The most obvious difference between the Jia family and the ministers of the central government is that they are born aristocratic like the royal family. Officials at all levels are only scholars, and the students in the world belong to the Han clan, also known as the Hanmen students. The three levels are destined to have a huge identity gap between the three parties and is difficult to cross.
Jia Zheng's protégé Fu Tried to marry his sister Fu Qiufang with a delusional dream of marrying the Jia family, which stemmed from "climbing power and attaching himself to the nobility". His "vassalage" was a genuine desire to be attached to the nobility, not just power.
Gossip is rare, since the Jia family is an aristocrat, it has the background and pursuit of nobility. The most basic embodiment of their taste culture is the name of the slaves.
The slaves of the Jia family are most familiar with the servants, and their names are elegant and customary, and they are not fixed.
For example, the flower raider is called pearl in Jia's mother's room, and when he goes to Jia Baoyu's room, he is called a raider. The older generation still has a rich atmosphere, and the younger generation is a cultural embodiment.
The same is also known as the Purple Crane, which was once called Parrot Brother and changed its name to purple crane. And Qingwen, Snow Goose and other ladies have undoubtedly changed their names. Becoming literary and brilliant because of the master is the embodiment of the progress of the Jia family.
Counting the names of the Jia family slaves, there are obvious "civilization" changes.
The first generation of slaves is called "Jiao Da", which means Jiao Boss, and has no name. Corresponding to this are Lai Da and Lai Er.
They should have names, but the habit of salutation also indicates that the original owners paid little attention to these details. When it comes, it's more casual.
Of course, Jiao Da's name is a harmonic sound of "arrogance and arrogance", mainly borrowing Jiao Da to innuendo the reason why the Jia family's arrogance and arrogance were jealous and disliked by the emperor.
Lai Da and Lai Er are between the second and third generations of slaves, one generation shorter than Jiao Da. The Jia family also respected them, and When Jia Baoyu saw Lai Da, he had to stand up and perform the ceremony of the younger generation. Of course, they themselves think that they are the same generation as Jia Baoyu. It's respectful too.
The slaves of the third generation are Wu Xindeng, Dai Liang, Qian Hua, Shan Daliang, Lai Shangrong, etc., and most of the names of these people have the meaning of foreshadowing, but they are often related to "dependence" and "conscience". It proves that these people have a disagreement with the owner of the Jia family.
Their names are interesting, and they are much more advanced than Jiao Da, Lai Da, and Lai Er.
The fourth generation of slaves is more polarized, Xing'er, Long'er, Zhao'er, Xi'er, Shou'er, is Jia Zhen, Jia Lian's small town, the name is more tacky as the master.
And the tea, roasting, hoeing, introducing springs, sweeping flowers, picking clouds, and accompanying cranes are all Jia Baoyu's small villages, and the names are all a cultural atmosphere.
Looking at the names of Jia Zhen, Jia Lian and Jia Baoyu, we know the boundary between custom and elegance.
Jia Baoyu represents the progress of civilization, he will be in charge in the future, even if the achievement is not famous, the Jia family will also enter the cultural team. And Jia Zhen and Jia Lian are tacky. Corresponding to Wang Xifeng's Ping'er and Feng'er.
However, Jia Baoyu's slaves are not only "ya" but also vulgar. For example, Si'er, in fact, is named by coincidence. And Li Gui is the son of Jia Baoyu's grandmother, Grandma Li, and the word "gui" returns to his ancestors, showing signs of entrepreneurship.
Not only that, Jia Baoyu's frequent companions also had Lady Wang's roommates, such as Wang Rong, Zhang Ruojin, Zhao Yihua, Qian Qi, Zhou Rui and others.
These people represent the pursuit of the "Wang family", basically concentrated on the auspicious meaning of "glory and wealth", but they are the same as the pursuit of Jia Zhen and Jia Lian, who were poor in the last Jia family, and they must be rich.
From the names of these slaves, two problems can be fully reflected.
First, when the Jia family reached the fourth and fifth generations, the quality of the clan was differentiated.
For example, Jia Zhen, Jia Lian and others began to pursue worldly fame and fortune such as glory and wealth.
For example, Jia Baoyu, Jia Tanchun and others pursue the longevity of culture more.
The degenerate pursuit of the concubines represented by Jia Zhen and Jia Lian is also the embodiment of the last days of the Jia family.
The second room represented by Jia Baoyu and Jia Lan radiates the genes of culture and is the foundation of future rebirth.
Second, the slaves born in the Wang family, the pursuit of glory and wealth in the name, including Wang Xifeng's companion Laiwang and Laixi, reflect the Wang family's dedication and pursuit of fame and fortune.
The Wang family rose through marriage, and Lady Wang married Jia Zheng, not only in exchange for the head of the Rongguo Mansion, but also for the position of Jingying Jiedushi passed down by the Jia family. To control the Jingying is to grasp the safety of the Jingshi.
The Jia family had always controlled Jingying before, and originally wanted to hand it over to Prince Tenghou and be controlled by the four major families in disguise. I did not want Prince Teng to "hand over" the Jingying Jiedushi envoy shortly after the new emperor ascended the throne, in exchange for the promotion of the nine provinces, and the Wang family was thus flat.
Jia Jiawan did not expect to be "betrayed" by the Wang family and lose the Beijing camp, and was no longer able to form a "balance" with the emperor, and was kicked out of the center of power.
The Wang family, like Zhen Shiyin's father-in-law Feng Su, calculated the "son-in-law" and profited from the Jia family's life and death. Their forgetting righteousness is also reflected in the names of the slaves.
Many of the names of the slaves can reflect the "pursuit" of the master. Just like Lady Wang's handmaidens Jin Jun'er and Yu Jun'er, it is to present the golden and jade marriage, as well as the diligent pursuit of wealth and nobility, and the Wang family's thinking is consistent.
And Lady Wang took away Jin Jun'er, leaving Yu Jun'er to make a concubine for Jia Baoyu, which also foreshadowed the end of Lin Daiyu's eventual departure from the Jia family and Dai's death and marriage.
Wen | Junji Yakan Red Chamber
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