"Landscape Fun"
(Fairy Garden Fun)
Text: Zhou Zheng
In ancient mainland china, not only the mountains and ponds, the pavilions and bamboos, the planting of pines, the must be superb artistic techniques, and the name of the garden, the inscription of the pavilion, but also must be rich in artistic and cultural connotations. Therefore, the garden scenery has charm and life.
The proper title can help people to travel and multiply the magic of the artistic conception; on the contrary, the title is plain and vulgar, and it is inevitable that there is a sense of scenery.
As for the pavilions and pavilions in the park and the chixi caves, if the title is just right, it is nothing less than the finishing touch, which is fascinating.
Try to read the seventeenth "Dream of the Red Chamber" "Daguanyuan Test Questions". When the Grand View Garden was completed, Jia Zheng said something: "If there is a big scenery, a number of pavilions, no word title, no willow landscape, it can never be colored." "It can be seen that the importance of the title to the landscape. Therefore, when the park is established, people of insight in the world should be invited to inject culture into the name of the park.
When I traveled through the seascape area, I was deeply touched by the culture of the scenic spot, which was related to the "standing brain" when the park was built at that time. That is to say, the eight immortals passed through the vast garden of the seascape area, at what height the culture was positioned, and what was her main line content. The site selection and design of the Eight Immortals Seaview Area is very decent and clever, she uses the natural landscape of the Penglai Sea as the background, grasps the characteristics of the Penglai Immortal culture, and builds the scenic spot on the reef in the sea, just this reef beach is also known as the Gourd Reef, and the People of Penglai also say that its place is the Eight Immortals Crossing the Sea, commonly known as the Eight Immortals Crossing the Sea, the legend of the Eight Immortals Crossing the Sea, which has become the cultural essence of the name of the Eight Immortals Seaview Area. In this way, the scenic spots of the entire scenic spot, even including a grass and a tree, a stone and a stream, are naturally connected with the eight immortals. Therefore, the scenic spot has vitality. This is where the builders of the Eight Immortals Seaview Area have a big idea and a big hand.
Reading the inscriptions of the scenic spots in the Eight Immortals Seaview Area, you will also read the yanglian of the scenic spots, which will inevitably make you think that all the beautiful landscapes are related to the people under the heavens.
Stepping into the Eight Immortals Over the Seaview Area, the first purpose of the move is the "Eight Immortals Over the Sea" stone arch inscribed by the great poet Su Dongpo of the Song Dynasty, and people who know a little history know that Su Dongpo once served as a prefect in Dengzhou. Then we can see the "Yunwai Xiandu" inscribed by the Song Dynasty scholar Mi Fu and the stone archway inscribed by Huang Tingjian. This simple and clear dozen words tell the core of the eight immortals crossing the sea view area, confirming a saying: when you come to Penglai, you are a fairy.
The inscription of "Xianyuan Lou" is beautiful, and she borrowed the inscription of Tang King Li Shimin's encounter with the mirage, leaving a paragraph for the world, and walking into the "Xianyuan Lou" to find the source of China's oriental immortal culture. Therefore, Mr. Feng Qiyong, a contemporary master of red studies, left behind "looking at the castles in the air and swimming in the sea immortal mountains", and Mr. Ouyang Zhongshi, a contemporary calligrapher, left "the purification of the discerning nature and the clear heart, and the heavenly enlightenment will be cool".
Before seeing the good scenery, read the inner gods first, and from the masters' Yang Lian, we can see the inner quality of the garden of the Eight Immortals Passing Seaview Area.
It is not easy for the title to properly express the artistic conception, the "Wangying Lou" in the Immortal Garden and the "Tianfeng Haitao" in the Liu Haisu title are of far-reaching significance, no wonder Mr. Ouyang Zhongshi left "Dengsi Lou also listens to the waves and the sea, waiting for the distant and distant to be sent to welcome", Mr. Feng Qiyong left "The mirage looks at the Xianshan Qiongge pavilion in an instant, and the green mountains and green waters can retire from old age for a hundred years", which is a kind of understanding of the poet's natural world and the avenue of life, of course, inspired by its culture in the Immortal Garden.
The most cultural color is the title of "Huixian Pavilion", a simple "Huixian Pavilion" phrase, which brings this Xiange into a broad world, which can be said to be the absolute sentence of the Eight Immortals crossing the seascape area, which is exactly in line with the taoist stories of many Huixian. After I finished swimming in the "Huixian Pavilion", I deeply felt the meaning of "Huixian". Looking up at the title of "The Gate of All Wonders", I suddenly realized, how did the author deviate from the title "Huixian Pavilion"? I don't dare to talk about it in vain, but I just realize that you can tell God about a thousand things, a thousand hardships, a thousand thoughts, a thousand sufferings, a thousand words.
Ascend to the "Huixian Pavilion", and all your troubles will be cleaned up by the "Immortal Qi", convincingly expressing the wonders of the realm.
There are also poets who borrow from the poems of predecessors, such as "Yixin Pavilion", "Liu Xiang Xuan", "Qingfeng Xie", and these pavilions and xie's Yang Lian are all set of previous people's poetry endowments, and there are some regrets in the United States.
Interesting is the inscription of the eight pavilions on the sea corridor, although they use the names of the eight immortals, they do not directly say the names of the pavilions, but use a suitable phrase, such as "Zhong Li Lian Dan", "Lü Zu Guizhen", "Guo Lao Riding a Donkey", "Iron Abduction Practice Medicine", "Xiangzi Xingyin", "CaiHe Ta Song", "Xian Gu Ji Shi", "Uncle Guo Hidden Traces", these inscriptions read the common way, the essence of the essence of the conception of the character, it contains a kind of tempering of the Eight Immortals cultivation of the Tao, which is a pattern of warning the world that "suffering is bliss". Moreover, the yanglian of each pavilion is also properly and skillfully matched, such as "Guo Lao riding a donkey" is equipped with a yanglian: "Why ride a donkey upside down, look back at everything". This joint has caused many controversies, and many people in the literary circles have commented that its association is not right and is not correct. In fact, everyone has made small mistakes. From an artistic point of view, this link is a wonderful work; from a technical point of view, this link is a long-lost Q&A link of yanglian art. Therefore, the taste, vulgar and delicious open six tricks.
A variety of inscriptions, to say that it is a strange stone in the fairy garden, many of them are jumping out of the "image of the meaning" of the title, such as "iron abduction dragon", "mother and child love" are not much related to the stone shape, but this prompt, you look at the stone, how to see the title is also appropriate.
The beauty of the eight immortals passing through the seascape area is wonderfully integrated with the combination of the landscape scenery outside the garden, and the "Eight Immortals Crossing the Sea Mouth" of Su Dongpo is profoundly titled.
A lot of fun in one visit?
One point number Zhou Zheng literature column