"Landscape Fun"
(Long Causeway Spring Willow)
Text: Zhou Zheng
In March, when the wind and the sun were warm, Wenyou Yuyue invited me to fushan jiahe to see the willows.
Strolling outside the city, looking at the green willows on the long causeway, the wild grasses, and a few sallow yellow bitter cauliflower flowers shining, the body and mind can't help but be light and romantic.
"March style strange flowers", the ancient verses seem to drift with the wind from the sky, from the depths of the years, from the willow wire, blowing across the long causeway, hitting the heart.
The poem is the Qing Dynasty poet Zhao Yi, but looking up at the distance, the style on the embankment in front of you is uncompromisingly modern, from the eye curtain into the heart.
Strolling on the embankment, the mood is poetic, elegant and scattered, not in a hurry, only because the flowers bloom on the strange, the willows on the embankment are green; the flowers are natural, simple and idyllic, the willows are the kind that is free, graceful and gentle, and neither is unworldly.
"The willows on the March embankment are green and yellow," I chanted casually. Because I was not good at poetry, I had to fill in a few ancient words, and when I saw this scene on the embankment, I was full of emotions, and I did not choose a good song card, so I hurriedly exited.
Yuyue applauded, which frightened me, and the second sentence was speechless.
The scenery on the March embankment is an artistic conception in which willows and flowers can shine in life and people can feel at ease. This artistic conception, leafy and leafy, from ancient times to modern times, does not wither and does not wilt; it is also like the flowing water in the river, year after year, flowing on the long causeway, I don't know how many princes and nobles, pink ladies, rioters, and ordinary men and women have been fascinated by ancient and modern times.
The willow on the March embankment makes people love and make people crazy, and the bones of trance people have precipitated the nature of the willow and the charm of the willow.
If there is no one who comes out of the tired life, quietly stands on the causeway and is intoxicated by the style on the embankment, then the willow green is also lonely, and the style is also pale.
Therefore, a sentence "the willow green on the embankment, but can slowly return to the cause" is my feeling of swimming in the embankment, and it is also counted as two sentences and three sentences of my words.
When people return slowly, the willow has spirituality, and it is green and persistent, and the style on the embankment is also stirred up rich and warm.
All the literati love Willow, and so do I.
Standing on the long causeway, looking at the flying willow silk, watching the scenery of the willow silk swaying with the wind and frequently playing with the water, against the ripples of the river, I can't help but whisper Liu Zongyuan's "Planting Willow Drama", "Liuzhou Willow Thorn History, Planting Willow Riverside." Talk about it as a story, and pass it into the past years. ......”
I have not been to Liuzhou, nor have I seen Liu Causeway, but isn't this long causeway of the River in front of me a willow causeway?
Liu Zongyuan, a literati in the middle of the Tang Dynasty, actively participated in the political reform movement with the ambition of reforming the maladministration in his youth. After the defeat, he was hit by one depreciation after another, and the last four years were spent in liuzhou stabbing history. After he arrived in Liuzhou, he was still worried about the country and the people, promoted the advantages and eliminated the disadvantages, developed production, established culture and education, and did a lot of good things, winning the praise and remembrance of the people. "The willows on the Liujiang River are thousands of hanging, and the zihou was self-cultivated by hand." Was this row of green willows planted by Liu Zongyuan himself? Even if it was not planted by him, it was also planted by some literati in Fukuyama under the influence of his idea of "planting willows to rule the world". Yes or no, this has become a legend that cannot be verified anywhere. In any case, here you can find the willows planted by Kang Youwei and Wang Yirong.
Stroking these willows, I thought, here should be called "literati willows".
Walking on the embankment, although it is not possible to plant willows on the embankment like the sages and literati, nor can it be like Liu Zongyuan, Kang Youwei, and Wang Yirong, who have a heart of worrying about the country and the people, and chant poems that have flowed through the ages, this does not affect a literati's anxiety and love for this nation. Of course, Wang Yirong's deeds of fulfilling the festival for the nation shook my soul with a strong force. I almost fell down in front of willow on the embankment.
I suddenly felt that this plant, a bush of green yellow, yellow and green willows on the embankment, was simply green and yellow for the prosperity and strength of the nation, for a kind of integrity- the integrity of the literati, and green and yellow. Never flattering, never attaching to the phoenix climbing the dragon, attaching to the inflammatory trend, always pitching and speaking without shame.
The willow on the embankment slowly returns, which not only means leisurely and poetic, but the greater meaning is that my soul is as quiet as a willow in the idyllic willow green on the, returning to nature, returning to human history and culture.
Slowly return, slowly return. Cloak a "March style", and then fold a skill on the willow, slowly return. Slowly returning slowly, my heart is already a willow on the embankment.
One point number Zhou Zheng literature column