Wang Xiaoxian, also known as Wang Ai, studied under Mr. Zhao Zhenchuan and studied at Fan Yang's studio at the China National Academy of Painting in 2009. In 2011, he studied at the Academy of Fine Arts of Tsinghua University. In 2012, he studied at Longrui Chinese Landscape Painting Creation Institute. In 2013, he studied at the Central Academy of Fine Arts. Under the guidance of Jia Youfu and Chen Ping, the work "Crossing the Mountain" won the second prize of the National Sentiment to Welcome the 21st Century, and the work "The Road Home" was selected to celebrate the 85th anniversary of the founding of the Chinese People's Liberation Army. He is currently the vice president of the Huang Binhong Art Research Association, a painter of the Chinese Landscape Painting Creation Institute, a painter of the Xi'an Painting Institute, and the vice president of the Painting and Calligraphy Research Institute of the Shaanxi Cultural Exchange Association. Visiting Professor of Xi'an Institute of Translation and Interpretation, Member of the Standing Committee of the 12th, 13th and 14th CPPCC in Xincheng District.
There are no weak soldiers under the famous division
--Interpretation of female painters of the Chang'an School
Wang Ai landscape painting author: Qi Wenge
Wang Ai, a disciple of Mr. Zhao Zhenchuan of the Chang'an School, was able to comprehend the essence of Chinese landscape painting, which stemmed from her love for nature. Few people are able to integrate themselves into nature to concentrate on research, and Wang Ai carried forward the fine tradition of the Chang'an School of painting that was indifferent to fame and fortune and went deep into life.
Over the years, she has remembered Zhao Zhenchuan's teachings of "less crowd and more nature". It is rare to see Wang Ai in the hustle and bustle of the city, and most of her time is spent in her studio. Wang Ai, whose living conditions are not very wealthy, said that she is now very satisfied with being able to have a separate studio, compared to the scene where she painted on the balcony at home many years ago, it has been a great improvement, although the space is very small, you can't look at the painting from a distance, you can only observe the picture through the mirror opposite the drawing board, but this can also be a distance, which is also a unique feeling.
"The reason why I love landscape painting is that I especially appreciate the uprightness of the mountains, the heaviness of the mountains and the tolerance of the mountains. Wang Ai said. Her excellence lies in the ability to transform everything in her heart into freehand brush and ink language and beauty, especially in the freehand principle of not losing the brush and ink dripping and hearty, focusing on the refinement and performance of the image of the landscape, so that the landscape of the pen does not lose its essence in the wild expression, and does not lose the charm in the change of ink color, which is the transcendent characteristics of Wang Ai's landscape painting creation between concrete and imagery.
In most of Wang Ai's works, he skillfully uses freehand brush and ink techniques to fully interpret the theme and create a poetic sense to the picture, and always interacts with the real and the virtual, so that the works are ethereal and full of timeless charm, and in the grandeur and majesty, they always reveal meaning and interest, which is the uniqueness of Wang Ai's works.
The fragrance of Hanmo floats in the green barracks, and the blue color dyes Shangri-La
Strengthening the construction of socialist culture with Chinese characteristics and striving to enhance cultural soft power are the new highlights of the spirit of the 18th National Congress of the Communist Party of China. As a Shangri-La garrison, how to create a barracks culture with regional characteristics and improve the cultural literacy of officers and soldiers has always been a new topic that we have painstakingly explored. We had the opportunity to meet Wang Ai, a famous painter from all over the country who came to Shangri-La for sightseeing.
In the words, not only learned that Wang Ai, also known as Wang Xiaoxian, has studied at the China National Academy of Painting, the Chinese Landscape Painting Creation Institute, and the Central Academy of Fine Arts, but also is the proud protégé of the famous master Zhao Zhenchuan of the Chang'an School of painting, good at landscape painting, has participated in several national art exhibitions and won awards, and was elected as a member of the Standing Committee of the Xi'an CPPCC, and has a soft spot for the mountains and rivers of Shangri-La, and intends to use her brush to make the blue sky and white clouds, green mountains and green waters, grasslands and forests of Shangri-La with infinite charm. The cows, sheep and horses are splashed into paintings, recreating the beautiful and magical scenery of Shangri-La, and showing the beauty of Shangri-La in the world to the world. What's more fortunate is that Mr. Wang Ai admired the barracks and the officers and soldiers, and as soon as she entered the barracks, she tutored the officers and soldiers in aesthetic knowledge and taught them painting skills. When the classic works jumped on the paper, the officers and soldiers all admired and praised Mr. Wang Ai's superb skills and painting ethics, which was really "the heart of the officers and soldiers, the painting gathered strong feelings, the ink dyed Shambhala, and the pen and pen are all scenes".
