Liu Zhen is a peaceful person, strives to be self-motivated, and pursues high taste and literati feelings in art. More sensitive to color, painted oil paintings for many years, its color expression stimulates unrestrained, can go to the eye-catching visual effects, painting the scenery always makes people immersive.
In recent years, he has spent a lot of time studying copying ink landscape painting. He re-understood the ancients' experience of life, the understanding of art, the understanding of society, and even the pursuit of pen and ink expression.
Liu Zhen: Don't sign Zhenzhi and Yuchen. Born in 1980 in Laiwu City, Shandong Province. In 2004, he graduated from Shandong Academy of Arts under The Study of Mr. Cui Pihuan and Mr. Sun Yunjiu. The famous landscape painter Mr. Zhang Baozhu entered the room as a disciple. Shandong Academy of Arts is a master's degree student majoring in landscape painting, and the tutor is Mr. Zhang Zhimin, a famous landscape painter. Senior painter of Taishan Chinese Painting Institute, member of Beijing Gongbi Heavy Color Painting Society, member of Jinan Young Artists Association, painter of Li Keyan Painting Academy.
Liu Zhen can follow the ancient precepts and learn from the ancients with an open mind. There is no good way to learn landscape painting, first of all, it is necessary to learn more from ancient artists, copy more, and learn more from ancient landscape painters. Then, the most important thing in this study is to learn the ancients' penmanship, ink method and chapter method, and Liu Zhen has done a better job at this point.
A person who has no perseverance and is not devout to painting is difficult to achieve artistic achievements. Through several years of hard work, he studied for a master's degree from Mr. Zhang Zhimin of Shandong Academy of Arts, and he gained more new gains in academics and painting techniques.
In particular, it is very important to systematically study and study the history of Chinese art, combine your own paintings with your own paintings, and be widely exposed to some academic systems theories.
Traditional culture is broad and profound, and his life's energy can not be glimpsed, so this is selective and targeted for traditional learning. Liu Zhen mobilized the knowledge he had learned, coupled with his intelligent character, and he chose to learn and experience the ancients' pen and ink. Landscape paintings go straight after the Song and Yuan dynasties.
A mountain and a stone, a grass and a tree, the shot is Ni Gaoshi, Huang Gongwang. With the pen loose and natural, the lines are slender but full of toughness, which is the reason why Chinese said four or two pounds. The subtleties, grasses, and tree patterns are all painted naturally and vividly.
In the creation of the realm, far and near, high and deep, the water, the dot line, the ink ball, and so on these elements are used just right, always creating a landscape realm that can be traveled and lived. In the overall layout of the picture, he makes more use of the constituent elements of Western painting to divide the picture properly.
The foundation of Western painting, the fusion of traditional Chinese ontology culture, Liu Zhen brother is trying to do a big thing, the people in the industry understand and know what he wants to do. However, the person who has achieved things will always be subjected to all kinds of torture, their own, others' and even social. It is precisely such an era, such an environment, that can create a real hero.