Jin Nong, a famous painter of the Qing Dynasty. The first of the eight monsters in Yangzhou. He was curious and studious, working on poetic calligraphy, poetry ancient and peculiar, and proficient in identification. Calligraphy creates a flat pen style, which has both a italic and a subordinate posture, and is sometimes called "lacquer book". His paintings are strangely ancient, and he makes good use of light ink dry pens for floral sketches. Painting bamboo for the first time, following the painting of horses, painting Buddha statues, painting Mei can be more original as one of the "Eight Monsters of Yangzhou".
Jinnong's "Self-Portrait" axis, on paper, ink pen
Length 131.3cm, width 59.1cm
This picture shows a self-portrait of Jin Nong, one of the eight monsters of Yangzhou, when he was 73 years old. In the painting, the old man is dressed in cloth and stands sideways with a staff, with a firm posture and a detached look. His head painting method is more realistic, with the characteristics of portraiture, thick long hair, thin hair braids, and sparkling eyes, which truly depict the characteristics of Jinnong's own stubborn and proud personality.
The physical appearance of the characters in the picture is not similar, extremely exaggerated, with a comic meaning, which is a portrait of a literati painter Yibi. The painter sketches the figure with a scorched ink thirst pen, and the lines are clumsy and simple, which is born from the "Orchid Leaf Painting" of Ma Hezhi of the Southern Song Dynasty, and together with the "lacquer book" of the inscription and poetry, it reflects the jerky and simple and unusual style.
Jinnong Red Orchid Figure Silk color
63.7×40.5 cm Collection of the Palace Museum, Beijing
This painting depicts a red orchid hanging upside down. Light ink slightly adds stone green, spills out flowing orchid leaves, and uses dry ink to outline the edges, and the pen is free. Write orchids with rouge dots, heavy colors slightly outline the ribs, and burnt ink dots jacquorella buds. The color is bright and vulgar, flexible and fresh, the penmanship is free and unrestrained, and the ancient and beautiful show reflects the author's unique and unconventional artistic perspective.
Jinnong plum blossom diagram
Collection of the Nelson-Atkins Museum of Art
Jinnong Bamboo diagram Vertical shaft, paper, ink pen
Length 112 cm, width 30.6 cm, Shanghai Museum collection.
In his self-title, the author said that the bamboo he painted "has no dashing posture and has a haggard appearance". In the painting, the bamboo leaves are obscure and sticky, like dust and thick, desolate and desolate. The thick and light ink color creates a profound artistic conception. The composition is elegant and pleasant, and the beauty is extraordinary.
Qing Jinnong Plum Blossom Chart Axis On paper, coloring, ink pen
130.2 × 28.2 cm. Collection of the Friar Museum
In the picture, take a section of the old trunk of the plum tree, through the middle of the frame, stand on top of the sky, the layout is amazing, and the branches are laid with a large pen, the small pen is hooked, the branches are densely branched, interspersed left and right, and the branches are written in light ink full of moisture, and the thick ink is dotted with moss, which shows the character of the old Mei Linghan. "The flowers are confused, like the direction of the dawn snow." At the upper end of the right side, there is the author's own inscription, which is known to be a remembrance of the love affair of Guan Yuan to Daxin Shaofu Gong Fan Dwarf Plum Scroll fifty years ago, and the paragraph is signed: "Recommend the erudite macro word Hangjun Jinnong Painting Record, when the age of seventy and five." "This is a meticulous work for the elderly Jinnong.
Jinnong Momeitu
Jinnong Red and green plum blossom figure Vertical shaft, silk color
Length 138 cm, width 65.5 cm. Collection of Shanghai Museum
This painting can be seen from the title of the painting as a masterpiece of the pink and white plum method created by Jin Nong's Yuanren Xingong and Wang Mian, which are collected in one painting. The flowers are dense and full of life. Paint dry with a large brush of light ink, thick ink dots of moss, and dense branches. Hook flower dots, dye petals with pink zhu and lead white dots, beautiful and transparent, with dark incense floating, rhyme with a sense of tranquility, and sign the "Seventy-three WengHang County Jinnong Ji". It is one of the representative works of the author in his later years.
Jinnong Ink Bamboo
Golden Farmer Wildflower Grass
Jinnong sketches
Jinnong (section) Chengzi (1756) as a landscape vertical axis
plums
Jin Nong Qianlong twenty-second year (1757) as a spring shaft
Jinnong made a double-life vertical shaft in 1756
Golden Farmer Cottage Reel Mirror Heart
Jinnong plum blossom vertical shaft