Wandering in her landscape world, let us deeply feel the artistic style of the Chang'an School of painting "reaching out to life with one hand and reaching out to tradition with the other". In her words: "The reason why I love landscape painting is that I especially appreciate the uprightness, the heaviness and inclusiveness of the mountains. Because of this, his painting style is vast and atmospheric, the brush and ink are vigorous, ups and downs, virtual and real, and immersive. It gives people a strong visual impact, gives people the appeal of being in the strange mountains and beautiful waters, and gives people the encouragement of the benevolent people who love the mountains and the wise people who love water. It seems that the three mountains and five mountains, the four seas and eight rivers are rushing to the face, which is dizzying and reverberating.
Its superiority lies in the ability to transform everything in the heart into freehand pen and ink language and beauty, especially in the freehand originality without losing the pen and ink, focusing on the artistic conception refinement and performance of the landscape, so that the landscape of the pen does not lose its essence in the wild stretch, does not lose its simplicity in the grand and complex composition, does not lose the expression of ideas in the rhythm and rhythm of the line, and does not lose the charm of the creation in the change of ink color, which is the characteristics of Wang Ai's landscape painting creation between the concrete and the image. It can be seen from her works that she skillfully uses freehand brush and ink techniques to fully interpret the theme and create a poetic picture to the picture, always making the works ethereal and full of timeless charm in the interaction between real and imaginary, and always revealing meaning and interest in the grandeur and majesty, which is the uniqueness of Wang Ai's paintings.
In the exchange with Mr. Wang, I deeply felt that as a Chinese landscape painter, she has the simplicity and heaviness of a mountain, the quiet and delicate of a stream, the sprinkling of a forest, and the humble and low-key characteristics of a female painter. In the contact with the officers and soldiers, the officers and soldiers liked her, and in the closeness to Shangri-La, the strange mountains and beautiful waters liked her even more.
Teacher Wang Ai likes nature, prefers the beautiful scenery of Shangri-La's plateau, and wishes Mr. Wang to indulge in splashing ink to write landscapes, sending affection to the officers and soldiers of the plateau department, painting a more beautiful Shangri-La with a magical brush, and dyeing the deep feelings of the military and the people with Han ink. 【Li Xuguang, Yao Shizhong】
Celebrity reviews
★ Wang Ai's landscape paintings, faintly deep, misty and rainy, show that she has a high understanding of painting, and she can often get rid of the shape and trace after learning. - Cheng Dali
★ Wang Ai grew up in Qinling Mountain, Shaanxi, and watched the mountains and rivers at sunset, which naturally became the most profound memory of her life. The cols, the streams, the light smoke, the huts, the mist, all exude the breath of life.
It can be seen that Wang Ai is not sketching the scene, nor is he reproducing the real landscape of his hometown, but through the expression of this "love for the mountain complex" to find the artistic self and discover the best way to express his temperament. Therefore, in her creation, she pushes "love" to a crucial position, and has always run through this artistic pursuit in all her creations, using natural scenery to highlight and express her own feelings, so that Wang Ai's works glow with many alluring oriental cultural charms, and the expression of the blending of situations makes her works produce a unique mysterious atmosphere. - Ma Jizhong
★ Wang Ai's little woman, bold, macro exploration, micro exploration, her landscape painting creation, from the lyrical "small self" to the big to the rigid "big me", from the "habitable and swimming" realm to the "silent and silent roaring Qiankun" realm, her works are majestic and mysterious, giving people a huge impact. - Qi Wenge
★ Compared with traditional landscape paintings, Wang Ai is more inclined to express his aesthetic ideals in the choice of themes such as deep mountains and old forests, ancient roads and old trees, small bridges and flowing waters, and wild huts. - Zhao Zhenchuan
Looking at the Qinling Mountains
——Wang Ai's landscape paintings, after viewing Zhai Zhengwen
The breeze came slowly and the window was half-opened, and the small fan gently swayed to cool it. I like the smoke and rain of the mountains the most, and the water is long in the depths of the sun.
Yafeng comes
——Reading Wang Ai's landscape paintings
Cai Ningzhen put on makeup and pushed the window idly, and her daughter was hidden in her belly. The green sleeves waved the wind into the forest, and the plain wrist was calm and the rain was long.
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