Deng Yijing's aesthetic research combines the Western aesthetic spirit with the Chinese artistic tradition.
On the one hand, he was aesthetically influenced by Winkelmann, Kant, Hegel, and Bergson, advocating new literature and art.
On the other hand, his ideas on the aesthetics of Chinese painting are extremely rich and profound, and they are a system of their own.
This book is a collection of basically all the surviving writings of the aesthetician and art historian Deng Yijing, covering his research in poetry, sculpture, drama, and calligraphy and painting. Based on modern learning, he studied traditional Chinese calligraphy and painting works, closely combined painting history and painting science, calligraphy history and calligraphy, made a philosophical study of Chinese calligraphy and painting theory, and put forward a fairly complete systematic aesthetic theory of Chinese painting and calligraphy.
directory:
Criticism of Sino-Japanese painting exhibitions
Continued review of modern Chinese and Japanese art
For the request of the Beijing music industry
The artist's dilemma
Poetry and history
The Evolution of Drama and Morality
Drama and sculpture
Guan Lin Fengmian's painting exhibition discusses the difference between Chinese and Western paintings
The art of the people
Chinese painting Lu Yan
Travelogues in Spain
Appreciation of calligraphy
Painting theory probes
Interpretation of the Six Laws
Records of Xin Wei's illness
Outline of the Southern and Northern Sects
The Development of Chinese Art (for the Dunhuang Cultural Relics Exhibition)
About Chinese Painting (1)
About Chinese Painting (2)
The relationship between painting and calligraphy
A review of The Artist's Dilemma
A brief description of the memorial exhibition of the White Mountain People
"Deng Yijing on Aesthetics and Art"
Deng Yi stinged
