are often like specimens, similar in shape and not similar in spirit. In this regard, we must adopt some necessary methods.
First, be good at observation
Painting birds should first identify the form, grasp its different characteristics and common laws, so that it is easy to remember when observing, and helps to silently write the image when leaving. Birds are oviparous animals, their bodies are not separated from the egg shape, morphological characteristics are related to daily life (such as flying, song, food, accommodation and other different habits), and prominently manifested in the mouth and feet two parts.
Black-throated red-rumped grebe
The shape of a bird's beak is related to the type of food they eat. For example, the mouth of the millet-eating millet is short and thick and powerful, which is conducive to shelling; the mouth of the insect is flattened; the long and pointed mouth loves to eat fruits and insects; the waterfowl that is good at preying on fish, and its mouth is slender; the hook-shaped mouth, most of which are birds of prey, strong and powerful, can peck at small animals, sharp eyes, claws like iron hooks, nostrils are born on the mouth, generally have three to five pairs of hairs, the nose hairs are long and strong; peacocks and chickens have distance between feet, and the skin tissue of the feet is like scales. When you first learn bird painting, you need to grasp the most evocative moment in the movements of various birds to depict.
White-crowned grebe
Second, the composition method of the bird
First capture the dynamics of the bird on the paper, gently outline the outline of the bird with a pencil, start from the whole, start from the back of the pen, use the cloak method to draw the back from thick and light, then draw the wings and tail, then draw the chest and abdomen, and then draw the head, raw mouth, finishing touch, foot patch. When painting the part, you should pay attention to the whole and the demeanor, if the abdomen is forward, you should first draw the chest and abdomen, then draw the back wing and tail, and then draw the head, the mouth, the finishing touch, and the feet. If it is a bird, draw it from its wings, then draw its back and chest and abdomen, then draw its tail, and then draw its head, mouth, eyes, and claws.
White-crowned noisy stork
Third, the drawing method of hairy feathers and mouth claws
There are two kinds of painting methods of mao yu, white drawing and boneless point writing. White painting is to first determine the shape of the bird, use light ink to briefly outline the feather structure and overall outline, and fill the line with white powder when coloring. It should be noted that the thickness is appropriate, the white powder should not be covered with black lines, and the pen must be vivid and fluent, and avoid rigidity. All birds with white feathers can use this method. Boneless dot writing, divided into dry and moist and with white powder or powder color several ways. Dry people use burned ink to wipe the head, back, wings, tail, chest and abdomen should be light, but do not make it thin; wet people will wash the pen, the pen end ink more, pen root ink less, from the back to the tail, the second painting head and chest and abdomen, self-concentration fades, full of water. Although this is lifelike, it is easy to be bland.
The mouth claws are the most common in the picture, the mouth has open and close, the claws have retracted, and the types, lengths, and forms are different. Usually, we should pay more attention to observation and focus on practicing the different characteristics of various birds and birds.
Country weaver bird
Fourth, the eye-catching
The method of conveying the spirit lies in the dotting, and the method has a circle with a little bit, and there is a single point without a circle. Birds of prey and vultures draw more semicircles to show bravery; generally small birds use a little or a little more plus a circle. The finishing touch is in the circle or before or after, or up or down, depending on the direction of its line of sight, and should be consistent with the direction of the tip of the mouth. The ink whiskers of the finishing touch are particularly thick, otherwise they are not vivid and spiritless.
Hu Jinbird
5. Embellishments
The changing background accents are conducive to setting off the vivid appearance of the birds in the picture. The background of birds is often decorated with mountain stones, flowing water, slopes, and flowers. Painting stones generally first outline the outer outline, and then divide the stone pattern, and then dye, can also not outline, directly with ink or color dot dyeing, that is, no bone method, but with ink, color should be thick and appropriate, avoid flat, blurred piece.
Black long-tailed hummingbird
Shou belt bird
mynah
Large tail
goldcrest
Amphibious diagram
Valley Songbirds
quail
Grey Magpie
Crested finches
Ya queer
Wild
Bald bird
kingfisher
Crested ibis
Click: "Included in the topic" Next article, turn the page to read.